Antique & Fine Art Auction

Two Early XX Century Framed Japanese Woodblock Prints, including one after Hiroshige, the larger 35.5 x 23.5cms.

•AFTER LAURENCE STEPHEN LOWRY (1887-1976) Station Approach, reproduction printed in colours, signed in pencil in the margin, Hibbert Brothers labe...

•AFTER JULIAN TREVELYAN (1910-1988) Harbour (SP.9), colour lithograph, from the School Prints series, pub. Baynard Press, signed and date (19)46 w...

•AFTER LAURENCE STEPHEN LOWRY (1887-1976) Fever Van, reproduction printed in colours, signed in pencil, Fine Art Trade Guild blind stamp, Headrow ...

•AFTER LAURENCE STEPHEN LOWRY (1887-1976) Man Holding Child, reproduction printed in colours, signed in pencil, Fine Art Trade Guild blind stamp, ...

•AFTER LAURENCE STEPHEN LOWRY (1887-1976) Sunday Afternoon, limited edition reproduction, printed in monochrome, signed and dated 1969 within the ...

•AFTER RAYMOND JOHN COUTU (b.1924) Dancer, artist's proof printed in colours, signed "Jack Coutu", titled and dated (19)63 in pencil in the margin...

WALTER RICHARD SICKERT (1860-1942) "You'd Be Surprised", portrait of the singer Hylda Glyder at Shoreditch Olympia Music Hall, etching, signed in ...

JOHN SCOTT AFTER ABRAHAM COOPER (1787-1868) Crib and Rosa, double portrait of Staffordshire Bull Terriers, engraving, pub. June 7th 1817, 37 x 41....

AFTER WILLIAM LIONEL WYLLIE (1851-1931) The Last Trickle of the Flood, etching, signed in pencil in the margin, 26 x 38cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) Highway of the Nations, etching, signed in pencil on the plate, 30.5 x 48cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) Waterloo Bridge and Somerset House from the South Bank, etching, signed in pencil in the margin, 21 x 37cm...

AFTER WILLIAM LIONEL WYLLIE (1851-1931) Westminster from the Thames, etching, signed in pencil in the margin, 20.5 x 25cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) On the Scheldt, etching, signed in pencil in the margin, 14.2 x 31.2cms.

•AFTER GERALD LESLIE BROCKHURST (1890-1978) Elizabeth, etching, signed in pencil in the margin, 17 x 12cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) The Fifth Battle Squadron, etching, signed in pencil in the margin, 11.5 x 38cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) Porchester, etching, signed in pencil in the margin, 11 x 32cms.

AFTER WILLIAM WALCOT (1874-1943) The Clyde, drypoint etching, signed in pencil in the margin, 11 x 27.5cms.

•AFTER STANLEY ANDERSON (1884-1966) River Embankment, etching, signed and dated 1920 in the plate and signed in pencil in the margin, 24.5 x 35cms.

•AFTER FRANK BRANGWYN (1867-1956) The Lifeboat, lithograph, signed in pencil and numbered 139 in the margin, 56 x 68cms.

•AFTER LAURENCE STEPHEN LOWRY (1887-1976) Station Approach, reproduction printed in colours, signed in pencil in the margin, Fine Art Trade Guild ...

AFTER WILLIAM LIONEL WYLLIE (1851-1931) Naval Engagement of the Q Ship Probus, etching, signed in pencil in the margin, 18 x 25cms.

AFTER WILLIAM LIONEL WYLLIE (1851-1931) H.M.S. Bellerophon, print, signed lower right margin, 43 x 24cms.

AFTER FRANK H. MASON (1875-1965) Surrender of the German Fleet, etching, signed in pencil in the margin, 37 x 20cms.

Culpeper [Nicholas M.D.] : The Complete Herbal, London, Thomas Kelly, 1847; Fernie [W.T. M.D.] : Herbal Simples, third edition, Bristol, John Wrig...

Bates [H.E.] : Through the Woods, 73 engravings by Agnes Miller Parker, pub. Victor Gollancz, London 1936, red cloth, dustwrapper; Bates [H.E.] : ...