Lot

53

JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and

In 30th December - Contemporary & Actual Art

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1/5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 1 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 2 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 3 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 4 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 5 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 1 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 2 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 3 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 4 of 5
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Good woman".Sculpture in Murano glass, copy 6/8.Signed and - Image 5 of 5
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Barcelona
JOAN GARCÍA RIPOLLÉS (Castellón, 1932).
"Good woman".
Sculpture in Murano glass, copy 6/8.
Signed and justified on the base.
Berengo Studio Editor.
Presents certificate of authenticity by the artist.
Measurements: 58 x 23 x 12 cm.
The present anthropomorphic and multicoloured work, a product of Joan Ripollés' imagination, reflects the instinct of Picasso and the linear grace of Matisse, while retaining its originality and very personal interpretation, the result of a free expression. The artist disproportions the present figure by placing a large head on a small body, emphasising it through the features and managing to underline the senses.
Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, while still very young and in the middle of the post-war period, he started working in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 marked a turning point in his career, as a result of a trip to Paris where he made contact with the city's artistic circles. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on he embarked on a dazzling international career that has taken his work all over the world. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés defines himself as an "immature adult" and, above all, "light-hearted, a little mischievous and with some naivety", words that reflect his exuberant creative spirit, his simple and extroverted character and his childlike soul. Ripollés is, today, one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. He is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Berengo Studio, Fondazione Berengo and Glasstress is a glass studio and art foundation. It is a place where artists, designers and creatives from all disciplines create innovative works in glass, and together write a new chapter in the history of this ancient and seductive medium.
JOAN GARCÍA RIPOLLÉS (Castellón, 1932).
"Good woman".
Sculpture in Murano glass, copy 6/8.
Signed and justified on the base.
Berengo Studio Editor.
Presents certificate of authenticity by the artist.
Measurements: 58 x 23 x 12 cm.
The present anthropomorphic and multicoloured work, a product of Joan Ripollés' imagination, reflects the instinct of Picasso and the linear grace of Matisse, while retaining its originality and very personal interpretation, the result of a free expression. The artist disproportions the present figure by placing a large head on a small body, emphasising it through the features and managing to underline the senses.
Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, while still very young and in the middle of the post-war period, he started working in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 marked a turning point in his career, as a result of a trip to Paris where he made contact with the city's artistic circles. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on he embarked on a dazzling international career that has taken his work all over the world. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés defines himself as an "immature adult" and, above all, "light-hearted, a little mischievous and with some naivety", words that reflect his exuberant creative spirit, his simple and extroverted character and his childlike soul. Ripollés is, today, one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. He is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Berengo Studio, Fondazione Berengo and Glasstress is a glass studio and art foundation. It is a place where artists, designers and creatives from all disciplines create innovative works in glass, and together write a new chapter in the history of this ancient and seductive medium.

30th December - Contemporary & Actual Art

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Barcelona
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Spain

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