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A monumental Victorian Arts & Crafts lustre wall charger by Maw & Co, Broseley

In Fine Interiors: featuring A Bold Perspective -...

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Henley-On-Thames, Oxfordshire
A monumental Victorian Arts & Crafts lustre wall charger by Maw & Co, Broseley
Glazed in purple, pink and orange on a white ground with central circular Medusa mask surmounted by a flaming brazier, flanked by pomegranates, other seeded fruit and leaves, within a running wave border, impressed marks to the underside 'MAW & Co' and 'BROSELEY', with stapled firing crack, 91cm diameter.

Maw & Co was established by George Maw and his brother Arthur in Worcester in 1850. In 1862 the company moved to Broseley, Shropshire to take advantage of the good-quality local clay and in 1883 they moved again to the Benthall Works in Jackfield, Shropshire. The company continued to prosper and by 1880 had grown to be the largest producer of ceramic tiles in the world. Maw & Co specialised on the earthenware floor tiles, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. In the 1890s Maw & Co started making high quality art pottery (the name they used for it) and employed artists, such as Lewis Foreman Day, William De Morgan and Walter Crane, to design both art pottery and tiles. The stamp underside indicates that the piece was manufactured between 1862 and 1883 while the factory was still located in Broseley. While the company's main output at the time was tiles, it also produced one-off pieces like this for various exhibitions as a showcase of their craftsmanship and techniques. Thus, one of the first examples was made for 1851 Great Exhibition, and a further similar charger was made for 1889 Exposition Universelle (now in the Ironbridge Gorge Museum). It seems likely that the present charger was made for one of such exhibitions, designed by a prominent artist of the era. William De Morgan or Walter Crane seem to be plausible candidates for such design. Crane realised a number of designs for Maw & Co. in 1870's–80's, including a set of lustreware decorated vessels in similar, antiquity-inspired style, for an Arts and Crafts exhibition (The Work of Walter Crane with Notes by the Artist. The Easter Art Annual for 1898: Extra Number of the 'Art Journal'. London: J. S. Virtue, 1898.). The De Morgan Foundation owns a large Maw & Co. charger similarly decorated with vitruvian scroll borders (https://www.demorgan.org.uk/collection/ruby-lustre-charger-with-galleon-within-a-carnation-border/). A vase by an anonymous artist is owned by the V&A Museum, London (http://collections.vam.ac.uk/item/O150401/vase-maw-co/).  
A monumental Victorian Arts & Crafts lustre wall charger by Maw & Co, Broseley
Glazed in purple, pink and orange on a white ground with central circular Medusa mask surmounted by a flaming brazier, flanked by pomegranates, other seeded fruit and leaves, within a running wave border, impressed marks to the underside 'MAW & Co' and 'BROSELEY', with stapled firing crack, 91cm diameter.

Maw & Co was established by George Maw and his brother Arthur in Worcester in 1850. In 1862 the company moved to Broseley, Shropshire to take advantage of the good-quality local clay and in 1883 they moved again to the Benthall Works in Jackfield, Shropshire. The company continued to prosper and by 1880 had grown to be the largest producer of ceramic tiles in the world. Maw & Co specialised on the earthenware floor tiles, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. In the 1890s Maw & Co started making high quality art pottery (the name they used for it) and employed artists, such as Lewis Foreman Day, William De Morgan and Walter Crane, to design both art pottery and tiles. The stamp underside indicates that the piece was manufactured between 1862 and 1883 while the factory was still located in Broseley. While the company's main output at the time was tiles, it also produced one-off pieces like this for various exhibitions as a showcase of their craftsmanship and techniques. Thus, one of the first examples was made for 1851 Great Exhibition, and a further similar charger was made for 1889 Exposition Universelle (now in the Ironbridge Gorge Museum). It seems likely that the present charger was made for one of such exhibitions, designed by a prominent artist of the era. William De Morgan or Walter Crane seem to be plausible candidates for such design. Crane realised a number of designs for Maw & Co. in 1870's–80's, including a set of lustreware decorated vessels in similar, antiquity-inspired style, for an Arts and Crafts exhibition (The Work of Walter Crane with Notes by the Artist. The Easter Art Annual for 1898: Extra Number of the 'Art Journal'. London: J. S. Virtue, 1898.). The De Morgan Foundation owns a large Maw & Co. charger similarly decorated with vitruvian scroll borders (https://www.demorgan.org.uk/collection/ruby-lustre-charger-with-galleon-within-a-carnation-border/). A vase by an anonymous artist is owned by the V&A Museum, London (http://collections.vam.ac.uk/item/O150401/vase-maw-co/).  

Fine Interiors: featuring A Bold Perspective - a selection from Peacock's Finest

Sale Date(s)
Lots: 0-381
Venue Address
The Dairy
Stonor Park
Henley-on-Thames
Oxfordshire
RG9 6HF
United Kingdom

Post Sale Collections and Storage Information

All auction purchases should be collected within 14 day of the auction from The Dairy, Stonor, Henley-on-Thames, Oxfordshire, RG9 6HF.

We will be operating collection of sold lots strictly by appointment from The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire RG9 6HF. Collection slots are between 10.00am - 4.00pm and must be booked in advance. We can only accommodate vehicles up to 7.5tonnes on the Stonor Park Estate.

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If items remain uncollected after the free collection period we reserve the right to transfer them to external storage where a transfer charge and additional storage charges will apply.

Loss and Damage

Full value protection Cover for the value of the hammer price with be charged at 0.6% but will not exceed the total value of all other transfer and storage charges.

Value Added Tax

Will be applied at the current rate on any charges levied.

 

Important Information

Post Sale Collections and Storage Information

All auction purchases should be collected within 14 day of the auction from The Dairy, Stonor, Henley-on-Thames, Oxfordshire, RG9 6HF.

We will be operating collection of sold lots strictly by appointment from The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire RG9 6HF. Collection slots are between 10.00am - 4.00pm and must be booked in advance. We can only accommodate vehicles up to 7.5tonnes on the Stonor Park Estate.

Due to Covid protocols and government guidelines, carriers sent to collect on your behalf must wear a mask and handle the goods independently.

Please make contact with The Pedestal if you need assistance in arranging transport or are unable to make collection within the given time frame. We reserve the right to send Lots that are not collected in a timely manner to external storage, any resulting cost will be transferable to the purchaser.

Goods not collected within 14 days may be subject to an administration charge on £10 and then storage charged at:
£3 per day for pictures and small items
£6 per day for furniture, larger pictures and objects.

If items remain uncollected after the free collection period we reserve the right to transfer them to external storage where a transfer charge and additional storage charges will apply.

Loss and Damage

Full value protection Cover for the value of the hammer price with be charged at 0.6% but will not exceed the total value of all other transfer and storage charges.

Value Added Tax

Will be applied at the current rate on any charges levied.

 

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