Lot

555

* JAMES PETER QUINN (AUSTRALIAN 1869 - 1951), PORTRAIT OF A WOMAN

In British & International Pictures

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +44 (0)141 810 2880 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
* JAMES PETER QUINN (AUSTRALIAN 1869 - 1951), PORTRAIT OF A WOMAN
420 GBP
Glasgow
* JAMES PETER QUINN (AUSTRALIAN 1869 - 1951), PORTRAIT OF A WOMAN

oil on canvas, signed
framed



image size 55cm x 44cm, overall size 66cm x 55cm

Note: James Peter Quinn was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Berneard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to re-join the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with Sir Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch Prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War Memorial, Canberra, and he is represented in most Australian public collections and in major galleries throughout the world.

* JAMES PETER QUINN (AUSTRALIAN 1869 - 1951), PORTRAIT OF A WOMAN

oil on canvas, signed
framed



image size 55cm x 44cm, overall size 66cm x 55cm

Note: James Peter Quinn was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Berneard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to re-join the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with Sir Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch Prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War Memorial, Canberra, and he is represented in most Australian public collections and in major galleries throughout the world.

British & International Pictures

Sale Date(s)
Venue Address
Meiklewood Gate
Meiklewood Road
Glasgow
G51 4EU
United Kingdom

General delivery information available from the auctioneer

McTear's are pleased to offer a global packing and shipping service through the experts at Auction Logistics from Mail Boxes Etc. If you are using the-saleroom.com bidding platform, the shipping prices for most lots in our Specialist Sales are on the-saleroom.com lot detail pages in advance of the sale day. the-saleroom.com buyers can purchase shipping conveniently online by following the payment link received by email after the sale. 
Auction Logistics from Mail Boxes Etc. offer a complete collect, pack and ship service to most global destinations and include up to £150 Inclusive Cover protection per lot, with the option to upgrade the cover to the full amount paid for the item/s*.
Auction Logistics (Mailboxes) 

E: auctionlogisticsenquiries@mbe.uk
T: 0871 221 1233

“Calls charged at £0.13 per minute from UK landlines and mobiles plus your phone company's access charge”
Buyers can instruct a packer and shipper of their choice. Other options available are:

Collin Moran & Son Ltd
collin@collinmoranandson.co.uk
0141 849 1947


Aardvark Art Services Ltd (Specialist Painting Couriers)

E: info@aardvarkartservices.com

T: 01253 794673

Important Information

Viewing times:

Monday 23rd - 9am-5pm
Tuesday 24th - 9am-5pm
Wednesday 25th - 9am-1pm

Please Note: McTear’s reserve the right to charge the card you used to register for live bidding within 24 hours of the auction finishing unless other arrangements are agreed with McTear’s prior to the sale. 

Buyer`s Premium 24% + VAT

Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT at the rate imposed

For purchases we recommend packing and shipping companies such as:

Collin Moran & Son Ltd
collin@collinmoranandson.co.uk
0141 849 1947

Mailboxes 
info@mbewoodlandsroad.co.uk
0141 332 6555
admin@mbeshawlands.co.uk
0141 649 6777

Aardvark Art Services Ltd 
info@aardvarkartservices.com
01253 794673

Alban Shipping
info@albanshipping.co.uk
01582 493 099

Terms & Conditions

 

To view McTear's Terms of Business click here.

To view McTear's privacy policy click here.

See Full Terms And Conditions

Tags: Portrait Painting, Oil painting, Portrait