Lot

96

Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century.

In Legends, Myths and Symbols

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +34 93 3001477 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
1/23
Bidding has ended
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 1 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 2 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 3 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 4 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 5 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 6 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 7 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 8 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 9 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 10 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 11 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 12 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 13 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 14 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 15 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 16 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 17 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 18 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 19 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 20 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 21 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 22 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 23 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 1 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 2 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 3 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 4 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 5 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 6 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 7 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 8 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 9 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 10 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 11 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 12 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 13 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 14 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 15 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 16 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 17 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 18 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 19 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 20 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 21 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 22 of 23
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century. - Image 23 of 23
Interested in the price of this lot?
Subscribe to the price guide
Barcelona
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century.Oil on canvas with gilded and polychromed stucco. Chinese style decoration. 124 x 55 cm each. Total measurements: 124 x 330 cm.Screens arrived in the New World via the route that linked the Far East and Spain through Mexico, on the ships known as the Nao de China or Manila Galleon. It is not known exactly when the first contact between New Spanish society and this and other products of Asian origin occured, but it is known that they were already part of the cargoes in 1585, when a Japanese ambassador passed through Mexico City on a trip to visit Philip II and Pope Gregory XIII. Katzew (2014) also reminds us that screens also took pride of place in 1614 in a gift from the Japanese shogun Tokugawa Ieyasu (Okazaki, 1543 - Shizuoka, 1616) to the viceroy Luis de Velasco (1607 - 1611).This growing exchange between Asian civilization and colonial  Latin America is not accidental, it is part of a context of empowerment of the Creoles in which "sentiments against Spain" increased and, according to Professor Gauvin A. Bailey (2007), " Asian art provided Hispanic Americans with a means to express their pride in the indigenous antiquity of their land."Reference bibliography:-     Bailey, G. A. (2007). Asia en las artes de la América Latina colonial. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 57-71). Fondo de Cultura Económica.-     Brown, J. (2014). De la pintura española a la pintura novohispana, 1550-1700. En L. E. Alcalá and J. Brown (Eds.), Pintura en Hispanoamérica, 1550 - 1820. (pp. 103-148). Ediciones El Viso.-     Codding, M. A. (2007). Las artes decorativas en América Latina, 1492 - 1820. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 98-145). Fondo de Cultura Económica.-     Kagan, R. L. (Ed.). (1998). Imágenes urbanas del mundo hispánico. 1493 - 1780. Ediciones El Viso e Iberdrola.-     Katzew, I. (2007). Estrellas en el Mar de la Iglesia: los indios en la pintura novohispana del siglo XVIII. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 337-481). Fondo de Cultura Económica.-     Katzew, I. (2014). Pinceles valientes. La pintura novohispana, 1700-1785. In L. E. Alcalá and J. Brown (Eds.), Pintura en Hispanoamérica, 1550 - 1820. (pp. 149-204). Ediciones El Viso.-     López Guzmán, R. (Ed.). (2021). Tornaviaje. Arte iberoamericano en España. Museo Nacional del Prado.-     Museo Nacional de San Carlos (30 de marzo de 2015). Juan Patricio Morlete Ruiz, México,1713-1772 Entrada triunfal de Alejandro el Grande, s.f. Óleo sobre tela, 83 x 127 [Tweet] [Imagen adjunta]. Twitter. Https://twitter.com/museo_sancarlos/status/58260813646220492This lot has been imported and its exportation permit from the Ministry of Culture is guaranteed.
Set of six marvellous screen panels. Colonial School. Mexico. Early 18th century.Oil on canvas with gilded and polychromed stucco. Chinese style decoration. 124 x 55 cm each. Total measurements: 124 x 330 cm.Screens arrived in the New World via the route that linked the Far East and Spain through Mexico, on the ships known as the Nao de China or Manila Galleon. It is not known exactly when the first contact between New Spanish society and this and other products of Asian origin occured, but it is known that they were already part of the cargoes in 1585, when a Japanese ambassador passed through Mexico City on a trip to visit Philip II and Pope Gregory XIII. Katzew (2014) also reminds us that screens also took pride of place in 1614 in a gift from the Japanese shogun Tokugawa Ieyasu (Okazaki, 1543 - Shizuoka, 1616) to the viceroy Luis de Velasco (1607 - 1611).This growing exchange between Asian civilization and colonial  Latin America is not accidental, it is part of a context of empowerment of the Creoles in which "sentiments against Spain" increased and, according to Professor Gauvin A. Bailey (2007), " Asian art provided Hispanic Americans with a means to express their pride in the indigenous antiquity of their land."Reference bibliography:-     Bailey, G. A. (2007). Asia en las artes de la América Latina colonial. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 57-71). Fondo de Cultura Económica.-     Brown, J. (2014). De la pintura española a la pintura novohispana, 1550-1700. En L. E. Alcalá and J. Brown (Eds.), Pintura en Hispanoamérica, 1550 - 1820. (pp. 103-148). Ediciones El Viso.-     Codding, M. A. (2007). Las artes decorativas en América Latina, 1492 - 1820. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 98-145). Fondo de Cultura Económica.-     Kagan, R. L. (Ed.). (1998). Imágenes urbanas del mundo hispánico. 1493 - 1780. Ediciones El Viso e Iberdrola.-     Katzew, I. (2007). Estrellas en el Mar de la Iglesia: los indios en la pintura novohispana del siglo XVIII. In J. J. Rishel and S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 - 1820. (pp. 337-481). Fondo de Cultura Económica.-     Katzew, I. (2014). Pinceles valientes. La pintura novohispana, 1700-1785. In L. E. Alcalá and J. Brown (Eds.), Pintura en Hispanoamérica, 1550 - 1820. (pp. 149-204). Ediciones El Viso.-     López Guzmán, R. (Ed.). (2021). Tornaviaje. Arte iberoamericano en España. Museo Nacional del Prado.-     Museo Nacional de San Carlos (30 de marzo de 2015). Juan Patricio Morlete Ruiz, México,1713-1772 Entrada triunfal de Alejandro el Grande, s.f. Óleo sobre tela, 83 x 127 [Tweet] [Imagen adjunta]. Twitter. Https://twitter.com/museo_sancarlos/status/58260813646220492This lot has been imported and its exportation permit from the Ministry of Culture is guaranteed.

Legends, Myths and Symbols

Sale Date(s)
Lots: 162
Venue Address
Conde de Salvatierra, 8
Barcelona
08006
Spain

General delivery information available from the auctioneer

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Important Information

Aufgeld / Premium: 22 %
Live: 3 %
USt auf beides / VAT on both: 21 %

Terms & Conditions

CONDITIONS OF THE AUCTION:

I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.

II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.

V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.

VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.

VII. SCALE OF BIDS. The bids are set according to the following scale:

From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.

X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.

15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.

XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.

XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

See Full Terms And Conditions

Tags: 15th-18th Century Art