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Francesco Bartolozzi (Italian 18th Century), after Guercino (Italian 17th Century) Head of an old
Francesco Bartolozzi (Italian 18th Century), after Guercino (Italian 17th Century) Head of an old man, possibly a study for St Jerome, etching, 11...
Steve Wellum (British Contemporary), 'Long Shadows', limited edition print, titled and numbered 5/
Steve Wellum (British Contemporary), 'Long Shadows', limited edition print, titled and numbered 5/250, signed in pencil, 9 x 29ins
Edwin La Dell RA (British 20th Century) Fettes College, Edinburgh, Limited edition colour lithograph, titled and numbered 61/75, 21 x 30ins
Heinrich Merz (Swiss, 19th Century) after Bonaventura Genelli (German 19th Century), A pair of
Heinrich Merz (Swiss, 19th Century) after Bonaventura Genelli (German 19th Century), A pair of plates (I & V) from The Life of the Witch (x2), eng...
A pastoral landscape with mother and daughter by a tree, and a further landscape with two figures
A pastoral landscape with mother and daughter by a tree, and a further landscape with two figures between trees (x2), lithograph, indistinctly sig...
Early 20th Century Continental scene with figures next to a pool with fountain, etching, indistinctly signed, unframed, 15 x 25ins
British, 20th Century, An unidentified river view lit by moonlight, aquatint, indistinctly signed,
British, 20th Century, An unidentified river view lit by moonlight, aquatint, indistinctly signed, unframed, 15 x 25ins
Pierre Drevet (French, 17th Century), after Van der Werf (Flemish 17th Century) Portrait of Oliver
Pierre Drevet (French, 17th Century), after Van der Werf (Flemish 17th Century) Portrait of Oliver Cromwell, engraving, 7 x 12ins
James Sands (British 19th Century) after Thomas Allom (British 19th Century) Westminster from
James Sands (British 19th Century) after Thomas Allom (British 19th Century) Westminster from Bishops Walk, Lambeth & The National Gallery, Charin...
After Jean Le Capelain (British 19th Century), Views of St. Brelades, Jersey (2), coloured lithograph. Provenance: Presented to D J Thomason, fro...
James Roberts (British 18th Century) after Thomas Smith (British 18 Century) A Prospect in the Upper
James Roberts (British 18th Century) after Thomas Smith (British 18 Century) A Prospect in the Upper Part of Dove-Dale, five Miles North of Ashbou...
After John Kitchingman (British 18th Century), Oval smuggling scenes (2), hand coloured engraving,
After John Kitchingman (British 18th Century), Oval smuggling scenes (2), hand coloured engraving, 12 x 10ins (each)
Samuel and Nathaniel Buck, Hadleigh Castle, Essex and Leiston Abbey, Suffolk (2), engraving, 14 x
Samuel and Nathaniel Buck, Hadleigh Castle, Essex and Leiston Abbey, Suffolk (2), engraving, 14 x 7ins (each)
After Dean Wolstenholme (British late 18th Century), Sporting prints (2), handcoloured engraving, 13
After Dean Wolstenholme (British late 18th Century), Sporting prints (2), handcoloured engraving, 13 x 10ins each
David Gentleman (British 20th Century), 'Ralph Allen's Sham Castle', 1975, Limited edition colour
David Gentleman (British 20th Century), 'Ralph Allen's Sham Castle', 1975, Limited edition colour lithograph, titled and numbered 59/100, 18 x 22i...
British 19th Century, print of the noted shop called originally 'John of all Sorts', Norwich,
British 19th Century, print of the noted shop called originally 'John of all Sorts', Norwich, lithograph, 8 x 10ins
British 19th Century, 'Yarmouth Jetty', 1851, hand coloured engraving, 4 x 6ins
William Henry Bartlett (British 19th Century), a plate from the illustrated series of engravings
William Henry Bartlett (British 19th Century), a plate from the illustrated series of engravings of English cities by John Britton, 1830, engravin...
W. Bligh Baker (British 19th Century) View along Nelson Street, Greenwich and a second print after
W. Bligh Baker (British 19th Century) View along Nelson Street, Greenwich and a second print after Edward Dayes (British 18th Century) of Greenwic...
David Talks (British Contemporary), A harbour view , Limited edition print, numbered 74/250 and
David Talks (British Contemporary), A harbour view , Limited edition print, numbered 74/250 and signed in pencil by the artist, 12 x 17ins
Michael Morley (British 20th Century), The Mayflower anchored off New England, Limited edition print
Michael Morley (British 20th Century), The Mayflower anchored off New England, Limited edition print inscribed 1/500 in pencil and signed by the a...
After Edward Detmold & Maurice Detmold (British 20th Century), 'Akela the lone wolf'; 'Toomai of the
After Edward Detmold & Maurice Detmold (British 20th Century), 'Akela the lone wolf'; 'Toomai of the Elephants' subjects for Kipling's Jungle Book...
Thomas Fryer Ranson (British Late 18th Century) A set of vignettes, including Westwick House;
Thomas Fryer Ranson (British Late 18th Century) A set of vignettes, including Westwick House; Remains of New Buckingham Castle and Hadiscoe Church...
Samuel and Nathaniel Buck (British 18th Century) The South-East View of Castle-Rising, Norfolk,
Samuel and Nathaniel Buck (British 18th Century) The South-East View of Castle-Rising, Norfolk, engraving, 8 x 15ins
Elaine Nason (British Contemporary), an unusual woodblock print of a peeled apple, woodblock, signed
Elaine Nason (British Contemporary), an unusual woodblock print of a peeled apple, woodblock, signed and inscribed, 5 x 6ins
An album of loose Japanese woodblock prints, some late 19 Century, primarily early 20th Century (x18
An album of loose Japanese woodblock prints, some late 19 Century, primarily early 20th Century (x18 approx., woodblock prints laid on paper, unfr...
After Thomas Shotter Boys (British 19th Century) 'The Bank, looking towards the Mansion House', from
After Thomas Shotter Boys (British 19th Century) 'The Bank, looking towards the Mansion House', from the 'Original Views of London' series, 1843, ...
After Thomas Shotter Boys (British 19th Century) A re-issue of the Original Views of London' series,
After Thomas Shotter Boys (British 19th Century) A re-issue of the Original Views of London' series, 1843, printed by Charles W Traylen, 1954 (x...
Edward Seago, (British 20th century), Medici Society print 'The Landmark', 1936 ploughing scene with windmill, with later colouring by an unidenti...
Almer Keene (British, 19th century), Going to Pasture, lithograph on paper, 27 x 41cm
Janowski Sandor (Hungarian, 20th century), Still Life print of flowers and fruit, woodblock print,
Janowski Sandor (Hungarian, 20th century), Still Life print of flowers and fruit, woodblock print, signed and inscribed, 35 x 23cm
Coloured engraving, after Wivell, "His Most Gracious Majesty George IV", 32 x 22cm
After Thomas Rowlandson (British, 18th century), Vauxhall Gardens, 1732, 19th century or later
After Thomas Rowlandson (British, 18th century), Vauxhall Gardens, 1732, 19th century or later reproduction colour lithograph on paper, 34 x 47cm
After Sir Oswald Walters Brierly, (British, 19th century), large coloured engraving, ships in
After Sir Oswald Walters Brierly, (British, 19th century), large coloured engraving, ships in harbour, bears both pencil signature of artist and f...
After Douglas Adams, three coloured prints of golfing interest "A difficult bunker", "The putting
After Douglas Adams, three coloured prints of golfing interest "A difficult bunker", "The putting green" and "The drive", all contemporary framed ...
Wilfred Stephens (20th century), "Castonbridge, Wessex", black and white etching, signed, dated 1928
Wilfred Stephens (20th century), "Castonbridge, Wessex", black and white etching, signed, dated 1928 and inscribed with title in pencil to lower m...
Louis Whirter, "Glamis Castle", black and white proof etching, signed and inscribed with title in
Louis Whirter, "Glamis Castle", black and white proof etching, signed and inscribed with title in pencil to lower margin, 24 x 16cm
AR Norman Sayle, Moored boat coloured print, signed and numbered 10/395 in pencil to lower margin 33
AR Norman Sayle, Moored boat coloured print, signed and numbered 10/395 in pencil to lower margin 33 x 23cms
Group of four 19th century engravings, genre scenes, assorted sizes, (4) ...[more]
After Laport, engraved by B Comte, "Llanroost Bridge, Merionethshire", hand coloured aquatint,
After Laport, engraved by B Comte, "Llanroost Bridge, Merionethshire", hand coloured aquatint, published by James Deeley, 1812, 39 x 56cm
After R R Reinagle, Engraved by C Turner, "Francis Noel Clarke Mundy Esq", black and white engraving, published 1810, 33 x 42cm ...[more]
After Thomas Webster, engraved by Henry Lemon, "Football", black and white engraving, published by
After Thomas Webster, engraved by Henry Lemon, "Football", black and white engraving, published by The London Fine Art Association, 1877, 38 x 76c...
After Charles Lucy, engraved by W H Simmons, "The Landing of the Pilgrim Fathers, John Carver",
After Charles Lucy, engraved by W H Simmons, "The Landing of the Pilgrim Fathers, John Carver", black and white engraving, proof before letters, p...
Joseph Farquharson, engraved by Herbert Sedcole, Sheep grazing, black and white engraving, published
Joseph Farquharson, engraved by Herbert Sedcole, Sheep grazing, black and white engraving, published by E Clifford & Co, 1904, signed in pencil to...
After William Drummond and Charles J Basebe, engraved by G H Phillips, "The Cricket Match - between Sussex and Kent at Brighton", black and white ...
After Francis Grant, engraved by James Scott, "James John Farquharson, Esquire", hand coloured
After Francis Grant, engraved by James Scott, "James John Farquharson, Esquire", hand coloured engraving, published 1859, 76 x 65cm, unframed
After John Coney, "Hotel de Ville - Brussels", hand coloured etching, published by J Coney, 1828, 48
After John Coney, "Hotel de Ville - Brussels", hand coloured etching, published by J Coney, 1828, 48 x 38cm, mounted but unframed
After George Harvey, engraved by W H Simmons, "The Bowlers", black and white mezzotint, published by
After George Harvey, engraved by W H Simmons, "The Bowlers", black and white mezzotint, published by L Brall & Sons, 1866, 37 x 74cm, mounted but ...
David Roberts (British, 19th century), Landscape, view of the Nile river from Nubia, Egypt, hand
David Roberts (British, 19th century), Landscape, view of the Nile river from Nubia, Egypt, hand coloured lithograph, 10 x 15ins ...[more]
Pair of Highland prints 'Monarch of the Glen' and 'On alert', lithographs (sepia) on paper, approx
Pair of Highland prints 'Monarch of the Glen' and 'On alert', lithographs (sepia) on paper, approx 15 x 18ins
After John Sell Cotman, (British, 19th century), An English 17th century interior scene, sepia on
After John Sell Cotman, (British, 19th century), An English 17th century interior scene, sepia on heliogravure on woven paper, 10 x 13ins
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