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Percy J. Westwood (b.1878) British, St. Pauls from the South, etching, signed and inscribed in
Percy J. Westwood (b.1878) British, St. Pauls from the South, etching, signed and inscribed in pencil, 10" x 3.25".
John Piper (1903-1992) British, 'Ruined Church, Bawsey', Circa 1982, screen print, signed in pencil and numbered 17/100, 17.5" x 23.25".
Pierre Georges Jeanniot (1848-1934) French, Polo players in India, etching, signed in pencil, 13.75"
Pierre Georges Jeanniot (1848-1934) French, Polo players in India, etching, signed in pencil, 13.75" x 21".
Cuthbert Bradley (1861-1943) British, a pair of hand-coloured scenes of Polo and horsemanship,
Cuthbert Bradley (1861-1943) British, a pair of hand-coloured scenes of Polo and horsemanship, each 5" x 8", along with four further unrelated pri...
After William Blake, a set of 5 scenes from 'Ode on the Spring', colour prints, 16" x 12.5". (5).
After William Blake, a set of 5 scenes from 'Ode on the Spring', colour prints, 16" x 12.5". (5).
A set of four hand-coloured engravings of the Drummond family, framed in two frames, each image 5.5"
A set of four hand-coloured engravings of the Drummond family, framed in two frames, each image 5.5" x 5". (2).
After Fragonard, a set of 12 collotype prints, framed in 10 frames, each image 8" x 5.5". (10).
After Fragonard, a set of 12 collotype prints, framed in 10 frames, each image 8" x 5.5". (10).
After William Blake, a set of four colour prints, each image 7" x 6.5". (4).
After Edmond Xavier Kapp, Circa 1925, a group of five caricatures for the Law Journal, each 12" x
After Edmond Xavier Kapp, Circa 1925, a group of five caricatures for the Law Journal, each 12" x 8.75", unframed, (5).
Pigeons and Quails, a print of specimen birds, 11.5" x 14", and a further pair of natural history
Pigeons and Quails, a print of specimen birds, 11.5" x 14", and a further pair of natural history prints in one frame, each 11" x 7", (2).
Pecheur Napolitan and Pecheur Venitien, a pair of engravings mounted in the same frame, each 6.5"
Pecheur Napolitan and Pecheur Venitien, a pair of engravings mounted in the same frame, each 6.5" x 9", (2).
A Pair of views of L'Abbaye de Corbie, each 11" x 14", (2).
After Klimt, 'Bauerngarten', colour print, 11.5" x 11.5".
After Cecil Alden, ‘The Huntsman’, colour print, 18” x 13”. ...[more]
After Birkett Foster, a pair of colour prints of children playing outdoors, each 9" x 14". (2).
After Birkett Foster, a pair of colour prints of children playing outdoors, each 9" x 14". (2).
After Picasso, 'Jeune Femme Assise dans un Fauteil', colour print, 21.5" x 13".
Le Marchand de Chevaux and La Terre, a pair of coloured prints, each 14" x 16.5". (2).
Messire Philibert Orry, Minister of Louis XIV, 1737, after H. Rigaud, 18th Century engraving, 21"
Messire Philibert Orry, Minister of Louis XIV, 1737, after H. Rigaud, 18th Century engraving, 21" x 15".
After J. Macwhirter, 'June in the Austrian Tyrol', colour print, 10.5" x 16".
After Randolph Caldecott, American, Circa 1876, 'Christmas Visitors from my Grandfather's Sketches',
After Randolph Caldecott, American, Circa 1876, 'Christmas Visitors from my Grandfather's Sketches', coloured engraving, 15" x 22.5", (A/F).
Joseph Chamberlain (20th century) British, A print of figures in a town square, 10" x 6".
A pair of signed Sphinx prints, one of the Archbishop Davidson, the other of 'The Swiss Minister,
A pair of signed Sphinx prints, one of the Archbishop Davidson, the other of 'The Swiss Minister, Monsieur Paravioni' including a signed letter to...
A print of Pin Mill, Suffolk, signed and inscribed 'For Norman and Marjorie', numbered 154/850, 10.
A print of Pin Mill, Suffolk, signed and inscribed 'For Norman and Marjorie', numbered 154/850, 10.5" x 17".
Andrew Affleck (1869-1935) British, 'Towers of Calais' etching, signed in pencil, labels verso, 16.
Andrew Affleck (1869-1935) British, 'Towers of Calais' etching, signed in pencil, labels verso, 16.75" x 12.25".
Percy Westwood (1878 -1958) Etching of a canal scene, probably Bruges, indistinctly signed and
Percy Westwood (1878 -1958) Etching of a canal scene, probably Bruges, indistinctly signed and inscribed in pencil, 12" x 6".
After David Wilkie, A 19th Century engraving of an interior scene with figures seated at a table and
After David Wilkie, A 19th Century engraving of an interior scene with figures seated at a table and others gathered by the fire along with a wome...
An engraving of a Deer by J.E Nilson, with Latin and German text, 7" x 10", and two further prints
An engraving of a Deer by J.E Nilson, with Latin and German text, 7" x 10", and two further prints of Tonbridge School, one titled and signed in p...
Edgar Barclay (1842-1913) British, 'The Cloverfield', an arable farming scene with figures and a
Edgar Barclay (1842-1913) British, 'The Cloverfield', an arable farming scene with figures and a donkey, etching, signed in pencil, 10" x 15".
Charles Oliver Murray (1842-1923) British, The Port of Leghorn, a port scene with multiple figures
Charles Oliver Murray (1842-1923) British, The Port of Leghorn, a port scene with multiple figures and a town beyond, etching, signed in pencil, 1...
Basire after Canuti, A Historical event, antique sepia etching 11.75" x 18", (unframed).
A collection of small Old Master etchings, mainly figure studies, largest 7" x 5", (qty) (unframed).
Giovanni Battista Tiepolo (1696-1770) A print of Apollo and Daphne 10" x 6.5" along with another
Giovanni Battista Tiepolo (1696-1770) A print of Apollo and Daphne 10" x 6.5" along with another print by Raoul Dufy of Ascot races 1935, 10.5" x ...
Four hand-coloured framed engravings of Athens, Greece, 6.75" x 7.5". (4).
A group of four 19th Century French colour prints in black frames, 6.25" x 8.25". (4).
A Fassianos Gallery poster 1984, 26.25" x 19.25".
A group of four 18th Century engravings after paintings from the collections of several Notables,
A group of four 18th Century engravings after paintings from the collections of several Notables, all landscape views, 15" x 15.5". (4).
Two 19th Century engravings, The Honorable Sir John Patterson 19.5" x 13.25" and The Honorable Sir
Two 19th Century engravings, The Honorable Sir John Patterson 19.5" x 13.25" and The Honorable Sir John Coleridge, 18.5" x 12.75" in Birdseye mapl...
An 18th Century Mediterranean coastal shipwreck scene with figures on the shore, Georges Mayer,
An 18th Century Mediterranean coastal shipwreck scene with figures on the shore, Georges Mayer, Paris trade label verso, 11.25" x 16.75".
An 18th Century engraving, F. Bartolozzi, A family at prayer, 9" x 11.75".
18th Century engraving, Gasper Poussin after Vivares, Jonah and the Whale, 19" x 24".
'Halfway' and 'The Opposition Coaches', a pair of 19th Century prints of coaching scenes, 11" x 14.
'Halfway' and 'The Opposition Coaches', a pair of 19th Century prints of coaching scenes, 11" x 14.5". (2).
An album of prints and engravings, some loose.
A hard back folio of Old Master and later engravings.
Renato Guttuso (1911-1987), 'Figure', a lithograph, signed in pencil, numbered 17/28, 27" x 19.25".
Renato Guttuso (1911-1987), 'Figure', a lithograph, signed in pencil, numbered 17/28, 27" x 19.25".
Gwen Raverat (1885-1957), The riverbank (1932), woodcut published by Mercury Press, 3.5" x 4".
Gwen Raverat (1885-1957), The riverbank (1932), woodcut published by Mercury Press, 3.5" x 4".
Eric Gill (1882-1940), The Deposition, wood engraving, 3.5" x 4.5".
Andrew F. Affleck (1874-1935), Palazzo Loredon, Venice, dry point etching, signed in pencil, 14.
Andrew F. Affleck (1874-1935), Palazzo Loredon, Venice, dry point etching, signed in pencil, 14.75" x 11.25", trade label verso, The Watson Galler...
Giuseppe Zocchi (1711-1767) A general view of Florence taken from the Convent of the Capucin Friars,
Giuseppe Zocchi (1711-1767) A general view of Florence taken from the Convent of the Capucin Friars, etching with hand colouring, published by R. ...
Pierre-Francois Basin after Sebastien Leclerc II, two scenes from the life of the Prodigal son,
Pierre-Francois Basin after Sebastien Leclerc II, two scenes from the life of the Prodigal son, engravings, published 1751, each 13.25" x 15". (2).
I Mujezinovic, three original posters for the XIV Olympic Winter games Sarajevo 1984 each 39.5" x
I Mujezinovic, three original posters for the XIV Olympic Winter games Sarajevo 1984 each 39.5" x 27.5", and a poster for the 1984 Los Angeles Oly...
An early 1970's screen printed poster for the pop group Groundhogs after a design by Janner, rolled,
An early 1970's screen printed poster for the pop group Groundhogs after a design by Janner, rolled, 23.75" x 16.5", (unframed).
George Hunt after Theodore Lane, hand-coloured aquatint cartoon, 'The rival Whiskers', 10" x 13".
George Hunt after Theodore Lane, hand-coloured aquatint cartoon, 'The rival Whiskers', 10" x 13".
John Speed a hand-coloured engraved map, 'The province of Connaugh' published 1610 or later, 16" x
John Speed a hand-coloured engraved map, 'The province of Connaugh' published 1610 or later, 16" x 20.75".
A collection of maps of European subjects and the Americas, smallest 6.25" x 5", largest 20.75" x
A collection of maps of European subjects and the Americas, smallest 6.25" x 5", largest 20.75" x 25.5", (unframed) (5).
Glynn Thomas, St. Mawes, colour etching, signed, numbered 8/100 and inscribed in pencil, 15" x 19.
Glynn Thomas, St. Mawes, colour etching, signed, numbered 8/100 and inscribed in pencil, 15" x 19.75".
Captain Henry Butler, A set of six partly hand-coloured lithographs, 'South African Sketches', circa
Captain Henry Butler, A set of six partly hand-coloured lithographs, 'South African Sketches', circa 1841, smallest 10.25" x 6.75" largest 12.5" x...
Attributed to George Cruickshank, 19th Century, 'Stops' a hand-coloured caricature, 10.25" x 13.
Attributed to George Cruickshank, 19th Century, 'Stops' a hand-coloured caricature, 10.25" x 13.75".
William Say after M.W. Sharpe, A pair of early 19th Century mezzotints, 'The Army' and 'The Navy',
William Say after M.W. Sharpe, A pair of early 19th Century mezzotints, 'The Army' and 'The Navy', 18" x 12.75". (2).
Leon Danchin, colour etching of Pointer dogs, signed in pencil, 13.5" x 23" and a colour mezzotint
Leon Danchin, colour etching of Pointer dogs, signed in pencil, 13.5" x 23" and a colour mezzotint by Lawrence Josset after Herring 16" x 21", (un...
Don Philips, A colour lithograph, 'Bravo Roisenquist' signed in pencil, numbered 2/2 and inscribed
Don Philips, A colour lithograph, 'Bravo Roisenquist' signed in pencil, numbered 2/2 and inscribed verso, 18" x 24" and a collection of modern pri...
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