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Georges Manzana-Pissarro (1871-1961) French, 'Trois Poules', A stencil, signed and numbered '33/
Georges Manzana-Pissarro (1871-1961) French, 'Trois Poules', A stencil, signed and numbered '33/100', 12" x 18.5".
Leonard Robert Brightwell (1889-1983) British, 'Gentleman of the Jury', drypoint etching, signed and
Leonard Robert Brightwell (1889-1983) British, 'Gentleman of the Jury', drypoint etching, signed and inscribed in pencil, 9" x 15".
Leonard Robert Brightwell (1889-1983) 'Reflection', signed and inscribed in pencil, 14.5" x 10".
Leonard Robert Brightwell (1889-1983) 'Reflection', signed and inscribed in pencil, 14.5" x 10".
Leonard Robert Brightwell (1889-1983) British, 'Three of A Kind', drypoint etching, signed and
Leonard Robert Brightwell (1889-1983) British, 'Three of A Kind', drypoint etching, signed and inscribed in pencil, 8" x 10".
Leonard Robert Brightwell (1889-1983) British, 'No Monkeying', drypoint etching, signed and inscribed in pencil, 15" x 10".
Louis Icart (188-1950) French, 'La Dame en Rose', drypoint and aquatint, signed in pencil and with
Louis Icart (188-1950) French, 'La Dame en Rose', drypoint and aquatint, signed in pencil and with artist's blindstamp, 8.5" x 11".
Louis Icart (188-1950) French, 'Le Fleurs Rose', drypoint and aquatint, signed in pencil, 8.5" x
Louis Icart (188-1950) French, 'Le Fleurs Rose', drypoint and aquatint, signed in pencil, 8.5" x 11".
20th century, A woodblock print of a harbour scene, signed 'Morton' in pencil and inscribed 'Pol
20th century, A woodblock print of a harbour scene, signed 'Morton' in pencil and inscribed 'Pol Perro', 5.5" x 7.25".
After Edouard Travies, 'La Gelinotte' plate 6. Souvenir de Chasseur, lithograph, 9.75" x 13.75".
After Edouard Travies, 'La Gelinotte' plate 6. Souvenir de Chasseur, lithograph, 9.75" x 13.75".
After Gustav Klimt, 'The Kiss (Der Kuss)', collotype with additional gold + silver, 11" x 10.5".
After Gustav Klimt, 'The Kiss (Der Kuss)', collotype with additional gold + silver, 11" x 10.5".
Wilfred Ball (1853-1917) British, A set of three engravings including 'Off Woolwich', each 2.25" x
Wilfred Ball (1853-1917) British, A set of three engravings including 'Off Woolwich', each 2.25" x 3.75", (unframed), (3).
A pair of 19th century French coloured prints after Blanchet, each 8" x 6", (2).
19th century, a novelty coloured print 'Fix Your Mind On Things Above', print, 8" x 6", (oval).
19th century, a novelty coloured print 'Fix Your Mind On Things Above', print, 8" x 6", (oval).
A 19th century mezzotint of a maiden with a dancing goat, 23" x 18".
A 19th century mezzotint of a naval officer, 22.5" x 14.5".
John Skeaping (circa. 1945) 'Mare and Foal', lithograph, 20" x 30". ...[more]
Max Nimoy (1900-1987) 'OH! CEST TRISTE PARTIR...', and '.L'Amoureux Silence.',a pair of pochoirs,
Max Nimoy (1900-1987) 'OH! CEST TRISTE PARTIR...', and '.L'Amoureux Silence.',a pair of pochoirs, 15" x 13.5", (2).
Alexandre Ivanov (1950-1998) Russian, two coloured lithographs, the first 24" x 20.5" the second 21"
Alexandre Ivanov (1950-1998) Russian, two coloured lithographs, the first 24" x 20.5" the second 21" x 17".
A set of three hand coloured steel engravings of Holy Land scenes, each 6" x 8.5", (3).
After Picasso, A print of a nude female, 8.5" x 5.75".
Tom Moody, 'Death of a Jockey', hand coloured engraving, 16" x 21".
Human anatomy from Eustachios Tabulae anatomy (circa. 1714), print, 11" x 7".
A pair of prints of John and Devorguilla Baliol, founders of Baliol College Oxford, 9" x 6".
A set of three anatomical lithographs after J. Walsh circa 1841, all 15" x 10", (3).
After Macwhirter, 'Jane in the Austrian Tyrol', coloured print, 10.5" x 16", in a fine Florentine
After Macwhirter, 'Jane in the Austrian Tyrol', coloured print, 10.5" x 16", in a fine Florentine frame.
After Picasso circa 1955, 'From the Carnet Californie, L'Atelier de la Californie Technik', printed by Mourlet, bears signature, 12" x 18".
The cricket match, Tunbridge school, coloured print, in a maple frame, 19" x 31.5".
Alfredo Sosabravo (b. 1930), A pair of surreal etchings, signed and dated '92' in pencil, numbered '37/50' in pencil, 9" x 11", (2).
After Col. Ward (19th century) 'A View Within the Walls of A Pagoda, Madras', Aquatint, 11.5" x 16.
After Col. Ward (19th century) 'A View Within the Walls of A Pagoda, Madras', Aquatint, 11.5" x 16.5".
19th century, A coloured print of the great exhibition showing the stands of Guernsey and Jersey,
19th century, A coloured print of the great exhibition showing the stands of Guernsey and Jersey, Malta and Ceylon, 13.5" x 19".
Bartolozzi after Holbien, 'Southwell Knight', with accompanying text, 16" x 12".
Bartolozzi after Holbien, 'The Lady Burrow' With accompanying text, 13" x 9".
After Salvador Dali, 'King Lear', colour print, 10" x 7.25", in a carved wood frame.
After Salvador Dali, A scene of a figure in a turban, A colour print, 10" x 7".
After Andy Warhol, 'Flower 64', screen print, 35" x 35".
James and John Cleveley, Circa 1789. 'Mort du Capitaine Cook'. A scene depicting the death of
James and John Cleveley, Circa 1789. 'Mort du Capitaine Cook'. A scene depicting the death of Captain Cook at the hands of a Hawaiian chieftain, h...
Harold Riley (b.1934) Young girl kneeling on the pavement, colour print, signed and numbered '268/
Harold Riley (b.1934) Young girl kneeling on the pavement, colour print, signed and numbered '268/500' in pencil, 14" x 10".
Frank Harding (19th /20th century) 'Waterloo Bridge', Etching, signed and inscribed in pencil, 6"
Frank Harding (19th /20th century) 'Waterloo Bridge', Etching, signed and inscribed in pencil, 6" x 14", and three further etchings by the same ha...
After MichelAngelo, A collection of 17th century prints, 'Nuovaet Ultima Aggivanta Delle Porte D'
After MichelAngelo, A collection of 17th century prints, 'Nuovaet Ultima Aggivanta Delle Porte D'Archtettu Di Michel Angelo...', 15.25" x 10", (37...
Herman Fechenbach (1897-1986) Allegorical print (1922), woodblock print, signed in pencil, 11.5" x
Herman Fechenbach (1897-1986) Allegorical print (1922), woodblock print, signed in pencil, 11.5" x 15.5".
A collection of 19th century engravings, British ecclesiastical subjects, engraving, variously
A collection of 19th century engravings, British ecclesiastical subjects, engraving, variously signed and inscribed in pencil, all around 7" x 12"...
Eberhard Kieser (1583-1631) 'Mechanics of windmills', etchings, 9" x 13.25", (16).
A collection of British topographical steel engravings including 'R. Sands after H. Melville Loch
A collection of British topographical steel engravings including 'R. Sands after H. Melville Loch Lomond', sizes around 4.75" x 7", (10).
Hermann Fechenbach (1897-1986) three engravings of Old Testament subjects, all 2.3" x 2.5", (7).
Hermann Fechenbach (1897-1986) three engravings of Old Testament subjects, all 2.3" x 2.5", (7).
Thomas Worlidge after Rembrandt, engraving, 7" x 6". and two other unidentified etchings the first
Thomas Worlidge after Rembrandt, engraving, 7" x 6". and two other unidentified etchings the first 2.5" x 3", the other 6" x 4.75", (3).
W. L. Wyllie (1851-1931) British, An etching of shipping on a busy river, 4.75" x11".
Robert Herdman-Smith (1879-1945) British, Two views of Chester, coloured etchings, signed and
Robert Herdman-Smith (1879-1945) British, Two views of Chester, coloured etchings, signed and inscribed in pencil, one 10" x 7", the other 8" x 10...
A set of four prints after Peter Scott, each 6.5" x 10", (4).
G. Yander Gouwen after G. Hoet, A scene from the book of Genesis, 14" x 8.5".
F. D. W. circa 1912, A print of a female nude in three positions, 9" x 11".
J. C. Armytage after W. H. Bartlett, 'Modern Jerusalem' a colour print, 9.5" x 15".
After Charles Chaplin, A reclining female nude, etching, signed in pencil and inscribed, 9" x 6".
After Charles Chaplin, A reclining female nude, etching, signed in pencil and inscribed, 9" x 6".
C. N. Smith after S. Alken, 'The Cambridgeshire Stakes', 14" x 20.5". and two other prints of
C. N. Smith after S. Alken, 'The Cambridgeshire Stakes', 14" x 20.5". and two other prints of horse racing subjects, hand-coloured aquatints, (unf...
Edward Wesson (1910-1983) British, 'Westminster from Lambeth Bridge', limited edition, signed in
Edward Wesson (1910-1983) British, 'Westminster from Lambeth Bridge', limited edition, signed in pencil, 14" x 20".
Circle of John Crome, two travellers in a wooded landscape, etching, numbered '10', 4.25" x 3.
Circle of John Crome, two travellers in a wooded landscape, etching, numbered '10', 4.25" x 3.25", (unframed).
Heywood Sumner (1853-1940) British, 'Alresford Pond', a stream meandering towards a pond, etching,
Heywood Sumner (1853-1940) British, 'Alresford Pond', a stream meandering towards a pond, etching, signed and dated 'June 24', inscribed indistinc...
50125 40. Three 19th century engravings after Turner with mountainous river landscapes including '
50125 40. Three 19th century engravings after Turner with mountainous river landscapes including 'Mofs Dale Fall', engravings variously inscribed,...
Samuel Cousins after Landseer, 'Beauty's Bath', a young girl holding a spaniel, mixed method engraving, inscribed, 25.25 x 17.25", (unframed).
Two late 19th century medieval scenes with figures and horses in a convoy, tinted prints, both 11" x
Two late 19th century medieval scenes with figures and horses in a convoy, tinted prints, both 11" x 13", (unframed).
After Turner, A collection of five prints by virtue and co., 7.5" x 9.5" (5).
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