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British & European Paintings & Watercolours, Old Master & Modern Prints & Drawings

Dominic Winter Auctions Live Webcast Auction 09 Oct 2020 10:00 BST

Sale Date(s)

  • Lots: 309

Viewing Date(s)

  • 09:30 BST - 17:30 BST
  • 09:30 BST - 17:30 BST
  • 09:30 BST - 17:30 BST
  • 09:30 BST - 17:30 BST
  • 09:30 BST - 17:30 BST
South Cerney, Cirencester, Gloucestershire

Venue Address

  • Mallard House
  • Broadway Lane
  • South Cerney
  • Cirencester, Gloucestershire
  • GL7 5UQ
  • United Kingdom

Auction Details

Important Information Terms & Conditions Print Catalogue
Currency: GBP
Buyer's premium Inc. VAT/sales tax: 24.00%
Online commission inc. VAT/sales tax: 5.94%

Auctioneer Details

There are 307 item(s) within this sale
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* Italian School. Study of a Greek warrior with helmet, possibly Miltiades or Pericles, probably Rome, late 16th or early 17th century, white chal...

* Attributed to Jan van Balen (circa 1611-1654). Helena Fourment, wife of Peter Paul Rubens, mid-17th century [or possibly later], black and white...

* Bemmel (Willem van, 1630-1708). River landscape with bridge & town beyond, black chalk and grey wash on thick laid (watermak of encircled anchor...

* Mondella (Galeazzo, called Il Moderno, 1467-1528). The Flagellation of Christ, circa 1510 [but later], bronze relief plaquette, showing the scou...

* Le Sueur (Eustache, 1617-1655). Robed male holding a staff, possibly Saint John, seen walking in profile, black chalk on pale blue laid paper, h...

* German School. Portrait of a young gentleman, 18th century, coloured chalks on laid paper, with large watermark incorporating the figure of a ma...

* Beaumont (Sir George Howland, 1753-1827). Roman Ruins at Mount Palatine, pencil and white chalk on blue paper, showing Roman ruins including th...

* Manner of Jean-Charles Delafosse (1734-1789). Design for a ewer, mid 18th century, pen and brown ink with watercolour wash on laid paper (with i...

* Esdaile (William, 1758-1837). A collection of 21 pen and ink sketches after William Hogarth, 21 small pen and black or brown ink studies of head...

* French School. Landscape with Waterfall, later 18th century, large-scale c olour pastel on laid paper, with later canvas relining, 58 x 71 cm (2...

* Grimm (Samuel Hieronymus , 1733-1794) . Cows and figures in a landscape, with thatched cottage and church, circa 1780s, pen, brown and black ink...

* Grimm (Samuel Hieronymus, 1733-1794). Landscape with figures making camp, fine pen, ink and watercolour on wove paper, sheet edges with grey was...

* Follower of Samuel Hieronymus Grimm (1733-1794). Courting couple in a landscape with waterfall, watercolour on card, depicting a rural landscape...

* Attributed to Robert Dighton (1752-1814). A series of six drawings illustrating the story of the Prodigal Son, circa 1780s, 6 oval pen, ink and ...

* Londonio (Francesco, 1723-1783). Studies of Sheep and Figures, including man drinking a bowl of soup, after Philipp Peter Roos, circa 1655-1706,...

* Serres (Dominic Michael, 1722-1793). Landscape with figures, watercolour on card, laid down on paper and edged with a border of brown card, depi...

* Manner of Giovanni Volpato (1733-1803) and Abraham-Louis-Rodolphe Ducros (1748-1810). Tempio detto della Sibilla in Tivoli, circa 1780s, pen, br...

* Flemish School. Massacre of the Innocents, first quarter 17th century, oil on canvas, depicting a frenzied scene of warring figures, with infant...

* Italian School. Abraham and Isaac, later 17th century, oil on canvas, some surface discolouration, and small areas of flaking with slight loss (...

* English School. Rural Landscape with figures and covered wagon on a track, late 18th century, oil on wood panel, bears later erroneous inscripti...

* Baillie (Captain William, 1723-1810). The Three Trees after Rembrandt, 1758, etching with drypoint and roulette on laid paper, fourth state (of ...

* Baudous (Robert Willemsz de, 1574-1659). Phoebus exposing Mars and Venus to the ridicule of the Olympians, after Hendrick Goltzius, circa 1615, ...

* Beham (Hans Sebald, 1500-1550). Frieze with Two Tritons, woodcut on laid paper, with watermark of a crowned serpent, a very good impression and ...

* Blake (William, 1757-1827). Beggar's Opera, Act III. 'When my hero in Court appears, &c.', From the Original Picture, in the Collection of his G...

* Caraglio (Gian Giacomo Karalis, circa 1505-1565). Apollo and Daphne, circa 1527, copper engraving on laid paper, with watermark (only partially...

* Castiglione (Giovanni Benedetto, 1609-1664). Man with beard and moustache wearing a turban, from the series Large Heads in Oriental Headdress, e...

* Castiglione (Giovanni Benedetto, 1609-1664). Young man looking down to the right, & a head of an old bearded man with a turban, from Small Heads...

* Collaert (Adriaen, circa 1560-1618). Augustus (from the series The Twelve Months), 1578-82, copper engraving on laid paper, after Hans Bol (1534...

* Vicentino (Niccolo, active circa 1510-circa 1550). Olympus (Surprise), (after Parmigianino), circa 1540s, oval chiaroscuro woodcut on laid paper...

* Attributed to Jerome David (circa 1605-circa 1670). Timur, from the series of Character Heads, circa 1637, engraving and etching on laid paper,...

* Della Bella (Stefano, 1610-1664). A Satyr Family Walking, etching on laid paper, the third state, published by Pierre Mariette, Paris, plate siz...

* Della Bella (Stefano, 1610-1664). La Perspective du Pont Neuf de Paris, 1646, etching on laid paper, laid down on backing card, some marks and w...

* Schindler (Johann Josef, 1777-1836). Ossian, 1819, oil on canvas laid on card, small spot of flaking to lower left corner, inscribed in black in...

* Durer (Albrecht, 1471-1528). The Standard Bearer, 1502, copper engraving on laid paper, without watermark, a Meder b impression, trimmed to or j...

* Durer (Albrecht, 1471-1528). The Three Bishops, Nicholas, Ulrich and Erasmus, circa 1510 [but later], woodcut on laid paper, a copy in reverse, ...

* Durer (Albrecht, 1471-1528). The Peasant and his Wife (Rustic Couple), 1497, copper engraving on laid paper, a good impression, trimmed slightly...

* Goudt (Hendrick, 1582/88-1630/48). Ceres seeking her Daughter, after Adam Elsheimer, 1610, etching and copper engraving on laid paper, a good da...

* Hollar (Wenceslas). [The Dance of Death from the original designs of Hans Holbein, London: J. Coxhead, 1816], comprising 30 etched plates (of 33...

* Hollar (Wenceslaus, 1607-1677). The Angler, 1650, etching on laid paper, a very good impression of the second state, with added words to centre ...

* Jackson (John Baptist, 1701-circa 1780). Melchisedek meeting and blessing Abraham, after the victory over the Kings, after Giovanni dal Ponte, c...

* Kolbe (Carl Wilhelm, 1757-1835). Das Gespräch, 1800 [or slightly later], copper engraving on heavy wove paper, some minor pale green spotting, t...

* Labruzzi (Carlo). Figure Di Carlo Labruzzi, 1788, 8 sepia etched plates with aquatint, some with etched numerals to upper right and line borders...

* Laurie (Robert, circa 1755-1836). Landscape with storm and fishermen by the river, fine mezzotint on laid paper, with indistinct watermark, publ...

* Laurie, (Robert, circa 1755-1836). A Tigress, after George Stubbs, 1800, fine metzotint on thick wove paper, the third estate, as published by L...

* Leyden (Lucas van, 1494-1533). The Beggars (Eulenspiegel), 1520 [or later], etching and engraving on laid paper, with large indistinct watermark...

* Merian (Matthaus, 1593-1650). Original engraved copper plate for Icones Biblicae, circa 1625-30 [or later], depicting a woman seated on the floo...

* After Paul Bril (c.1553/54-1626). Five landscapes, early 17th century, etching & engraving on laid paper, including two by Johannes Sadeler (155...

* Piranesi (Giovanni Battista, 1720-1778). Veduta della Piazza di Monte Cavallo, 1750 [or later], etching on thick laid paper, a strong impression...

* Rembrandt (Harmensz. van Rijn, 1606-1669). Christ at Emmaus: The Larger Plate, 1654, etching with drypoint on laid paper, with indistinct waterm...

* Rembrandt Harmensz van Rijn (1606-1669). The Stoning of St. Stephen, 1635, etching on laid paper, a posthumous, late 18th century impression, re...

* Ribera (Jusepe de, 1591-1652). The Drunken Silenus, 1628, etching on laid paper, the second state (of 3), with address of Giovanni Orlandi, some...

* Saenredam (Jan Pietersz., 1565-1607). The Adulterous Woman, after Hendrick Goltzius, copper engraving on laid paper, a very good impression, tri...

* Saint-Aubin (Gabriel de, 1724-1780). Frontispiece for the Recuil de Poesies by Michel Jean Sedaine, 1757, etching on laid paper, the second, def...

* Schon (Erhard, circa 1491-1542). Albrecht Durer Conterfeyt in seinem alter des LVI. Jares (Portrait of Albrecht Durer in his 56th Year), circa 1...

* Vorsterman (Lucas, The Elder, 1595-1675). Thomas Howard, Duke of Norfolk, after Hans Holbein, circa 1655, engraving on laid paper, with Strasbou...

* Waterloo (Anthonie, circa 1610-1690). A wooded riverbank with church in the distance, etching on laid paper, plate size 128 x 138 mm (5 x 5.4 in...

* Continental School. Portrait of a lady, early 17th century, watercolour and bodycolour, heightened with gold, on vellum, oval bust length portra...

* English School. Oval portrait of a gentleman, circa 1780, pastel on paper, head and shoulders portrait profile to left, of a young bewigged gent...

* English School. Oval portrait of a young girl, early 20th century, watercolour on ivory, half-length portrait half profile to right, of a small ...

* Fleetwood-Walker (Bernard, 1892-93-1965). Portrait of Elizabeth Anne Nassim, 1950s, oil on canvas, signed to lower right, three-quarter length p...

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