The Autumn Auction

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The Autumn Auction

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PIERRE DE CLAUSADE (1910 - 1946) OIL PAINTING ON CANVAS Pas de Calais Signed lower right 20in x 24in (51 x 61cm) (Provenance to Fine Art Galleries...

JOHN STREVENS (1902 - 1990) OIL PAINTING ON CANVAS La Bouquet des Fleurs Signed lower left; signed, titled and labelled verso 18in x 14in (46 x 35...

DORIS CLARE ZINKEISEN (1898 - 1991) OIL PAINTING ON CANVAS The Afternoon Drive Signed lower right 20in x 30in (51 x 76cm) (Provenance to The Fine ...

TRISTRAM HILLIER (1905 - 1983) OIL PAINTING ON CANVAS Salamanca Signed and dated (19)'61 lower right 20in x 30in (51 x 76cm) (Gallery label verso ...

JEAN DUFY (1888 - 1964) GOUACHE DRAWING Circus scene with ringmaster, equestrian figures and audience Signed lower right and dated (19)'25 24 3/4i...

SPENSER FREDERICK GORE (1913 - 2009) OIL PAINTING ON CANVAS The Luberon from above Lourmarin Signed lower right 30in x 36in (76 x 91.5cm) (Royal A...

LUDWIG BLUM (1891 - 1974) OIL PAINTING ON CANVAS Panoramic view of Jerusalem Signed and dated 1959 lower centre 29in x 46in (73.5 x 117cm)

LUDWIG BLUM (1891 - 1974) OIL PAINTING ON BOARD Travellers near the Dead Sea Signed and dated Jerusalem 1947 lower left 18 3/4in x 28 1/4in (47.5 ...

ISAAC SNOWMAN (1874 - 1947) OIL PAINTING ON CANVAS Busy Idleness Signed lower left 35 1/2in x 53 1/2in (90.1cm x 135.8cm) Exhibited at the Royal A...

UNATTRIBUTED (Jerusalem) PASTEL ON BUFF PAPER Half-length portrait of a young woman seated wearing traditional costume Signed indistinctly lower l...

ISRAELI SCHOOL WATERCOLOUR DRAWING View of a hill village with tree and figure in the foreground Indistinctly signed and dated 1980, lower left 19...

UNATTRIBUTED OIL PAINTING ON BOARD Family group of figures in a snowy winter landscape with bare trees Indistrinctly signed; dated lower right (19...

HENRY FARMER 20th CENTURY OIL PAINTING ON CANVAS Still life - urn of summer flowers with butterfly and bird's nest with eggs on the marble shelf S...

UNATTRIBUTED OIL PAINTING ON CANVAS Winter landscape with high mountains, fir trees and river in foreground Signed indistinctly lower left 47in x ...

A B KLEUR ? OIL PAINTING ON CANVAS Dutch 18th Century scene with figures and dwellings in the foreground by the sea with small sailing vessels and...

ARTHUR THOMAS BROWNE R.I. R.B.A. (1872 - 1910) OIL PAINTING ON RE-LINED CANVAS A Dutch Fishing Scene Unsigned, titled on hand-written label verso ...

BRITISH SCHOOL (19th CENTURY) OIL PAINTING ON CANVAS LAID DOWN ON BOARD River landscape with figures in a ferry boat Signed with a monogram and da...

WILLIAM SHAYER SNR. (1778 - 1879) PAIR OF OIL PAINTINGS ON CANVAS Rustic interior with a mother and father, two children, cat and dog, the compani...

UNATTRIBUTED (EIGHTEENTH CENTURY ENGLISH SCHOOL) OIL PAINTING ON RELINED CANVAS Half-length portrait of Princess Sobieska Unsigned, tilted to top ...

AXEL JOHANSEN (DANISH, 1872-1938) OIL PAINTING ON CANVAS The Amalienborg Palace, Copenhagen Signed and dated 1929, tilted in pencil verso 13? x 16...

J.G. SILKEBORG? (NINETEENTH CENTURY DANISH SCHOOL) OIL PAINTING ON CANVAS Winter landscape with figure and dog crossing a frozen lake Signed and d...

LODWIJK JAN PETRUS TOUTENEL (1819-1883)OIL PAINTING ON MAHOGANY PANEL A townhouse rear flagstone yard with an elderly couple, she beating a rug wi...

ALOIS ARNEGGER (1879-1963) OIL PAINTING ON CANVASAn alpine landscape in winter,Signed lower right 24" x 36" (61cm x 91.5cm) CR. Contained in origi...

EDWARD HARTLEY MOONEY (1878-1938 OIL ON RE-LINED CANVAS River landscape with figures Signed 15 ½? x 19 ½? (39.4cm x 49.5cm), restored

GT OR GJ (MODERN) WOODCUT Village fete with livestock, horse racing and band playing on the bandstand Initialled 23? x 27? (58.4cm x 68.5cm) ...[...

LATE VICTORIAN BRASS SKELETON CLOCK UNDER GLASS DOME, the 4 ¼? enamelled Roman chapter ring powered by a single fusee movement and housed in an A ...

VICTORIAN BLACK SLATE MANTLE CLOCK, the 4 ½? two part Roman dial with visible brocot escapement to the centre, powered by an eight day movement, a...

VICTORIAN BLACK SLATE MANTLE CLOCK, the 4? Arabic dial powered by an eight day drum shaped movement, striking on a bell and housed in a flat toppe...

ORNATE LATE VICTORIAN BRASS AND CERAMIC TILE STRUT CLOCK, of oblong form, the 3 ½? enamelled Arabic dial housed in the centre of a dark blue tile,...

EDWARDIAN INLAID MAHOGANY LONGCASE CLOCK, the 9 ½? brass dial with silvered chapter ring, matted centre, pierced spandrels and SILENT/CHIME subsid...

THOMAS SAMPSON, OLDHAM, MAHOGANY STAINED BEECH CASED WALL CLOCK, the 11? Roman dial powered by a single fusee movement, and housed in a case with ...

EARLY NINETEENTH CENTURY CROSSBANDED AND FLAME CUT MAHOGANY LONGCASE CLOCK SIGNED JNo JARVIS, WHITCHURCH, the 14? painted Roman dial with subsidia...

GEORGE III MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED THOMAS YATES, PRESTON, the 14? painted Roman dial with subsidiary seconds and d...

REGENCY DARK STAINED MAHOGANY CASED BRACKET CLOCK, SIGNED GRANT, FLEET ST, LONDON, the 8? enamelled Roman dial powered by a twin fuse movement str...

T.L. AINSLEY, CARDIFF, EDWARDIAN CARVED OAK ANEROID BAROMETER, the 8? dial beneath a removable mercury thermometer to the trunk, glass broke, hous...

P.A. TARONE & Co, NINETEENTH CENTURY INLAID MAHOGANY BAROMETER, the 8? dial beneath an alcohol thermometer to the trunk, housed in a banjo shaped ...

LATE VICTORIAN GILT METAL MOUNTED OAK COMBINATION DESK CLOCK, ANEROID BAROMETER AND MERCURY THERMOMETER, the matching clock and barometer with 3 ½...

EARLY NINETEENTH CENTURY LINE INLAID ROSEWOOD TEA CADDY, of sarcophagus form with twin lidded interior, ornate brass captive ring handles and scro...

?PARTRIDGE & COZENS, 1 CHANCERY LANE, LONDON?, GOOD QUALITY LATE NINETEENTH/EARLY TWENTIETH CENTURY LIGHT OAK PORTABLE STATIONARY BOX FITTED WITH ...

LATE NINETEENTH CENTURY BLACK LACQUERED AND MOTHER OF PEARL INLAID PAPIER MACHE GAMES BOX, of oblong form with hinged cover and turned feet, decor...

RON LIOD SAUVAGE, PATINATED BRONZE SEMI NAKED FIGURE OF THE ROMAN GOD SATURN, modelled kneeling and sharpening a scythe, on a rounded oblong base,...

GOOD PAIR OF LATE NINETEENTH/ EARLY TWENTIETH CENTURY FRENCH GILT ORMOLU CANDLESTICKS, each modelled with a flambeau shaped received above an ivy ...

PAIR OF LATE VICTORIAN GOTHIC REVIVAL COLOURED GLASS MOUNTED GILT METAL CANDLESTICKS, converted to electricity, each of ornate column form with pi...

MODERN ORIENTAL CARVED ALABASTER FIGURAL TABLE LAMP, modelled as a female figure holding coins in her right hand, on a shaped circular base, the f...

ROCOCO STYLE ORMOLU TABLE LAMP, with floral embossed slender baluster column and pierced base, raised on a veined back marble circular base, 23 ¼?...

PAIR OF MODERN GILT METAL MOUNTED DIAMOND CUT GLASS TABLE LAMPS, RETAILED BY HARRODS, each of slender baluster form with drum shaped base and paw ...

IMPRESSIVE PAIR OF MODERN BOHEMIAN CUT CRYSTAL EIGHTEEN BRANCH CHANDELIERS, each of two tier form (6+12) with baluster knop, the sconces applied w...

EARLY TWENTIETH CENTURY DUTCH TWELVE BRANCH BRASS ELECTROLIER, of typical two tier form (6+6), with ornate scroll arms, 32? (81.3cm) high, needs r...

EARLY NINETEENTH CENTURY ROSEWOOD CHEVAL DRESSING MIRROR, the plate housed in an arch topped chamfered frame, supported by plain, tapering columns...

VICTORIAN FIGURED MAHOGANY LARGE TOILET MIRROR, of typical form with arch topped plate, tapering support columns with turned finials, one a/f, and...

LARGE VICTORIAN STYLE MOULDED GILT GESSO OVERMANTLE MIRROR, the plate in an arch topped moulded frame with shell cresting, 55 ¼? x 54? (140.4cm x ...

SAROUK PERSIAN LUSTROUS ALL-WOOL HAND KNOTTED CARPET with a dense all-over boteh design on a dark blue field with seven border stripes between saw...

KASHAN PERSIAN CARPET, the diamond shaped centre medallion and pendants midnight blue and floral with matching spandrels, the crimson field decora...

B. SQUIRES ART DECO FIGURED WALNUT UPRIGHT PIANO AND STOOL, the angles heightened in green paint and with iron frame and white and green keys, the...

EARLY NINETEENTH CENTURY FIGURED MAHOGANY PEMBROKE WORK TABLE, the rounded oblong drop leaf top above two real and two faux end drawers, fitted wi...

GEORGE III OAK AND MAHOGANY CROSSBANDED BUREAU, of typical form, the interior fitted with drawers and pigeon holes around a central door, set over...

EARLY NINETEENTH CENTURY OAK SETTLE, of typical form with five arched panels to the back, down sloping arms with scroll terminals and turned suppo...

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