Filtered by:
- Category
- List
- Grid
A subscription to the Price Guide is required to view results for auctions ten days or older. Click here for more information
A quantity of mostly equestrian interest prints to include after Corbet, 'Shamrock' and 'Fransisco' (7) ...[more]
Brewery interest: a ceramic beer pull decorated with hunting vignettes, together with a colour print
Brewery interest: a ceramic beer pull decorated with hunting vignettes, together with a colour print after Charles Church, 'The Portman Hunt', sig...
After Snaffles (Charles Johnson Payne, 1884-1967), 'A Sight to Take Home and Dream About, with blind
After Snaffles (Charles Johnson Payne, 1884-1967), 'A Sight to Take Home and Dream About, with blind stamp, 55x73cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Sandown Asking 'em The Question', colour print,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Sandown Asking 'em The Question', colour print, the plate 39x45cm, and 49x73cm overall ...[more]
'Snaffles' (Charles Johnson Payne, 1884-1967), 'A Bona Fide Fox Chaser', with studio blind stamp,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'A Bona Fide Fox Chaser', with studio blind stamp, the plate 25x30cm, overall 48x42cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Andsome is, wot Andsome does', signed with studio
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Andsome is, wot Andsome does', signed with studio blind stamp, overall dimensions within the frame...
'Snaffles' (Charles Johnson Payne, 1884-1967), 'That Far, Far Away Echo', signed in pencil with
'Snaffles' (Charles Johnson Payne, 1884-1967), 'That Far, Far Away Echo', signed in pencil with studio blind stamp, overall dimensions within the ...
'Snaffles' (Charles Johnson Payne, 1884-1967), 'I knows no more melancholic ceremony than takin' the
'Snaffles' (Charles Johnson Payne, 1884-1967), 'I knows no more melancholic ceremony than takin' the sting out o' ones 'at at the end of the seaso...
'Snaffles' (Charles Johnson Payne, 1884-1967), 2 colour prints, 'Whatever ye de keep towd tamboreen a rowlin', 20x12.5cm and 23.5x13cm
'Snaffles' (Charles Johnson Payne, 1884-1967), colour print, 'Whatever ye de keep towd tamboreen a
'Snaffles' (Charles Johnson Payne, 1884-1967), colour print, 'Whatever ye de keep towd tamboreen a rowlin', 24.5x14.5cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 2 colour prints, 'Blood and Quality', 'Hogany
'Snaffles' (Charles Johnson Payne, 1884-1967), 2 colour prints, 'Blood and Quality', 'Hogany Tops', both published by Lawrence & Jellicoe Ltd, Lon...
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Bender', coloured print, signed in pencil,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Bender', coloured print, signed in pencil, studio blind stamp, the plate 26x33cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The One to Carry your Half Crown', colour print,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The One to Carry your Half Crown', colour print, signed in pencil, the plate 26.5x36cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Not Taking Any', colour print, 34x39cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Informers', colour print, signed in pencil,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Informers', colour print, signed in pencil, the plate 26x44cm, 45x56cm overall
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Stone-Faceder', colour print, signed lower left,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Stone-Faceder', colour print, signed lower left, the plate 32x27cm, 50x43cm overall
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Sparrow-Catchin Sort', colour print, signed with
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Sparrow-Catchin Sort', colour print, signed with studio blind stamp, the plate 22x29cm, overal...
'Snaffles' (Charles Johnson Payne, 1884-1967), horse and rider, colour print heightened in white,
'Snaffles' (Charles Johnson Payne, 1884-1967), horse and rider, colour print heightened in white, 35x13.5cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Ubique Meant - Bank, Olborn Bank - A Penny all the
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Ubique Meant - Bank, Olborn Bank - A Penny all the Way', colour print, signed to the mount in penc...
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Heavies', colour print, 50cm x 71cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Grand National - The Canal Turn', colour
'Snaffles' (Charles Johnson Payne, 1884-1967), 'The Grand National - The Canal Turn', colour print, signed to the mount in pencil lower right with...
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Gunners', colour print, 38cm x 61cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Oh to be in England', colour print, signed to the
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Oh to be in England', colour print, signed to the mount in pencil lower left, 53cm x 67cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Oh to be in England', colour print, signed to the
'Snaffles' (Charles Johnson Payne, 1884-1967), 'Oh to be in England', colour print, signed to the mount in pencil lower left, 53cm x 67cm
'Snaffles' (Charles Johnson Payne, 1884-1967), 'A sight to take home and dream about', colour print,
'Snaffles' (Charles Johnson Payne, 1884-1967), 'A sight to take home and dream about', colour print, 49cm x 63cm
After Snaffles (Charles Johnson Payne, 1884-1967), 'The Bullfinch', colour print, signed in pencil, published by Fores, 1913, the plate 33.5x49cm,...
After Snaffles (Charles Johnson Payne, 1884-1967), 'Happy Are They Who Hunt For Their Own Pleasure',
After Snaffles (Charles Johnson Payne, 1884-1967), 'Happy Are They Who Hunt For Their Own Pleasure', published by Richard Wyman, the plate 29x57cm...
After Snaffles (Charles Johnson Payne, 1884-1967), 'Indian Cavalry- Yi-hai', colour print with
After Snaffles (Charles Johnson Payne, 1884-1967), 'Indian Cavalry- Yi-hai', colour print with studio blind stamp and remarque, 29x23cm and 47x39c...
After Snaffles (Charles Johnson Payne, 1884-1967), 'Swagger- But a Workman', colour print heightened
After Snaffles (Charles Johnson Payne, 1884-1967), 'Swagger- But a Workman', colour print heightened in white, with remarque, signed in pencil wit...
After Snaffles (Charles Johnson Payne, 1884-1967), 'The Finest View in Asia', printed remarques,
After Snaffles (Charles Johnson Payne, 1884-1967), 'The Finest View in Asia', printed remarques, 23.3x41cm, overall 46x72cm
After Snaffles (Charles Johnson Payne, 1884-1967), 'The Worst View in Europe', signed in pencil with
After Snaffles (Charles Johnson Payne, 1884-1967), 'The Worst View in Europe', signed in pencil with studio blind stamp, the plate 23x49cm, overal...
After Snaffles (Charles Johnson Payne, 1884-1967), 'Merry England', signed with studio blind
After Snaffles (Charles Johnson Payne, 1884-1967), 'Merry England', signed with studio blind stamp, the plate 27x26cm, overall within the frame 56...
After Henry Alken, two colour engravings, Death and the Doctors (plate 13), and Dulce domum, -
After Henry Alken, two colour engravings, Death and the Doctors (plate 13), and Dulce domum, - jamdudum animus est in patinis (plate 14), each app...
After Frank Paton, a pair of etchings, 'Every Dog has his Day' and 'Out of the Hunt', each 21x27cm
After Frank Paton, a pair of etchings, 'Every Dog has his Day' and 'Out of the Hunt', each 21x27cm
Tookey after Ibbetson, 'Fox', 19th century coloured engraving, 21x16cm
18th century coloured engraving, a gentleman shooting with three dogs, 20x15cm
Cook after Howitt, a set of eight 19th century colour engravings of fox hunting scenes, approx. 11.
Cook after Howitt, a set of eight 19th century colour engravings of fox hunting scenes, approx. 11.5x17cm
A pair of 19th century hunting prints, each 22x30cm
George Hunt after James Pollard, 'Tom Moody, The Whipper In', two coloured engravings, published
George Hunt after James Pollard, 'Tom Moody, The Whipper In', two coloured engravings, published 1854, 40x55cm
After John Leech, a set of 8 illustrations for R S Surtees, Handley Cross, hand coloured etchings,
After John Leech, a set of 8 illustrations for R S Surtees, Handley Cross, hand coloured etchings, each 10.5x16.5cm
A colour print, 'The Tipperary Hunt at Clonbonane', 41x48cm, together with after George Earl, 'The
A colour print, 'The Tipperary Hunt at Clonbonane', 41x48cm, together with after George Earl, 'The Foxhound's dream', 46x55cm
After Harry B Neilson, 'Mr Fox's Hunt Breakfast on Xmas Day', colour print, 27x47cm
After Lucy Dawson, 5 colour prints of dog studies, the largest 23x20cm, together with one other by M
After Lucy Dawson, 5 colour prints of dog studies, the largest 23x20cm, together with one other by M Sibley (6)
Charles Francois Levachez (French, 1730-1850) after Vernet, a set of six lithographs, 'Deuxième
Charles Francois Levachez (French, 1730-1850) after Vernet, a set of six lithographs, 'Deuxième suite de Chevaux d'après Carle & Horace Vernet', e...
After George Wright, four colour prints of fox hunting scenes, 'In The Pink of Condition', 'His Same
After George Wright, four colour prints of fox hunting scenes, 'In The Pink of Condition', 'His Same old Game', 'Full Cry Through the Homestead' a...
Benard after Goussier, 'Bourrelier', 18th century equestrian print, showing three types of harnesses, 35x22cm
A 19th century farrier interest print, 17x26cm
J Matamia, fallen horse, black and white print, 35x29cm ...[more]
After Cecil Aldin (1870-1935), 'The Fallowfield Hunt - The Death', chromolithograph c1900, 37.5x62cm
After Cecil Aldin (1870-1935), 'The Fallowfield Hunt - The Death', chromolithograph c1900, 37.5x62cm
A pair of colour prints after Lionel Edwards, 'Tally Ho' and 'The Terrier Man', each 37x52cm
A pair of colour prints after Lionel Edwards, 'Tally Ho' and 'The Terrier Man', each 37x52cm
After L Sandys Lumsdaine, 'Saturday Night' and 'Sunday Morning', pair of colour prints, 30x50
After L Sandys Lumsdaine, 'Saturday Night' and 'Sunday Morning', pair of colour prints, 30x50
After Antoine Gaymard, two prints after Meissonier, c.1905, each 31x22cm
A pair of coloured engravings of hunting scenes, each 22x30cm
After Henry Alken, pair of colour aquatints c.1818, 'Doing it no how' and 'Doing the Thing Well',
After Henry Alken, pair of colour aquatints c.1818, 'Doing it no how' and 'Doing the Thing Well', each bears label to verso 'Paul Mason Antiques, ...
Charles Francois Levachez (French, 1730-1850) after Vernet, a 19th century colour lithograph '
Charles Francois Levachez (French, 1730-1850) after Vernet, a 19th century colour lithograph 'Deuxième suite de Chevaux d'après Carle & Horace Ver...
After Carle Vernet (French, 1758-1836), La Chasse au Renard, colour engraving, in verre eglomise
After Carle Vernet (French, 1758-1836), La Chasse au Renard, colour engraving, in verre eglomise frame, the plate 52x71cm
A set of 11 19th century colour engravings after Henry Alken in verre eglomise frames, 21x25cm (11)
A set of 11 19th century colour engravings after Henry Alken in verre eglomise frames, 21x25cm (11)
George Hunt after James Pollard, 'Tom Moody, The Whipper In', two coloured engravings, published
George Hunt after James Pollard, 'Tom Moody, The Whipper In', two coloured engravings, published 1854, 40x55cm
Gilbert Joseph Holiday (1879-1937), The Huntsman, colour print, 307/500, 33x51cm; together with
Gilbert Joseph Holiday (1879-1937), The Huntsman, colour print, 307/500, 33x51cm; together with after AJ Munnings, 'The Belvoir Hunt - a Hunting M...
After Samuel Howitt, a pair of 19th century colour engravings, 'Pheasant Shooting' and 'Partridge
After Samuel Howitt, a pair of 19th century colour engravings, 'Pheasant Shooting' and 'Partridge Shooting', the plate 16x21cm; together with one ...
Loading...