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Alan Lacer (USA) Spalted beech marbled bowl 7x12cm. Signed

In The Ray Key Woodturners Collaboration Auction ...

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Alan Lacer (USA) Spalted beech marbled bowl 7x12cm. Signed

I knew Ray from conferences and club activities in the US.  He was a real inspiration for me early on with his box designs and techniques.  I always enjoyed his comments on platter design and once even had the joy of co-judging with him approximately fifty or so platters at a conference.  His laugher and upbeat attitude were infectious to those around him.  

 I picked a roughed-out bowl that Ray had chosen one of his favorite forms (and mine too), the ogee.  I completed the bowl and then applied my own latest exploration:  marbling the outside of the bowl but leaving the inside as natural wood—in this case spalted beech.  The technique of marbling entails the floating of paint on thickened water and either dipping or rolling across the surface with the woodturning.  In this case I did a form of marbling often referred to as “ghost marbling.”  Colors were applied, then patterned,  the turning was rolled along the surface, allowed to dry, and then another surface rolling action over a new pattern.   The result gives a “ghost” of the first pattern lurking behind the final marbled surface.  The piece was finished on the lathe with shellac.

The Ray Key Collaboration Auction 

Alan Lacer (USA) Spalted beech marbled bowl 7x12cm. Signed

I knew Ray from conferences and club activities in the US.  He was a real inspiration for me early on with his box designs and techniques.  I always enjoyed his comments on platter design and once even had the joy of co-judging with him approximately fifty or so platters at a conference.  His laugher and upbeat attitude were infectious to those around him.  

 I picked a roughed-out bowl that Ray had chosen one of his favorite forms (and mine too), the ogee.  I completed the bowl and then applied my own latest exploration:  marbling the outside of the bowl but leaving the inside as natural wood—in this case spalted beech.  The technique of marbling entails the floating of paint on thickened water and either dipping or rolling across the surface with the woodturning.  In this case I did a form of marbling often referred to as “ghost marbling.”  Colors were applied, then patterned,  the turning was rolled along the surface, allowed to dry, and then another surface rolling action over a new pattern.   The result gives a “ghost” of the first pattern lurking behind the final marbled surface.  The piece was finished on the lathe with shellac.

The Ray Key Collaboration Auction 

The Ray Key Woodturners Collaboration Auction - AWGB

Ends from
Venue Address
Gloucester
United Kingdom

For Association of Woodturners of Great Britain delivery information please telephone 01594 544 417.

Important Information

Note: A bid in the closing minutes of any lot will extend the closing time of that lot by five minutes to allow you to counter-bid.

The items in this auction were initially turned by Ray Key and completed by the woodturner noted in the lot description. All the pieces will be displayed at the three week exhibition at Nature in Art, Gloucester from the 2nd to the 21st of July (closed on Mondays).

No buyer’s premium or VAT will be charged to successful bidders on the price of the lot
The AWGB Treasurer will issue an invoice by email to successful online bidders after the close of the auction.

Payment 

AWGB Trading can accept payment by
• PayPal – send money to awgbtrading@awgb.co.uk
• Online payment by credit / debit card or Paypal account for payment requested via emailed invoice
• Bank transfer to Santander Bank, Account number 41132390, Sort Code 09-01-28

Collection/Despatch of lots


No lot may be collected and no lot will be despatched, unless payment has been made in full. Lots may be collected in person by arrangement with the AWGB chairman (chairman@awgb.co.uk). The purchaser of any lot agrees to pay AWGB Trading Ltd all costs relating to packing and despatch of the lot, which will attract Value Added Tax charged at the prevailing rate (currently 20%)

 

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Descriptions

  1. 4.       All reasonable efforts are made to describe lots as fairly and as accurately as possible.   Descriptions are believed to be correct but are given as an expression of opinion only, and the lots are sold subject to all faults and errors in description. AWGB Trading Ltd will not be responsible for the correctness of the description of any item, including measurement, weight, date, age, composition, authenticity, condition or faults of any item.

Estimates

  1. Pre-sale estimates are intended only as a guide for prospective purchasers.   Depending on the degree of competition, lots can realise more or sometimes less than the listed estimates.   Estimates are subject to revision.

Payment

  1. (a)           No buyer’s premium or VAT will be charged to successful bidders on the price of the lot

(c)           Online Bidders: The Treasurer will issue an invoice by email to successful online bidders after the close of the auction.

 (f)          AWGB Trading can accept payment by

  • PayPal – send money to awgbtrading@awgb.co.uk
  • Online payment by credit / debit card or Paypal account for payment requested via emailed invoice
  • Bank transfer to Santander Bank, Account number 41132390

Sort Code 09-01-28

Collection or despatch of lots   

  1. 7.       No lot may be collected and no lot will be despatched, unless payment has been made in full. Lots may be collected in person by arrangement with the AWGB chairman (chairman@awgb.co.uk). The purchaser of any lot agrees to pay AWGB Trading Ltd all costs relating to packing and despatch of the lot, which will attract Value Added Tax charged at the prevailing rate (currently 20%)

Images

 

  1. All images, whether printed in the catalogue or on our websites, remain the property of AWGB Trading Ltd or of the respective makers, and may not be reproduced without prior written consent from AWGB Trading Ltd or the maker

Clause headings

  1. 9.       Clause headings are for convenience only and do not affect the interpretation of these Auction Terms
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