Lot

4d

Egyptian Stuccoed Mask -Stone Eyes, Bronze Brows & Lids

In Exceptional Antiquities, Asian, Ethnographic

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Erie , Colorado
Egyptian, Saite Period, 26th Dynasty, ca. 664 to 525 BCE. A dramatic sarcophagus mask carved from cedar (or possibly sycamore) wood and presenting a mesmerizing visage comprised of bewitching stone eye inlays - with the irises delineated in a whiter color (possibly once painted with a vegetable-derived pigment) and the sclera more golden - bronze inlaid eyebrows and eyeliners that have oxidized to beautiful blue-green hues, full closed lips, a straight noble nose, and elegant contours, all on a painted gesso (cartonnage that employs plaster and linen over wood) face of sage green hues perhaps intended to represent bronze. Finely carved and skillfully decorated with pigmented gesso as well as bronze and stone inlays - a very special example. Size: 6.25" W x 7.25" H (15.9 cm x 18.4 cm); 10.625" H (27 cm) on included custom stand.

Ancient Egyptians believed it was of the utmost importance to preserve a body of the deceased, because the soul needed a place to reside after the death. Preservation of the body was done via mummification - a process involving the removal of internal organs that were placed in canopic jars, wrapping body in linen, and then embalming. Death masks like this example were created so that the soul could recognize the body and return to it. For this reason, death masks were made in the likeness of the deceased. Artisans used different materials. Earlier masks were carved from wood. Later, cartonnage, a material made from papyrus or linen and soaked in plaster which was then applied to a wooden mold, was used. Royal death masks, perhaps the most famous being that of Tutankhamen, were made from precious metals. All death masks were intended to resemble the deceased subject; however, eyes were always slightly enlarged and lips presented in a subtle smile as we see in this example.

Masks were traditionally carved from cedar. Interestingly, cedar wood was not native to Egypt. Egypt did not have verdant forests filled with tall trees, and unfortunately most of its native lumber was of relatively poor quality. So they relied on importing to acquire hardwoods - ebony imported from Africa, cedar and pine from Lebanon. One fabulous obelisk inscription by Thutmose III attests to the luxury of treasured hardwoods. It reads as follows, "They brought to me the choicest products . . . consisting of cedar, juniper and of meru wood . . . all the good sweet woods of God's Land." (Obelisk inscription by Thutmose III - J. H. Breasted, Ancient Records of Egypt, Part Two, p. 321)

Provenance: private East Coast, USA collection; ex-collection of Louis & Genevieve Rodis, France, acquired in early 1960s

Condition: Overall excellent with some minor consolidation. Expected surface wear commensurate with age with losses to gesso on upper section of head, nose, lips, chin, and peripheries and age cracks and losses to areas of the wood as shown - but overall the surface is strong and stable. Still much of the painted gesso detailing remains as do sections of dowels in drilled hoes for former attachment to mummy. Stone and bronze inlays are in nice condition. Bronze has developed an attractive blue-green patina over the ages. Areas of mineral deposits on visage as well. Collection numbers in black on the verso. Attached to lucite stand with a single screw to the back center.

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide and handle all shipping in-house for your convenience.

#143892
Egyptian, Saite Period, 26th Dynasty, ca. 664 to 525 BCE. A dramatic sarcophagus mask carved from cedar (or possibly sycamore) wood and presenting a mesmerizing visage comprised of bewitching stone eye inlays - with the irises delineated in a whiter color (possibly once painted with a vegetable-derived pigment) and the sclera more golden - bronze inlaid eyebrows and eyeliners that have oxidized to beautiful blue-green hues, full closed lips, a straight noble nose, and elegant contours, all on a painted gesso (cartonnage that employs plaster and linen over wood) face of sage green hues perhaps intended to represent bronze. Finely carved and skillfully decorated with pigmented gesso as well as bronze and stone inlays - a very special example. Size: 6.25" W x 7.25" H (15.9 cm x 18.4 cm); 10.625" H (27 cm) on included custom stand.

Ancient Egyptians believed it was of the utmost importance to preserve a body of the deceased, because the soul needed a place to reside after the death. Preservation of the body was done via mummification - a process involving the removal of internal organs that were placed in canopic jars, wrapping body in linen, and then embalming. Death masks like this example were created so that the soul could recognize the body and return to it. For this reason, death masks were made in the likeness of the deceased. Artisans used different materials. Earlier masks were carved from wood. Later, cartonnage, a material made from papyrus or linen and soaked in plaster which was then applied to a wooden mold, was used. Royal death masks, perhaps the most famous being that of Tutankhamen, were made from precious metals. All death masks were intended to resemble the deceased subject; however, eyes were always slightly enlarged and lips presented in a subtle smile as we see in this example.

Masks were traditionally carved from cedar. Interestingly, cedar wood was not native to Egypt. Egypt did not have verdant forests filled with tall trees, and unfortunately most of its native lumber was of relatively poor quality. So they relied on importing to acquire hardwoods - ebony imported from Africa, cedar and pine from Lebanon. One fabulous obelisk inscription by Thutmose III attests to the luxury of treasured hardwoods. It reads as follows, "They brought to me the choicest products . . . consisting of cedar, juniper and of meru wood . . . all the good sweet woods of God's Land." (Obelisk inscription by Thutmose III - J. H. Breasted, Ancient Records of Egypt, Part Two, p. 321)

Provenance: private East Coast, USA collection; ex-collection of Louis & Genevieve Rodis, France, acquired in early 1960s

Condition: Overall excellent with some minor consolidation. Expected surface wear commensurate with age with losses to gesso on upper section of head, nose, lips, chin, and peripheries and age cracks and losses to areas of the wood as shown - but overall the surface is strong and stable. Still much of the painted gesso detailing remains as do sections of dowels in drilled hoes for former attachment to mummy. Stone and bronze inlays are in nice condition. Bronze has developed an attractive blue-green patina over the ages. Areas of mineral deposits on visage as well. Collection numbers in black on the verso. Attached to lucite stand with a single screw to the back center.

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide and handle all shipping in-house for your convenience.

#143892

Exceptional Antiquities, Asian, Ethnographic

Sale Date(s)
Venue Address
P.O. BOX 714
Erie
Colorado
80516
United States

For Artemis Gallery delivery information please telephone +1 7208907700.

Important Information

An important one-day auction featuring museum-worthy examples of Egyptian, Greek, Roman, Etruscan, Near Eastern, Far East / Asian, Pre-Columbian, African / Tribal, Oceanic, Native American, Spanish Colonial, Russian, Fossils, Ancient Jewelry, Fine Art, so much more! All items offered for sale have been legally acquired, are legal to sell and are guaranteed to be as described or your money back. All shipping is handled in-house for your convenience.

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