Filtered by:
- Lots with images only,
- Category
- List
- Grid
This auctioneer has chosen to not publish their results. Please contact them directly for any enquiries.
A set of four 19th century black-&-white wood engravings of Bath views including the Roman Baths,
A set of four 19th century black-&-white wood engravings of Bath views including the Roman Baths, Circus, Abbey Church & Pump Room; & two similar ...
CURRIER & IVES, publishers. A coloured lithograph titled: “The Narragansett Steam Ship Co’s Steamer BRISTOL, of the Fall River Line”; 11¾” x 16¼”....
GRIGNION & ROOKER, after S. WALE (Vale). An 18th century coloured engraving titled: “A Perspective
GRIGNION & ROOKER, after S. WALE (Vale). An 18th century coloured engraving titled: “A Perspective View of the Foundling Hospital, With Emblematic...
REYNOLDS, S. W., after Sir THOMAS LAWRENCE. A black & white full-length portrait engraving of
REYNOLDS, S. W., after Sir THOMAS LAWRENCE. A black & white full-length portrait engraving of General Lord Lynedoch GCB., publ. 1831 by Colnaghi, ...
KAPP, Edmund Xavier (1890-1978). Portrait studies of George Moore (1852-1933), titled: “Conversations in Ebury Street (George Moore)”; lithograph,...
KUNISADA, Utagawa (1786-1865). A 19th century woodcut; study of a Geisha. 13” x 8½”, in glazed
KUNISADA, Utagawa (1786-1865). A 19th century woodcut; study of a Geisha. 13” x 8½”, in glazed frame.
CLARKE, Graham (born 1941). A coloured etching titled: “Buzzer”, signed & numbered 64/300 to lower
CLARKE, Graham (born 1941). A coloured etching titled: “Buzzer”, signed & numbered 64/300 to lower border; 7” x 8”, in glazed frame. ...[more]
RIPLEY, Simon (Contemporary). An untitled abstract study. Monoprint; signed & dated ’79 to lower
RIPLEY, Simon (Contemporary). An untitled abstract study. Monoprint; signed & dated ’79 to lower left border; 19½” square. ...[more]
BISSON, Paul (born 1938). A black & white etching titled: “Front door, Cumberwell”, numbered 41/
BISSON, Paul (born 1938). A black & white etching titled: “Front door, Cumberwell”, numbered 41/75; signed to lower right: 9” x 6½”. ...[more]
HARTMAN, John (Contemporary). A black & white drypoint etching titled: “The Manchester Road at
HARTMAN, John (Contemporary). A black & white drypoint etching titled: “The Manchester Road at Slaithwaite”. Signed & dated 18.6.89 to lower right...
ROGERS, Eric (contemporary). An abstract study with silhouettes of birds on a multicoloured geometric background. Lithograph: 17” x 12”.
THOMPSON, Porl (Contemporary, The Cure). “Primal Sound”. Lithograph; 11” x 15”, with exhibition
THOMPSON, Porl (Contemporary, The Cure). “Primal Sound”. Lithograph; 11” x 15”, with exhibition pamphlet “Acts of Dark And Light” The Great Atlant...
CUTTS, Tom (Contemporary). “Ralph Allen’s Town House”, artist’s proof, monochrome etching with
CUTTS, Tom (Contemporary). “Ralph Allen’s Town House”, artist’s proof, monochrome etching with aquatint, signed & inscribed in pencil, 11¾” x 7¼”;...
PIPER, John, C. H. (1903-1992). “Oxburgh Hall, Norfolk” printed in colours, signed in pencil &
PIPER, John, C. H. (1903-1992). “Oxburgh Hall, Norfolk” printed in colours, signed in pencil & numbered 1/120 & with blind-stamps; 23½” x 18¼”. ....
PIPER, John, C. H. (1903-1992). “Carew Castle”, printed in colours, signed in pencil & numbered 14/
PIPER, John, C. H. (1903-1992). “Carew Castle”, printed in colours, signed in pencil & numbered 14/100 & with blind-stamps; 20¾” x 28¾”. ...[more]
PIPER, John C. H. (1903-1992). “Ruined Church Bawsey” printed in colours, signed in pencil & numbered 88/100 & with blind-stamps; 21” x 27”. ...[...
A 19th century coloured engraving of Durham Cathedral; 20½” x 14½”, in glazed frame.
BASIRE, Isaac; eighteen black & white engraved book-plates of "Medals of King William III, Queen Mar
BASIRE, Isaac; eighteen black & white engraved book-plates of "Medals of King William III, Queen Mary, & Queen Anne", publ. 1745-6, by J. & P. Kna...
METTO, Roger (Contemporary). An abstract study titled: “Serpentine”. Signed “Metto ‘85” to lower
METTO, Roger (Contemporary). An abstract study titled: “Serpentine”. Signed “Metto ‘85” to lower left; collage: 6” x 12½”, in glazed frame.
Four pen & wash studies of sea shells produced for book illustration, each specimen with a figure
Four pen & wash studies of sea shells produced for book illustration, each specimen with a figure number, plate numbers to upper corners, possibly...
BOWER, Douglas. A 19th century style estuary scene with figures in a tender rowing out to a three-
BOWER, Douglas. A 19th century style estuary scene with figures in a tender rowing out to a three-masted merchant vessel at anchor. Signed; waterc...
FARE, Arthur Charles (1876-1958, A.R.I.B.A.) & TAYLOR, Alfred J. (F.R.I.B.A.). A pair of architects’
FARE, Arthur Charles (1876-1958, A.R.I.B.A.) & TAYLOR, Alfred J. (F.R.I.B.A.). A pair of architects’ plans for the Trowbridge Co-Operative Society...
BROOKER, E. W. (mid-19th century). A “Tree of Battles & Naval Victors” dedicated to Admiral Edward
BROOKER, E. W. (mid-19th century). A “Tree of Battles & Naval Victors” dedicated to Admiral Edward Harvey, the sepia wash coastal scene with man-o...
MICHIE, Alistair (1921-2008). A green-patinated bronze abstract form titled: “Link Pin”, number 2/
MICHIE, Alistair (1921-2008). A green-patinated bronze abstract form titled: “Link Pin”, number 2/10, on black marble block base; 9¾” high (exclud...
Eleven various editions of VATHEK, published between 1868 & 1958; & a group of small loose engravings relating to Beckford. ...[more]
Loading...