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Astley David Middleton Cooper (1856-1924) "Landscape at Eagle Peak, Montana, with meeting of Lakota,
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Astley David Middleton Cooper (1856-1924) "Landscape at Eagle Peak, Montana, with meeting of Lakota, Sioux, and Cheyenne Warriors," O.O.C., signed and dated 1920, 243cms x 181cms (96” x 71”). (1) Provenance : Mallow Castle, Mallow, Co. Cork. In 1876, an alliance of Native American forces, led by the Lakota Sioux leader Sitting Bull, defeated the US 7th cavalry regiment under General Custer, at the Battle of Little Big Horn in Montana. The battle took place eight years after the signing of the Fort Laramie Treaty, which guaranteed the Black Hills of Dakota remaining the property of the Lakota Sioux. The Treaty was not honoured, and so an alliance was formed between Lakota Sioux, Cheyenne and Arapaho, to defend their lands against incursions by settlers and goldminers. This painting by Astley David Middleton Cooper is traditionally held to represent the formation of this alliance, in Montana, with Eagle Peak mountain in the distance. On the left is Sitting Bull, wearing a headdress arrayed with upright golden eagle tail feathers. To the right is the Cheyenne chief Two Moons, wearing a buffalo war bonnet. The third figure seated on the far side probably represents Chief Gall. In the background, across a ravine, can be seen the assembled Lakota warriors. Over the course of a life that spanned the second half of the nineteenth century and the first quarter of the twentieth, Astley David Middleton Cooper produced many evocative paintings, depicting Native American peoples and the magnificent landscapes of North America. His paintings, of warriors on horseback, tipi villages and herds of buffalo, charted the decline of Native American culture as tribal lands were encroached upon by European settlers, and did much to popularise the image of heroic Native Americans, struggling to maintain their way of life. However, Cooper was also sympathetic to settlers and the hardships they endured. One canvas depicts an abandoned covered wagon, surrounded by grazing buffalo, while a narrative series illustrates a settler and his daughter, held captive by a hostile tribe, and the ensuing hostage negotiations. Several poignant paintings include Lakota Sioux warriors – models in the artist’s studio - looking at canvases that portray their disappearing way of life. Cooper’s paintings are characterised by close attention to detail, such as clothing, beadwork, eagle feathers and brightly-coloured woven blankets. He also produced landscapes featuring rivers and forests—including Californian giant redwoods—as well as decorative works depicting cherubs, models and classical figures. Born in St. Louis, Missouri, Cooper’s father David Middleton Cooper was a leading Irish-born surgeon, while his mother, Fannie Clark O’Fallon was a grand-niece of William Clark, the explorer who took part in the famous trans-continental expedition of 1804. The artist George Catlin, who painted scenes of Plains Indian life, was a family friend. Having studied art at Washington University, Cooper travelled widely, living with Native American peoples and recording their culture in paintings and drawings. He spent two years in Boulder, Colorado, producing drawings for Frank Leslie’s Illustrated Newspaper, before settling in San Francisco, where he built up a successful practice as a genre and portrait painter. Among his sitters was General Ulysses S. Grant. In 1883 Cooper established himself at San Jose, building a large studio in an ornate Egyptian style. A sociable and popular figure in San Jose, Cooper often paid his bills at bars with paintings. He married late in life, in 1919, just five years before his death. His works can be found in many museums, particularly in the American West. In his Artists in California 1786-1940, the art historian Edan Hughes notes there are works by Cooper in the San Jose Historical Museum, Stanford Museum and the Oakland Museum. Relics of the Past, The Buffalo Head, a still life by Cooper in the Buffalo Bill Center of the West (Whitney Western Art Museum, Cody, Wyoming), includes portraits of Sitting Bull, Two Moons, Red Cloud and Chief Gall. Dr. Peter Murray 2022
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Astley David Middleton Cooper (1856-1924) "Landscape at Eagle Peak, Montana, with meeting of Lakota, Sioux, and Cheyenne Warriors," O.O.C., signed and dated 1920, 243cms x 181cms (96” x 71”). (1) Provenance : Mallow Castle, Mallow, Co. Cork. In 1876, an alliance of Native American forces, led by the Lakota Sioux leader Sitting Bull, defeated the US 7th cavalry regiment under General Custer, at the Battle of Little Big Horn in Montana. The battle took place eight years after the signing of the Fort Laramie Treaty, which guaranteed the Black Hills of Dakota remaining the property of the Lakota Sioux. The Treaty was not honoured, and so an alliance was formed between Lakota Sioux, Cheyenne and Arapaho, to defend their lands against incursions by settlers and goldminers. This painting by Astley David Middleton Cooper is traditionally held to represent the formation of this alliance, in Montana, with Eagle Peak mountain in the distance. On the left is Sitting Bull, wearing a headdress arrayed with upright golden eagle tail feathers. To the right is the Cheyenne chief Two Moons, wearing a buffalo war bonnet. The third figure seated on the far side probably represents Chief Gall. In the background, across a ravine, can be seen the assembled Lakota warriors. Over the course of a life that spanned the second half of the nineteenth century and the first quarter of the twentieth, Astley David Middleton Cooper produced many evocative paintings, depicting Native American peoples and the magnificent landscapes of North America. His paintings, of warriors on horseback, tipi villages and herds of buffalo, charted the decline of Native American culture as tribal lands were encroached upon by European settlers, and did much to popularise the image of heroic Native Americans, struggling to maintain their way of life. However, Cooper was also sympathetic to settlers and the hardships they endured. One canvas depicts an abandoned covered wagon, surrounded by grazing buffalo, while a narrative series illustrates a settler and his daughter, held captive by a hostile tribe, and the ensuing hostage negotiations. Several poignant paintings include Lakota Sioux warriors – models in the artist’s studio - looking at canvases that portray their disappearing way of life. Cooper’s paintings are characterised by close attention to detail, such as clothing, beadwork, eagle feathers and brightly-coloured woven blankets. He also produced landscapes featuring rivers and forests—including Californian giant redwoods—as well as decorative works depicting cherubs, models and classical figures. Born in St. Louis, Missouri, Cooper’s father David Middleton Cooper was a leading Irish-born surgeon, while his mother, Fannie Clark O’Fallon was a grand-niece of William Clark, the explorer who took part in the famous trans-continental expedition of 1804. The artist George Catlin, who painted scenes of Plains Indian life, was a family friend. Having studied art at Washington University, Cooper travelled widely, living with Native American peoples and recording their culture in paintings and drawings. He spent two years in Boulder, Colorado, producing drawings for Frank Leslie’s Illustrated Newspaper, before settling in San Francisco, where he built up a successful practice as a genre and portrait painter. Among his sitters was General Ulysses S. Grant. In 1883 Cooper established himself at San Jose, building a large studio in an ornate Egyptian style. A sociable and popular figure in San Jose, Cooper often paid his bills at bars with paintings. He married late in life, in 1919, just five years before his death. His works can be found in many museums, particularly in the American West. In his Artists in California 1786-1940, the art historian Edan Hughes notes there are works by Cooper in the San Jose Historical Museum, Stanford Museum and the Oakland Museum. Relics of the Past, The Buffalo Head, a still life by Cooper in the Buffalo Bill Center of the West (Whitney Western Art Museum, Cody, Wyoming), includes portraits of Sitting Bull, Two Moons, Red Cloud and Chief Gall. Dr. Peter Murray 2022
Chatsworth Autumn Fine Art Sale
Auktionsdatum
Lose: 1-511
Lose: 520-1022
Ort der Versteigerung
The Old Cinema
Chatsworth Street
Castlecomer
Co. Kilkenny
.R95 XV05
Ireland
Recommended Shipping Companies to assist you with Collection and Shipment:
We recommend the following Shipping Companies to assist you with collection and shipment.
Please contact them directly to obtain shipping cost quote, delivery schedule, etc.
For; Paintings ,Books & Manuscripts :
Mail Boxes Etc ,Dublin. Tel. 01.6710400 Email info@mbedublin2.com
Pack and Send Belfast . Tel ; +44 (0) 2890 219003 Email belfasteast@packsend.co.uk
Callanan Couriers Email: info@callanancouriers.ie
Mob: 0863881072 | 0862545191 Dublin Area Only
Tony Buggy - 087-9195755, Cork / Limerick Area Only
For Larger Items.
Oldcastle Transport Limited
oldcastletransportltd@gmail.com
Tel; 087.7987784
Tel: +353 (0)57 87 36596
Cork / Limerick Area Only
Carlyle Fine Art Services ; Dublin. Tel; 087.2890898 Email david@davidcarlyle.ie
Please contact these shipping companies directly to discuss your requirements and for agreed cost quote, delivery schedule, etc.
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Furniture, Old Master & Victorian Paintings, Miniatures, Silver and Silver Plateware, Fine Selection of Objet d'Art, Jewellery, Oriental Creramics & Art, Rugs, Capets & Tapestries, Militaria, Taxidermy & Other Collectibles, Vintage Vehicle.
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Catalogue Abbreviations : Paintings, Prints, Works of Art, Furniture, etc.
The first name or names and surname of the Artist or Craftsman: In our opinion a work by the Artist of Craftsman. Attributed to: In our opinion probably a work by the Artist or Craftsman but less certainty as to authorship is expressed than in the preceding category.
Studio of: In our opinion a work that may have been executed in whole or in part by the artist's hand. Circle of: In our opinion a work of the period of the Artist or Craftsman that is in a similar style to the work of that Artist or Craftsman.
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Dated: Is so dated and in our opinion was executed at about that date.
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Abbreviations
O.O.C. Oils on Canvas O .O.P. Oils on Panel
O.O.B. Oils on Board W/C Watercolour
GOU Gouache MAH. Mahogany
VICT. Victorian ED W. Edwardian
W.A.F. With all faults As Is With all damages, faults, restorations, etc.
S.N.S.R. Sold not subject to return..
O.R.M. Of recent manufacture,
Catalogue Abbreviations ; Books and Manuscripts
mls Manuscript Letters signed
als Autographed Letters signed
acs Autographed Cards signed
pb Paperback
a.e.g. All edges gilt
t.e.g Top edge gilt
w.a.f. With all faults
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As a lot With all faults , As is
L.S.s Library stamps
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Publ. Published
f.e.p. Front end paper
mor Morocco
n.d. No date
n.p. No place
d.j. Dust jacket
L.P. Large paper
h.m.p. Hand made paper
vell. Vellum
hf. Half
d.w.s. Dust wrappers
I.M.C. Irish M/ss Commission
A.M.S Armorial motif on spine
cont. Contemporary
n.a.t. Not affecting text
frontis Frontispiece
engd. Engraved
cold. Coloured
hd. Hand
port. Portrait
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We request that all items purchased must be collected by Friday 7th October, 2022
Overseas purchasers are requested to arrange collection and shipment as soon as possible, and by no later than Friday, 14th October. 2022.
We recommend the following Shipping Companies to assist you with collection and shipment.
Please contact them directly to obtain shipping cost quote, delivery schedule, etc.
For; Paintings ,Books & Manuscripts :
Mail Boxes Etc ,Dublin. Tel. 01.6710400 Email info@mbedublin2.com
Pack and Send Belfast . Tel ; +44 (0) 2890 219003 Email belfasteast@packsend.co.uk
Callanan Couriers Email: info@callanancouriers.ie
Mob: 0863881072 | 0862545191 Dublin Area Only
Tony Buggy - 087-9195755, Cork / Limerick Area Only
For Larger Items.
Oldcastle Transport Limited
oldcastletransportltd@gmail.com
Tel; 087.7987784
Tel: +353 (0)57 87 36596
Web: www.MovingHome.ie E-mail: info@movinghome.ie
Carlyle Fine Art Services ; Dublin. Tel; 087.2890898 Email david@davidcarlyle.ie
