Filtered by:
- Category
- List
- Grid
A subscription to the Price Guide is required to view results for auctions ten days or older. Click here for more information
Benjamin Cole (1697-1883) A View of the House of Peers, the King sitting on his Throne, the Commons attending him at the end of ye Session, 1755; ...
Jacques Rigaud (French 1680-1754) A View of the Bason of Latona Hand-coloured engraving 23.8 x 46.
Jacques Rigaud (French 1680-1754) A View of the Bason of Latona Hand-coloured engraving 23.8 x 46.5cm; 9¼ x 18¼in Together with Paul Angier (Frenc...
Giovanni Battista Piranesi (Italian 1720-1778) Veduta degli avanzi del Foro di Nerva (Wilton-Ely
Giovanni Battista Piranesi (Italian 1720-1778) Veduta degli avanzi del Foro di Nerva (Wilton-Ely 181); Veduta, nella Via del Corso, del Palazzo de...
Edward Goodall (1795-1870) & William Raymond Smith (act. 1818-1848) after J.M.W Turner RA (1775-
Edward Goodall (1795-1870) & William Raymond Smith (act. 1818-1848) after J.M.W Turner RA (1775-1851) Caligula's Palace and Bridge; Dido and Aenea...
After Basilius Besler Poma flore multiplici; Aquilegia stellata flore vio laceo; Cytisus columella; Cistus flore albo; Arbor iudae; Cnicus sativus...
After Basilius Besler Study of five tulips Engraving with hand-colouring, plate 70 from 'Hortus
After Basilius Besler Study of five tulips Engraving with hand-colouring, plate 70 from 'Hortus Eystettensis' 47.3 x 39.7cm; 18½ x 15½in Provenanc...
John Gould FRS (1804-1881) after Edward Lear (1812-1888) Ramphastos Erythrorhynchus (Red-Billed
John Gould FRS (1804-1881) after Edward Lear (1812-1888) Ramphastos Erythrorhynchus (Red-Billed Toucan); Ramphastos Toco (Toco Toucan) Two, both h...
John Gould FRS (1804-1881), Henry Constantine Richter (1821-1902) and Elizabeth Gould (1804-1841)
John Gould FRS (1804-1881), Henry Constantine Richter (1821-1902) and Elizabeth Gould (1804-1841) Ptilonorhynchus Rawnsleyi; Diomedea Melanophrys;...
After David Roberts RA, RBA (1796-1864) Twenty-two plates from 'The Holy Land, Syria, Idumea,
After David Roberts RA, RBA (1796-1864) Twenty-two plates from 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia', comprising Entrance to th...
Thomas Daniell RA (1749-1840) Remains of an Ancient Building near Firoz Shah's Cotilla, Delhi; The
Thomas Daniell RA (1749-1840) Remains of an Ancient Building near Firoz Shah's Cotilla, Delhi; The Great Pagoda, Tritchinopoly Two, both coloured ...
After John Nost Sartorius (1759-c.1828) Hunting series: Brushing into Cover; The Chase; At Fault;
After John Nost Sartorius (1759-c.1828) Hunting series: Brushing into Cover; The Chase; At Fault; The Death Four, each engraving, by John Peltro (...
After Sir Joshua Reynolds PRA, FRS, FRSA (1723-1792) Portrait of George Spencer, 4th Duke of Marlborough and his family Mezzotint, by Charles Turn...
Wilhelm Heuer (German 1813-1890) Panoramic view of Hamburg, including the port at St. Pauli Coloured
Wilhelm Heuer (German 1813-1890) Panoramic view of Hamburg, including the port at St. Pauli Coloured lithograph 41.7 x 63.7cm; 16½ x 25in Together...
‡Charles Johnson Payne (Snaffles) (1884-1967) R.N.R.T.: Two men on watch Signed Snaffles (in pencil, to backing sheet) Coloured print with hand ti...
‡Charles Johnson Payne (Snaffles) (1884-1967) T.B.D.'s The Beef Convoy Signed Snaffles (in pencil,
‡Charles Johnson Payne (Snaffles) (1884-1967) T.B.D.'s The Beef Convoy Signed Snaffles (in pencil, to backing sheet) Coloured print with hand tint...
Thomas Worlidge (1700-1766) after Rembrandt van Rijn (Dutch 1606-1669) Bust of a man in a turban
Thomas Worlidge (1700-1766) after Rembrandt van Rijn (Dutch 1606-1669) Bust of a man in a turban Chalk 36 x 27.4cm; 14¼ x 10¾ This derives from th...
Thomas Rowlandson (1757-1827) The horse trough Pen and ink, and wash 14.2 x 23.6cm; 5½ x 9¼in
Thomas Rowlandson (1757-1827) The horse trough Pen and ink, and wash 14.2 x 23.6cm; 5½ x 9¼in Provenance: Given to the previous owners, 1953; And ...
Maltese School 19th Century Panoramic view of Valletta harbour from a terrace Pencil, pen and ink,
Maltese School 19th Century Panoramic view of Valletta harbour from a terrace Pencil, pen and ink, and wash on six joined sheets 27.4 x 202cm; 10¾...
Thomas Lound (1801-1861) A view of Tintern Abbey Watercolour and pencil 35.7 x 52.2cm; 14 x 20½in
Thomas Lound (1801-1861) A view of Tintern Abbey Watercolour and pencil 35.7 x 52.2cm; 14 x 20½in Provenance: Thos. Agnews & Sons Ltd., London .....
Thomas Collier (1840-1891) Low tide, Cromer Signed Thos Collier (lower right) and inscribed and
Thomas Collier (1840-1891) Low tide, Cromer Signed Thos Collier (lower right) and inscribed and dated July 25th 1876 (lower left) Pencil and water...
Walter Greaves (1846-1930) The Old Swan, Chelsea Signed W. Greaves (lower left0 Pencil and watercolour 20.5 x 32.5cm; 8 x 12¾in ...[more]
Walter Greaves (1846-1930) View of the Thames, possibly Battersea Signed W. Greaves (lower left)
Walter Greaves (1846-1930) View of the Thames, possibly Battersea Signed W. Greaves (lower left) Pencil and watercolour 19.6 x 33.2cm; 7¾ x 13in ...
Frederick Christian Lewis (1779-1856) after Thomas Girtin (1775-1802) View of Pont au Change, the
Frederick Christian Lewis (1779-1856) after Thomas Girtin (1775-1802) View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison; Vi...
Samuel Owen (1769-7857) Beaching a boat Signed under mount (according to label) Watercolour 11 x
Samuel Owen (1769-7857) Beaching a boat Signed under mount (according to label) Watercolour 11 x 9cm; 4½ x 3¾in Provenance: Thos. Agnew & Sons, Lo...
After Raphael (Italian 1483-1520) The ecstasy of St Cecilia Engraving, by Philippe Thomassin (French
After Raphael (Italian 1483-1520) The ecstasy of St Cecilia Engraving, by Philippe Thomassin (French 1562-1622) 46.1 x 30.1cm; 18¼ x 11¾in (sheet)...
After Karel Dujardin A Savoyard boy playing a violin Etching 16.7 x 12.2cm; 6½ x 4¾in (plate)
After Karel Dujardin A Savoyard boy playing a violin Etching 16.7 x 12.2cm; 6½ x 4¾in (plate) Together with Continental School 19th Century; Study...
Antonio Canal, called Il Canaletto (Italian 1697-1768) The Bishop's Tomb (Bromberg 15) Etching 22.
Antonio Canal, called Il Canaletto (Italian 1697-1768) The Bishop's Tomb (Bromberg 15) Etching 22.5 x 13.4cm; 8¾ x 5¼in (sheet) Provenance: From t...
English School 1754 The Charming Brute: A Satire on Handel Etching 33.2 x 23.5cm; 13 x 9¼in (
English School 1754 The Charming Brute: A Satire on Handel Etching 33.2 x 23.5cm; 13 x 9¼in (sheet) Together with Jean Baptiste Delafosse (French ...
After John Russell (1745-1806) The Favourite Rabbit; Tom and his Pidgeons Two, both stipple engraving in colour, by Charles Knight (1743-1826) Ea...
George Garrard ARA (1760-1826) A view of Tring Park Mansion; A view of a country house in parkland
George Garrard ARA (1760-1826) A view of Tring Park Mansion; A view of a country house in parkland Two, the former inscribed and dated Tring Park ...
After Marco Ricci (Italian 1676-1730) Richmond Ferry as it was Etching, by Jean Baptiste Chatelain (French 1710-1758) 44.1 x 56.5cm; 17¼ x 22¼in P...
Henry Overton (1676-1751) and J. Hoole (act. 1720s) The Prospect of Richmond in Surry Engraving 58 x
Henry Overton (1676-1751) and J. Hoole (act. 1720s) The Prospect of Richmond in Surry Engraving 58 x 92.4cm; 22¾ x 36¼in (plate) Together with Joh...
After Karl Friedrich Schinkel (German 1781-1841) The Cathedral at Reims; Gothic hall overlooking
After Karl Friedrich Schinkel (German 1781-1841) The Cathedral at Reims; Gothic hall overlooking Reims; Courtyard of Turneck Castle Three, each aq...
John Bowles (c.1701-1779) after Giorgio Fossati (Italian 1705-1786) A Perspective View of Venice
John Bowles (c.1701-1779) after Giorgio Fossati (Italian 1705-1786) A Perspective View of Venice Engraving with hand-colouring 25.4 x 41.6cm; 10 x...
John Carwitham (act. 1723-1741) A South-East View of the City of Boston in North America Engraving
John Carwitham (act. 1723-1741) A South-East View of the City of Boston in North America Engraving with hand-colouring 30 x 45cm; 11¾ x 17¾in (pla...
After George Morland The Country Stable Oil on canvas 64.2 x 76.4cm; 25¼ x 30in Provenance: Cochrane
After George Morland The Country Stable Oil on canvas 64.2 x 76.4cm; 25¼ x 30in Provenance: Cochrane Family, Redcastle, Co. Donegal; Private Colle...
Loading...