Lot

62

Paul Henry RHA (1876-1958)KEEL VILLAGE, ACHILL ISLAND, 1911oil on canvassigned lower

In Irish & British Art

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +353 1 676 2888 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
Paul Henry RHA (1876-1958)KEEL VILLAGE, ACHILL ISLAND, 1911oil on canvassigned lower
Interested in the price of this lot?
Subscribe to the price guide
Ballsbridge, Dublin 4

Paul Henry RHA (1876-1958)

KEEL VILLAGE, ACHILL ISLAND, 1911

oil on canvas

signed lower left

LandscaPortraite

18 by 20in., 45 by 50cm.

Private collection;Adam`s, 28 May 2003, lot 86;Whence purchased by the present owner

`Paintings by Mrs. Frances Baker, Grace Henry, Paul Henry, Casimir Dunin-Markiewicz and George Russell (AE), Leinster Hall, Dublin, 16-21 October, 1911, catalogue no. 35 or 36

Kennedy, S.B., Paul Henry, Paintings Drawings Illustrations, Yale University Press, New Haven & London, 2007, catalogue no. 342, p.162 (illustrated)

In original Waddington frame.The form of the signature, with dots between the two words of the artist`s name and after the word Henry, signify that this composition must have been painted shortly after the artist arrived on Achill Island in August 1911. The village of Keel, where in his autobiography, An Irish Portrait (1951), he tells us he settled, is seen from the high ground to the north-west, the long and graceful sweep of Trawmore Strand dominating the middle distance. The scene has been rendered with remarkable economy of means, there being only moderate impasto, but a great sense of fluidity, in the handling of the paint. As is characteristic of Henry`s painting at this time the brushwork is rigorously descriptive of form and structure and the use of subtle blues and greys to emphasise the recession of the landscape is a foretaste of the strong Whistlerian influence that would soon emerge in his painting. The use of upright brushstrokes, as seen in the near foreground, is characteristic of other Henry pictures of this time. There is an almost identical, but smaller, composition of the same title and period to this in the Ulster Museum, Belfast. Nowadays the village of Keel is larger, although not substantially so, so that the main thrust of the landscape can clearly be seen. Henry`s excitement at his new-found surroundings is also evident in his rendering of the landscape.Dr SB KennedyFebruary 2013

Paul Henry RHA (1876-1958)

KEEL VILLAGE, ACHILL ISLAND, 1911

oil on canvas

signed lower left

LandscaPortraite

18 by 20in., 45 by 50cm.

Private collection;Adam`s, 28 May 2003, lot 86;Whence purchased by the present owner

`Paintings by Mrs. Frances Baker, Grace Henry, Paul Henry, Casimir Dunin-Markiewicz and George Russell (AE), Leinster Hall, Dublin, 16-21 October, 1911, catalogue no. 35 or 36

Kennedy, S.B., Paul Henry, Paintings Drawings Illustrations, Yale University Press, New Haven & London, 2007, catalogue no. 342, p.162 (illustrated)

In original Waddington frame.The form of the signature, with dots between the two words of the artist`s name and after the word Henry, signify that this composition must have been painted shortly after the artist arrived on Achill Island in August 1911. The village of Keel, where in his autobiography, An Irish Portrait (1951), he tells us he settled, is seen from the high ground to the north-west, the long and graceful sweep of Trawmore Strand dominating the middle distance. The scene has been rendered with remarkable economy of means, there being only moderate impasto, but a great sense of fluidity, in the handling of the paint. As is characteristic of Henry`s painting at this time the brushwork is rigorously descriptive of form and structure and the use of subtle blues and greys to emphasise the recession of the landscape is a foretaste of the strong Whistlerian influence that would soon emerge in his painting. The use of upright brushstrokes, as seen in the near foreground, is characteristic of other Henry pictures of this time. There is an almost identical, but smaller, composition of the same title and period to this in the Ulster Museum, Belfast. Nowadays the village of Keel is larger, although not substantially so, so that the main thrust of the landscape can clearly be seen. Henry`s excitement at his new-found surroundings is also evident in his rendering of the landscape.Dr SB KennedyFebruary 2013

Irish & British Art

Sale Date(s)
Venue Address
RDS Clyde Hall
Anglesea Road
Ballsbridge
Dublin 4
Ireland

General delivery information available from the auctioneer

The buyer will be responsible for all removal, storage and insurance charges in respect of any lot which has not been collected within fourteen days of the date of sale.

Important Information

Buyer's Premium 16.53% + VAT

Shipping:
Whytes do not handle this themselves but will recommend a suitable company who can collect your purchases on your behalf and pack and despatch them to you once they have been paid for.

Terms & Conditions

See Full Terms And Conditions