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Late eighteenth century oval needlework sampler of alphabet and poem with shepherd, house and
Late eighteenth century oval needlework sampler of alphabet and poem with shepherd, house and landscape decoration within floral border by Mary An...
George III needlework sampler of alphabet, numbers and poem within a floral border by Martha Blaxell
George III needlework sampler of alphabet, numbers and poem within a floral border by Martha Blaxell 1802 in a glazed Hogarth frame, 28.5cm x 25cm...
Late eighteenth century George III oval silk work picture of a woman beside Shakespeare's tomb, in
Late eighteenth century George III oval silk work picture of a woman beside Shakespeare's tomb, in oval giltwood and glazed frame, 31.5cm x 24cm C...
Edmund Caldwell (1852 - 1930), Victorian monochrome watercolour - The Derby Dog, signed and dated
Edmund Caldwell (1852 - 1930), Victorian monochrome watercolour - The Derby Dog, signed and dated 1892, in original oak frame, 36cm x 25cm
W. Wasdell Trickett 1932, pastel study of a bay horse in stable, entitled - 'El Morro', signed and
W. Wasdell Trickett 1932, pastel study of a bay horse in stable, entitled - 'El Morro', signed and dated, in glazed frame, 38cm x 54cm
Attributed to John Beer, Victorian watercolour racing scene - Ascot 1891, together with an assortment of sporting prints
Tessa Campbell Fraser '91, charcoal and chalk racing scene of two race horses battling it out,
Tessa Campbell Fraser '91, charcoal and chalk racing scene of two race horses battling it out, signed and dated, in glazed frame, 40cm x 35cm
*Robert W. Milliken (b. 1920), watercolour study of a cock and hen pheasant in snow, signed, in
*Robert W. Milliken (b. 1920), watercolour study of a cock and hen pheasant in snow, signed, in glazed gilt frame, 35.5cm x 49.5cm CONDITION REPOR...
Pair of Victorian chromolithographs - hunting scenes, in glazed gilt frames, 20cm x 38.5cm
Cecil Charles Windsor Aldin (1870 - 1935), signed limited edition coloured print - The Cheshire:
Cecil Charles Windsor Aldin (1870 - 1935), signed limited edition coloured print - The Cheshire: Away from Peckforton Wood, numbered 278 / 300, b...
Cecil Charles Windsor Aldin (1870 - 1935), two pairs of coloured prints - The V. W. H. (Cricklade), The Cheshire Hounds Away for Tattenhall, The W...
Mark Chester (b. 1960), pair acrylic studies in glazed frames - Autumn Mist English Partridges and
Mark Chester (b. 1960), pair acrylic studies in glazed frames - Autumn Mist English Partridges and Red Legged Partridges, signed, 19cm x 29cm
Mark Chester (b. 1960), pin feather painting of a woodcock in glazed frame - mounted with the pin
Mark Chester (b. 1960), pin feather painting of a woodcock in glazed frame - mounted with the pin feather, signed, 19cm x 24cm
Mark Chester (b. 1960), acrylic in glazed gilt frame - winter snow-covered track with woodcock in
Mark Chester (b. 1960), acrylic in glazed gilt frame - winter snow-covered track with woodcock in flight, signed, 26.5cm x 36.5cm
Mark Chester (b. 1960), pair signed limited edition prints - pheasants and English Partridges,
Mark Chester (b. 1960), pair signed limited edition prints - pheasants and English Partridges, mounted
Mark Chester (b. 1960), six signed prints - game birds, mounted
Mark Chester (b. 1960), four signed prints - chickens, mounted
P. J. Kelly 1974, oil on canvas in frame - study of Red Rum with jockey Tommy Stack, signed and
P. J. Kelly 1974, oil on canvas in frame - study of Red Rum with jockey Tommy Stack, signed and dated, 74cm x 89cm
*John Trickett (b. 1952), oil on canvas in frame - study of a Pointer puppy, signed, 29.5cm x 24.
*John Trickett (b. 1952), oil on canvas in frame - study of a Pointer puppy, signed, 29.5cm x 24.5cm
*John T. Y. Gilroy (1898 - 1985), pencil and crayon illustration on tracing paper, entitled - A
*John T. Y. Gilroy (1898 - 1985), pencil and crayon illustration on tracing paper, entitled - A Pheasant Surprise, signed, in glazed gilt frame, 1...
Attributed to Henry Alken (1785 - 1851), collection of seven pencil and watercolour studies -
Attributed to Henry Alken (1785 - 1851), collection of seven pencil and watercolour studies - hunting and racing scenes, in glazed frames, sizes r...
Set of four late Victorian / Edwardian English School pastel studies - hunting scenes, in glazed
Set of four late Victorian / Edwardian English School pastel studies - hunting scenes, in glazed frames, 24cm x 35cm
*Peter Burman (b. 1950), oil on board in frame - Morning Light River Orwell, signed, 54cm x 74.5cm
*Peter Burman (b. 1950), oil on board in frame - Morning Light River Orwell, signed, 54cm x 74.5cm
*Peter Burman (b. 1950), oil on board in frame - Quay Side Woodbridge, signed, 49cm x 65cm CONDITION
*Peter Burman (b. 1950), oil on board in frame - Quay Side Woodbridge, signed, 49cm x 65cm CONDITION REPORT Very good condition overall, bearing a...
John Burman (act. 1886 - 1899), watercolour in glazed frame - The Water Garden, signed, 48cm x 53cm
John Burman (act. 1886 - 1899), watercolour in glazed frame - The Water Garden, signed, 48cm x 53cm
John Burman (act. 1886 - 1899), watercolour in glazed gilt frame - Silent Beach, signed, 26cm x
John Burman (act. 1886 - 1899), watercolour in glazed gilt frame - Silent Beach, signed, 26cm x 37cm
WITHDRAWN - John Burman (act. 1886 - 1899), watercolour in glazed gilt frame - East Anglian landscape, signed, 33cm x 53cm
Eyres Simmons (act. 1902 - 1914), pair of watercolours in glazed gilt frames - coastal views,
Eyres Simmons (act. 1902 - 1914), pair of watercolours in glazed gilt frames - coastal views, signed, 21cm x 36cm
William Ayerst Ingram (1855 - 1913), watercolour in glazed gilt frame - fishing boat at sea, signed,
William Ayerst Ingram (1855 - 1913), watercolour in glazed gilt frame - fishing boat at sea, signed, 34cm x 51.5cm
William Roxby Beverley (1811 - 1889), pencil and watercolour in glazed gilt frame - fishing boats in
William Roxby Beverley (1811 - 1889), pencil and watercolour in glazed gilt frame - fishing boats in harbour, 29cm x 48.5cm. Provenance: Purchas...
Denise Broadley (1914 - 2007), mixed media collage - Tenby Harbour, signed, in glazed frame, 26cm
Denise Broadley (1914 - 2007), mixed media collage - Tenby Harbour, signed, in glazed frame, 26cm x 41cm (Brett Gallery Summer Exhibition '92)
Albert Charles Ribbans (1903 - ?), pencil and watercolour view of East Bergholt Church, signed,
Albert Charles Ribbans (1903 - ?), pencil and watercolour view of East Bergholt Church, signed, together with an attached 1950s copy of the East A...
Frederick Parks (act. 1890 - 1927), three watercolours - rural landscapes, signed, in glazed frames,
Frederick Parks (act. 1890 - 1927), three watercolours - rural landscapes, signed, in glazed frames, together with another watercolour by Stanley ...
Capt. Greenville Collins, eighteenth century tinted engraved sea chart of the East Coast, with an
Capt. Greenville Collins, eighteenth century tinted engraved sea chart of the East Coast, with an inset map of 'The River of Thames from London to...
Robert Morden, eighteenth century tinted engraved map of Suffolk, in glazed frame, 36cm x 41.5cm
Robert Morden, eighteenth century tinted engraved map of Suffolk, in glazed frame, 36cm x 41.5cm
Mid-eighteenth century tinted engraved Plan of The River Chelmer Surveyed by Thomas Yeoman 1765,
Mid-eighteenth century tinted engraved Plan of The River Chelmer Surveyed by Thomas Yeoman 1765, together with a map of Ipswich and one other (3)
Four early nineteenth century tinted engravings by William Daniell - coastal views, together with
Four early nineteenth century tinted engravings by William Daniell - coastal views, together with seven other nineteenth century engravings
Pair mid-nineteenth century tinted engravings, after W. J. Huggins - The Ipswich Company's Steam
Pair mid-nineteenth century tinted engravings, after W. J. Huggins - The Ipswich Company's Steam Ship Orwell, leaving the Harbour of Ipswich, the ...
WITHDRAWN - Harry Hambling (1902 - 1998), oil on board in gilt frame - Winter Sunset Chelsworth
WITHDRAWN - Harry Hambling (1902 - 1998), oil on board in gilt frame - Winter Sunset Chelsworth Common, signed with initials, 63cm x 74.5cm. Prov...
WITHDRAWN - Harry Hambling (1902 - 1998), oil on board in gilt frame - Barn at Drakestone Farm,
WITHDRAWN - Harry Hambling (1902 - 1998), oil on board in gilt frame - Barn at Drakestone Farm, Semer 1995, signed with initials, 49.5cm x 65.5cm
*John O'Connor (1913 - 2004), oil on canvas in gilt frame, entitled - Barley Ford, signed and
*John O'Connor (1913 - 2004), oil on canvas in gilt frame, entitled - Barley Ford, signed and inscribed, bearing Phoenix Gallery label to reverse,...
*John O'Connor (1913 - 2004), oil on canvas in frame, entitled - August Day, signed and inscribed,
*John O'Connor (1913 - 2004), oil on canvas in frame, entitled - August Day, signed and inscribed, bearing Minories label to reverse, 61cm x 76cm
*John O'Connor (1913 - 2004), watercolour in glazed frame - Essex Farm Piggery, 1952, signed, 32cm x
*John O'Connor (1913 - 2004), watercolour in glazed frame - Essex Farm Piggery, 1952, signed, 32cm x 40cm
*John O'Connor (1913 - 2004),signed woodcut, entitled - 'North Sea', signed and inscribed in pencil,
*John O'Connor (1913 - 2004),signed woodcut, entitled - 'North Sea', signed and inscribed in pencil, in glazed frame, 31cm x 40cm
George III, black and white silk work oval panel depicting a mother and child in rural surrounds, in
George III, black and white silk work oval panel depicting a mother and child in rural surrounds, in glazed gilt frame, 22cm x 17cm
Nineteenth century portrait miniature on ivory - study of a lady wearing a white dress, in glazed
Nineteenth century portrait miniature on ivory - study of a lady wearing a white dress, in glazed gilt frame, 7cm x 6cm, together with another ear...
Pair mid-nineteenth century Continental School miniatures on ivory - classical studies depicting a
Pair mid-nineteenth century Continental School miniatures on ivory - classical studies depicting a reclining female nude with two cherubs and a fe...
William P. Rogers (act. 1848 - ?), oil on canvas in gilt frame - fishing boats off the coast,
William P. Rogers (act. 1848 - ?), oil on canvas in gilt frame - fishing boats off the coast, signed, 39.5cm x 59.5cm
Mid-nineteenth century French School oil on canvas in gilt frame - fishing boats off the coast, 35cm
Mid-nineteenth century French School oil on canvas in gilt frame - fishing boats off the coast, 35cm x 44.5cm
Rare early nineteenth century reverse painted black and white panel on glass depicting the Celebrated British Aeronaut, Mr Sadler, in his balloon ...
Mid-nineteenth century oil on panel in rosewood frame - figures before a moated castle, 20cm x 22cm
Mid-nineteenth century oil on panel in rosewood frame - figures before a moated castle, 20cm x 22cm
Victorian needlework panel depicting a cat upon a cushion, in glazed maple frame, 22cm x 32cm
Victorian needlework panel depicting a cat upon a cushion, in glazed maple frame, 22cm x 32cm
Early nineteenth century hand-coloured engraving - A View Of The Temple Of Concord, published 1814
Early nineteenth century hand-coloured engraving - A View Of The Temple Of Concord, published 1814 by James Whittle and Richard Holmes Laurie, in ...
Mid-nineteenth century oil on panel in gilt frame - portrait of a Pomeranian Spaniel in extensive
Mid-nineteenth century oil on panel in gilt frame - portrait of a Pomeranian Spaniel in extensive landscape, 30cm x 37cm
Mid-nineteenth century English School oil on canvas laid onto board - study of a bay horse and
Mid-nineteenth century English School oil on canvas laid onto board - study of a bay horse and spaniel beneath a tree in extensive landscape, in f...
George III needlework sampler depicting floral arrangements, by Elizabeth Crowhurst Aged 14 years,
George III needlework sampler depicting floral arrangements, by Elizabeth Crowhurst Aged 14 years, March 19, Sudbury House, Wrotham Kent 1819, in ...
Early nineteenth century black and white engraving by Lady Dashwood, in gilt frame, two other
Early nineteenth century black and white engraving by Lady Dashwood, in gilt frame, two other engravings in good quality frames, nineteenth centur...
Wilfred Smetham Hutton (1895 - 1965), charcoal and wash study, entitled - The Saturday Bus, signed, in glazed frame, 41cm x 32cm
Attributed to Eugene Verboeckhoven (1798 - 1881), oil on mahogany panel in gilt frame - sheep and
Attributed to Eugene Verboeckhoven (1798 - 1881), oil on mahogany panel in gilt frame - sheep and a duck in stable, 14cm x 19cm
Early nineteenth century English School oil on oak panel in gilt frame - hunting scene, 25cm x 35cm
Early nineteenth century English School oil on oak panel in gilt frame - hunting scene, 25cm x 35cm
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