McCartneys - Fine Art, Antiques & Collectables Auction: Please note - NO COLLECTIONS for online buyers on the day of the sale & No postage

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room Ludlow, Shropshire

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McCartneys - Fine Art, Antiques & Collectables Auction: Please note - NO COLLECTIONS for online buyers on the day of the sale & No postage

We DO NOT offer postage or packing - Collections only or local Mailbox

Auction closed
gavel View all auctions for McCartneys

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Lot 83

Two framed cut paper silhouettes.

83Two framed cut paper silhouettes.
McCartneys

Two framed cut paper silhouettes.

Lot 101

* CERI GIRALDUS RICHARDS, CBE, WELSH 1903-1971.

101* CERI GIRALDUS RICHARDS, CBE, WELSH 1903-1971.
McCartneys

* CERI GIRALDUS RICHARDS, CBE, WELSH 1903-1971. Lyre Birds, Purple and Yellow. Painted in 1943. Pen, ink, crayon and gouache on paper 9" x 8". Pro...

Lot 107

E.J.WAINWRIGHT. BRITISH 20TH CENTURY.

107E.J.WAINWRIGHT. BRITISH 20TH CENTURY.
McCartneys

E.J.WAINWRIGHT. BRITISH 20TH CENTURY. An extensive estuary landscape. Signed. Watercolour, 9¼" x 13¼".

Lot 111

* DAVID TRESS. BRITISH Bn. 1955.

111* DAVID TRESS. BRITISH Bn. 1955.
McCartneys

* DAVID TRESS. BRITISH Bn. 1955. Flower Study. Signed and dated 1982. Watercolour 13" x 9". (Tress has lived and worked in Pembrokeshire since 197...

Lot 125

* VERA BASSETT. WELSH 1912-1997.

125* VERA BASSETT. WELSH 1912-1997.
McCartneys

* VERA BASSETT. WELSH 1912-1997. A ruined building in a wooded glade. Signed. Pencil and watercolour on paper, 14" x 21".

Lot 126

VINCENT CLARE. BRITISH 1855-1930.

126VINCENT CLARE. BRITISH 1855-1930.
McCartneys

VINCENT CLARE. BRITISH 1855-1930. Study of fruit on a mossy bank. Signed. Watercolour, 9" x 12".

Lot 133

* SIR JOHN KYFFIN WILLIAMS, OBE. RA. WELSH 1918-2006.

133* SIR JOHN KYFFIN WILLIAMS, OBE. RA. WELSH 1918-2006.
McCartneys

* SIR JOHN KYFFIN WILLIAMS, OBE. RA. WELSH 1918-2006. Llanddwyn. Signed initials. Graphite and watercolour on paper. 9½" x 14½". Prov: Formerly on...

Lot 135

* DAVID VIBERT. WELSH Bn 1939.

135* DAVID VIBERT. WELSH Bn 1939.
McCartneys

* DAVID VIBERT. WELSH Bn 1939. Valley. Signed and dated '99. Inscribed verso. Gouache 15½" x 20".

Lot 137

* DAVID RANDAL. WELSH CONTEMPORARY.

137* DAVID RANDAL. WELSH CONTEMPORARY.
McCartneys

* DAVID RANDAL. WELSH CONTEMPORARY. Three Miners. Signed initials. Inscribed verso. Acrylics, 7½" x 10¼".

Lot 147

* JIM WHITLOCK. BRITISH Bn. 1954.

147* JIM WHITLOCK. BRITISH Bn. 1954.
McCartneys

* JIM WHITLOCK. BRITISH Bn. 1954. Cherry Blossom - Japan. Signed and dated '07. Gouache on paper 5½" x 5½".

Lot 163

A gilt framed watercolour harbour scene after Sicard and a gilt framed oil river landscape.

163A gilt framed watercolour harbour scene after Sicard and a gilt framed oil river landscape.
McCartneys

A gilt framed watercolour harbour scene after Sicard and a gilt framed oil river landscape.

Lot 169

FRANCIS NICHOLSON. BRITISH 1753-1844.

169FRANCIS NICHOLSON. BRITISH 1753-1844.
McCartneys

FRANCIS NICHOLSON. BRITISH 1753-1844. Ryde. Signed. Inscribed on label verso. Watercolour 5" x 7"

Lot 170

GERRY BALL. BRITISH Bn. 1943.

170GERRY BALL. BRITISH Bn. 1943.
McCartneys

GERRY BALL. BRITISH Bn. 1943. A December Day, Tugford. Signed, inscribed on label verso. Watercolour 6½" x 11"

Lot 171

GERRY BALL. BRITISH Bn. 1943.

171GERRY BALL. BRITISH Bn. 1943.
McCartneys

GERRY BALL. BRITISH Bn. 1943. Ludlow, Late Autumn. Signed. Inscribed on label verso. Watercolour 7" x 11"

Lot 179

ENGLISH SCHOOL. 19TH CENTURY.

179ENGLISH SCHOOL. 19TH CENTURY.
McCartneys

ENGLISH SCHOOL. 19TH CENTURY. Extensive landscapes. A pair. Watercolour 3¼" x 4¼". The lot to include a 19th Century watercolour drawing of shippi...

Lot 180

WILLIAM KNOX. BRITISH 1862-1925.

180WILLIAM KNOX. BRITISH 1862-1925.
McCartneys

WILLIAM KNOX. BRITISH 1862-1925. Sailing boats and gondolas on a Venetian lagoon. Signed. Watercolour 9¼" x 13¾".

Lot 181

19TH CENTURY SCHOOL.

18119TH CENTURY SCHOOL.
McCartneys

19TH CENTURY SCHOOL. Figures in a Continental garden; artist and two ladies in a classical building. A pair. One indistinctly signed. Watercolour ...

Lot 196

* E CHARLES SIMPSON. BRITISH 1915-2007.

196* E CHARLES SIMPSON. BRITISH 1915-2007.
McCartneys

* E CHARLES SIMPSON. BRITISH 1915-2007. Wild Harvest, The Berry of Rowan. Signed, dated '72, inscribed on label verso. Watercolour 14½" x 20½".

Lot 198

S FORSTER. BRITISH 20TH CENTURY.

198S FORSTER. BRITISH 20TH CENTURY.
McCartneys

S FORSTER. BRITISH 20TH CENTURY. Study of a bull. Signed and dated '90. Watercolour 8¼" x 9¼".

Lot 199

A HOLDING. BRITISH 1880-1940.

199A HOLDING. BRITISH 1880-1940.
McCartneys

A HOLDING. BRITISH 1880-1940. Study of flowers and beetle on a mossy bank. Signed. Watercolour 9" x 14".

Lot 200

BERNARD WALTER EVANS. BRITISH 1843-1922.

200BERNARD WALTER EVANS. BRITISH 1843-1922.
McCartneys

BERNARD WALTER EVANS. BRITISH 1843-1922. Near Dursley Gloucestershire. Signed. Watercolour 18" x 25".

Lot 204

* JOHN W GOUGH. BRITISH 1929-2019.

204* JOHN W GOUGH. BRITISH 1929-2019.
McCartneys

* JOHN W GOUGH. BRITISH 1929-2019. Chepstow Castle. Signed. Inscribed verso. Watercolour 9" x 13".

Lot 206

BRIGID WRIGHT. BRITISH 1939-2000.

206BRIGID WRIGHT. BRITISH 1939-2000.
McCartneys

BRIGID WRIGHT. BRITISH 1939-2000. Figure scene. Gouache on paper 20½" x 12½". Mounted, unframed.

Lot 208

MARIE CHAUTTARD CARRAU. FRENCH 19TH/20TH CENTURY.

208MARIE CHAUTTARD CARRAU. FRENCH 19TH/20TH CENTURY.
McCartneys

MARIE CHAUTTARD CARRAU. FRENCH 19TH/20TH CENTURY. Still life of carnations. Signed. Watercolour 12" x 16½".

Lot 222

ENGLISH SCHOOL. 19TH CENTURY.

222ENGLISH SCHOOL. 19TH CENTURY.
McCartneys

ENGLISH SCHOOL. 19TH CENTURY. Coastal scene with figures on a beach. Watercolour 9" x 12".

Lot 287

ENGLISH NAIVE SCHOOL. 20TH CENTURY.

287ENGLISH NAIVE SCHOOL. 20TH CENTURY.
McCartneys

ENGLISH NAIVE SCHOOL. 20TH CENTURY. Landscape with cottage, distant church and figures. Signed M. Turner. Watercolour 8½" x 11".

Lot 289

TIM BULMER. BRITISH CONTEMPORARY.

289TIM BULMER. BRITISH CONTEMPORARY.
McCartneys

TIM BULMER. BRITISH CONTEMPORARY. "Can"t You Read Mate!" Signed. Watercolour cartoon drawing 12" x 9½".

Lot 294

* GORDON WILLIAM NICHOLL. BRITISH 1888-1959.

294* GORDON WILLIAM NICHOLL. BRITISH 1888-1959.
McCartneys

* GORDON WILLIAM NICHOLL. BRITISH 1888-1959. Study of a lady in a lace bonnet. Signed. Watercolour 9" x 7".

Lot 295

PILFORD FLETCHER WATSON, RBA. BRITISH 1842-1907.

295PILFORD FLETCHER WATSON, RBA. BRITISH 1842-1907.
McCartneys

PILFORD FLETCHER WATSON, RBA. BRITISH 1842-1907. A bird on a vine. Signed and dated 1886. Watercolour 9¾" x 8" oval.

Lot 297

* JAMES GREIG. BRITISH 1861-1941.

297* JAMES GREIG. BRITISH 1861-1941.
McCartneys

* JAMES GREIG. BRITISH 1861-1941. An extensive beach scene. Signed. Watercolour 10½" x 14½".

Lot 318

G ORRY. BRITISH 20TH CENTURY.

318G ORRY. BRITISH 20TH CENTURY.
McCartneys

G ORRY. BRITISH 20TH CENTURY. Brecon Cathedral. Watercolour 12" x 14".

Lot 335

ENGLISH SCHOOL. 19TH CENTURY.

335ENGLISH SCHOOL. 19TH CENTURY.
McCartneys

ENGLISH SCHOOL. 19TH CENTURY. Cattle watering; an old mill. A pair. Watercolour 8" x 10½" oval.

Lot 336

HENRY MAYO BATEMAN. BRITISH 1887-1970.

336HENRY MAYO BATEMAN. BRITISH 1887-1970.
McCartneys

HENRY MAYO BATEMAN. BRITISH 1887-1970. Uncle, Does It Hurt? Signed and dated '14. Pen, ink and watercolour 11½" x 9½".

Lot 425

THOMAS SIDNEY. BRITISH 19TH/20TH CENTURY.

425THOMAS SIDNEY. BRITISH 19TH/20TH CENTURY.
McCartneys

THOMAS SIDNEY. BRITISH 19TH/20TH CENTURY. Lantern Hill, Ilfracombe. Signed and inscribed. Watercolour 9½" x 27".

Lot 520

ELAINE ADAMS. BRITISH CONTEMPORARY.

520ELAINE ADAMS. BRITISH CONTEMPORARY.
McCartneys

ELAINE ADAMS. BRITISH CONTEMPORARY. Abstract study. Textile and watercolour 9½" x 10".

Lot 521

REGINALD GEORGE HAGGAR; R.I; A.R.C.A; BRITISH 1905-1988.

521REGINALD GEORGE HAGGAR; R.I; A.R.C.A; BRITISH 1905-1988.
McCartneys

REGINALD GEORGE HAGGAR; R.I; A.R.C.A; BRITISH 1905-1988. The Submerged Wall, Llyn Tecwyn Uchaf. Signed and dated 1954. Inscribed verso. Watercolou...

Lot 524

ENGLISH SCHOOL.

524ENGLISH SCHOOL.
McCartneys

ENGLISH SCHOOL. Stokesay Castle. Pen and ink 10" x 13".

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