Lot

214

Karl HoferIndisches Paar unter Bäumen Oil on canvas. 91.5 x 70.5 cm. Framed. Monogrammed 'CH' [

In Modern Art

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Karl HoferIndisches Paar unter Bäumen  Oil on canvas. 91.5 x 70.5 cm. Framed. Monogrammed 'CH' [
Auctioneer has chosen not to publish the price of this lot
Köln
Karl Hofer
Indisches Paar unter Bäumen

Oil on canvas. 91.5 x 70.5 cm. Framed. Monogrammed 'CH' [joined] in black lower left. - A professionally backed and pasted tear and slight marginal defects due to framing to the upper left corner. The horizontal stretcher bar slightly visible to the front.

Wohlert 230

Provenance
Heinz Hajek-Halke, Berlin; Lempertz'sche Kunstversteigerung 465, Kunst des XX. Jahrhunderts, Cologne 3rd June 1961, lot 187 ("Indische Scene"); Lempertz'sche Kunstversteigerung 467, Kunst des XX. Jahrhunderts, Cologne 1.12.1961, lot 246 ("Inder/Indisches Paar unter Bäumen"); Private possession, Germany; Galerie Wolfgang Ketterer, 12th auction 19. und 20. Jahrhundert, Munich 24.11.1974, lot 742 ("Indisches Paar"); Leo Spik, auction 506, Gemälde des 16. - 20. Jahrhunderts, 12.10.1978, lot 143 ("Indisches Paar unter Bäumen (Indier)"), illus. on the cover; Private possession, Berlin; since then in family possession

Exhibitions
Berlin 1916 (Ausstellungshaus am Kurfürstendamm), Zweite Ausstellung der Freien Secession Berlin, no. 74, illus. 22 ("Indier"); Berlin 1919 (Paul Cassirer), Carl Hofer Sonderausstellung, cat. no. 10 ("Inder"); Berlin/Karlsruhe 1978 (Staatliche Kunsthalle/Badischer Kunstverein), Karl Hofer. Malerei, Grafik, Zeichnungen, Staatliche Galerie Moritzburg, Halle 1978, cat. no. 19 ("Indisches Paar unter Bäumen (Indier)")

Literature
Karl Bernhard Wohlert, Karl Hofer, Werkverzeichnis der Gemälde Band I, Cologne 2007, full-page colour illus. p. 49

This painting was created in 1912, presumably in Paris, after Hofer had journeyed through India for half a year in 1909 and again in 1911. These two journeys were of decisive significance for his artistic and personal development, because they lastingly shaped his image of humanity. Hofer primarily stayed along the Malabar Coast, where he was captivated not only by the paradisiacal landscape but also by the exotic people, in part still untouched by civilisation. Here Hofer's aspirations and his yearning found an appropriate and fertile soil. Stylistically - in India and subsequently in Paris - he discovered his taste for depicting ascetic figures that clearly reveal the influence of the Mannerist style of the painter El Greco, whose work Hofer became familiar with and learned to appreciate in Paris, thanks to Julius Meier-Graefe. The composition shows interesting features, it is decidedly vertical and, on the other hand, bound to the forms of vegetation. The light shines from the front left and illuminates the baroquely curvilinear linen cloth as well as the slender, supple bodies of the two youths. Hofer not only maintained the classical tendency but also the lyric and touching quality of this composition in his later work. In 1913 he returned to Germany, where he settled in Berlin.

Karl Hofer
Indisches Paar unter Bäumen

Öl auf Leinwand. 91,5 x 70,5 cm. Gerahmt. Unten links schwarz monogrammiert 'CH' [ligiert]. - Die linke obere Ecke mit einem fachmännisch hinterklebten Riss und leichten rahmungsbedingten Randmängeln. Die horizontale Keilrahmenleiste zeichnet sich leicht nach vorne ab.

Wohlert 230

Provenienz
Heinz Hajek-Halke, Berlin; Lempertz'sche Kunstversteigerung 465, Kunst des XX. Jahrhunderts, Köln 3. Juni 1961, lot 187 ("Indische Scene"); Lempertz'sche Kunstversteigerung 467, Kunst des XX. Jahrhunderts, Köln 1.12.1961, lot 246 ("Inder/Indisches Paar unter Bäumen"); Privatbesitz Deutschland; Galerie Wolfgang Ketterer, 12. Auktion 19. und 20. Jahrhundert, München 24.11.1974, lot 742 ("Indisches Paar"); Leo Spik, Auktion 506, Gemälde des 16. - 20. Jahrhunderts, 12.10.1978, lot 143 ("Indisches Paar unter Bäumen (Indier)") mit Abb. auf dem Umschlag; Privatbesitz Berlin; seitdem in Familienbesitz

Ausstellungen
Berlin 1916 (Ausstellungshaus am KurfĂĽrstendamm), Zweite Ausstellung der Freien Secession Berlin, Nr. 74 mit Abb. 22
Karl Hofer
Indisches Paar unter Bäumen

Oil on canvas. 91.5 x 70.5 cm. Framed. Monogrammed 'CH' [joined] in black lower left. - A professionally backed and pasted tear and slight marginal defects due to framing to the upper left corner. The horizontal stretcher bar slightly visible to the front.

Wohlert 230

Provenance
Heinz Hajek-Halke, Berlin; Lempertz'sche Kunstversteigerung 465, Kunst des XX. Jahrhunderts, Cologne 3rd June 1961, lot 187 ("Indische Scene"); Lempertz'sche Kunstversteigerung 467, Kunst des XX. Jahrhunderts, Cologne 1.12.1961, lot 246 ("Inder/Indisches Paar unter Bäumen"); Private possession, Germany; Galerie Wolfgang Ketterer, 12th auction 19. und 20. Jahrhundert, Munich 24.11.1974, lot 742 ("Indisches Paar"); Leo Spik, auction 506, Gemälde des 16. - 20. Jahrhunderts, 12.10.1978, lot 143 ("Indisches Paar unter Bäumen (Indier)"), illus. on the cover; Private possession, Berlin; since then in family possession

Exhibitions
Berlin 1916 (Ausstellungshaus am Kurfürstendamm), Zweite Ausstellung der Freien Secession Berlin, no. 74, illus. 22 ("Indier"); Berlin 1919 (Paul Cassirer), Carl Hofer Sonderausstellung, cat. no. 10 ("Inder"); Berlin/Karlsruhe 1978 (Staatliche Kunsthalle/Badischer Kunstverein), Karl Hofer. Malerei, Grafik, Zeichnungen, Staatliche Galerie Moritzburg, Halle 1978, cat. no. 19 ("Indisches Paar unter Bäumen (Indier)")

Literature
Karl Bernhard Wohlert, Karl Hofer, Werkverzeichnis der Gemälde Band I, Cologne 2007, full-page colour illus. p. 49

This painting was created in 1912, presumably in Paris, after Hofer had journeyed through India for half a year in 1909 and again in 1911. These two journeys were of decisive significance for his artistic and personal development, because they lastingly shaped his image of humanity. Hofer primarily stayed along the Malabar Coast, where he was captivated not only by the paradisiacal landscape but also by the exotic people, in part still untouched by civilisation. Here Hofer's aspirations and his yearning found an appropriate and fertile soil. Stylistically - in India and subsequently in Paris - he discovered his taste for depicting ascetic figures that clearly reveal the influence of the Mannerist style of the painter El Greco, whose work Hofer became familiar with and learned to appreciate in Paris, thanks to Julius Meier-Graefe. The composition shows interesting features, it is decidedly vertical and, on the other hand, bound to the forms of vegetation. The light shines from the front left and illuminates the baroquely curvilinear linen cloth as well as the slender, supple bodies of the two youths. Hofer not only maintained the classical tendency but also the lyric and touching quality of this composition in his later work. In 1913 he returned to Germany, where he settled in Berlin.

Karl Hofer
Indisches Paar unter Bäumen

Öl auf Leinwand. 91,5 x 70,5 cm. Gerahmt. Unten links schwarz monogrammiert 'CH' [ligiert]. - Die linke obere Ecke mit einem fachmännisch hinterklebten Riss und leichten rahmungsbedingten Randmängeln. Die horizontale Keilrahmenleiste zeichnet sich leicht nach vorne ab.

Wohlert 230

Provenienz
Heinz Hajek-Halke, Berlin; Lempertz'sche Kunstversteigerung 465, Kunst des XX. Jahrhunderts, Köln 3. Juni 1961, lot 187 ("Indische Scene"); Lempertz'sche Kunstversteigerung 467, Kunst des XX. Jahrhunderts, Köln 1.12.1961, lot 246 ("Inder/Indisches Paar unter Bäumen"); Privatbesitz Deutschland; Galerie Wolfgang Ketterer, 12. Auktion 19. und 20. Jahrhundert, München 24.11.1974, lot 742 ("Indisches Paar"); Leo Spik, Auktion 506, Gemälde des 16. - 20. Jahrhunderts, 12.10.1978, lot 143 ("Indisches Paar unter Bäumen (Indier)") mit Abb. auf dem Umschlag; Privatbesitz Berlin; seitdem in Familienbesitz

Ausstellungen
Berlin 1916 (Ausstellungshaus am KurfĂĽrstendamm), Zweite Ausstellung der Freien Secession Berlin, Nr. 74 mit Abb. 22

Modern Art

Sale Date(s)
Venue Address
Neumarkt 3
Köln
50667
Germany

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Important Information

Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision. 

Terms & Conditions

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

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8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.
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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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