Lot

243

Jankel AdlerJessenin Paste-bound gouache and oil mixed with grainy chalk on ribbed paper. 58.8 x

In Modern Art

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Jankel AdlerJessenin Paste-bound gouache and oil mixed with grainy chalk on ribbed paper. 58.8 x
Auctioneer has chosen not to publish the price of this lot
Köln
Jankel Adler
Jessenin

Paste-bound gouache and oil mixed with grainy chalk on ribbed paper. 58.8 x 43.3 cm. Framed under glass. Signed 'Adler' (scratched) lower right and signed and figured on the horizontal scroll 'Adler XI' (difficult to decipher) in black lower right as well as inscribed twice 'Jessenin' within the depiction to the left. - The outer margins with tiny blemishes in places. The craqueleur stabilzed in the scroll area. Few inconspicuous backed tears.

Provenance
Formerly private collection Rhineland; Belgian private collection

The composition - which probably originated in the 2nd half of the 1920s - is possibly to be understood as a poetic homage by Jankel Adler to the Russian poet Sergej Jessenin (1895 - 1925) who, at the age of 30, committed suicide in a hotel in Leningrad on 28 December 1925. Sofia Tolstaja, granddaughter of Leo Tolstoi and Jessenin's last wife in his 4th marriage, had him committed to a psychiatric clinic shortly after the wedding in October of the same year. The intense and passionate affair with Isadora Duncan is well known. Jessenin was married to the famous dancer, whom he accompanied to her performances, in 1922/1923. Jankel Adler
Jessenin

Leimgebundene Gouache und Ɩl vermischt mit kƶrniger Kreide auf geripptem Papier. 58,8 x 43,3 cm. Unter Glas gerahmt. Unten rechts eingeritzt signiert 'Adler' sowie auf der horizontalen Schriftrolle unten rechts schwarz signiert und beziffert 'Adler XI' (schwer lesbar) sowie links zweifach in der Darstellung beschriftet 'Jessenin'. - Die ƤuƟeren RƤnder stellenweise mit winzigen Fehlstellen. Das CraquelĆ© im Bereich der Schriftrolle gefestigt. Mit wenigen rĆ¼ckseitig hinterklebten unauffƤlligen Einrissen.

Provenienz
Ehemals rheinische Privatsammlung; belgische Privatsammlung

Die Komposition, wohl in der 2. HƤlfte der 1920er Jahre entstanden, ist mƶglicherweise als poetische Hommage von Jankel Adler an den russischen Dichter Sergej Jessenin (1895 - 1925) zu verstehen, der sich am 28. Dezember 1925 mit 30 Jahren in einem Leningrader Hotel das Leben genommen hatte. Sofia Tolstaja, Enkelin von Leo Tolstoi und Jessenins letzte Frau in 4. Ehe, hatte ihn kurz nach der Hochzeit im Oktober des Jahres in eine psychatrische Klinik einweisen lassen. Bekannt ist das intensive wie leidenschaftliche VerhƤltnis zu Isadora Duncan. Jessenin war mit der berĆ¼hmten TƤnzerin, die er zu den AuffĆ¼hrungen begleitete, 1922/1923 verheiratet.
Jankel Adler
Jessenin

Paste-bound gouache and oil mixed with grainy chalk on ribbed paper. 58.8 x 43.3 cm. Framed under glass. Signed 'Adler' (scratched) lower right and signed and figured on the horizontal scroll 'Adler XI' (difficult to decipher) in black lower right as well as inscribed twice 'Jessenin' within the depiction to the left. - The outer margins with tiny blemishes in places. The craqueleur stabilzed in the scroll area. Few inconspicuous backed tears.

Provenance
Formerly private collection Rhineland; Belgian private collection

The composition - which probably originated in the 2nd half of the 1920s - is possibly to be understood as a poetic homage by Jankel Adler to the Russian poet Sergej Jessenin (1895 - 1925) who, at the age of 30, committed suicide in a hotel in Leningrad on 28 December 1925. Sofia Tolstaja, granddaughter of Leo Tolstoi and Jessenin's last wife in his 4th marriage, had him committed to a psychiatric clinic shortly after the wedding in October of the same year. The intense and passionate affair with Isadora Duncan is well known. Jessenin was married to the famous dancer, whom he accompanied to her performances, in 1922/1923. Jankel Adler
Jessenin

Leimgebundene Gouache und Ɩl vermischt mit kƶrniger Kreide auf geripptem Papier. 58,8 x 43,3 cm. Unter Glas gerahmt. Unten rechts eingeritzt signiert 'Adler' sowie auf der horizontalen Schriftrolle unten rechts schwarz signiert und beziffert 'Adler XI' (schwer lesbar) sowie links zweifach in der Darstellung beschriftet 'Jessenin'. - Die ƤuƟeren RƤnder stellenweise mit winzigen Fehlstellen. Das CraquelĆ© im Bereich der Schriftrolle gefestigt. Mit wenigen rĆ¼ckseitig hinterklebten unauffƤlligen Einrissen.

Provenienz
Ehemals rheinische Privatsammlung; belgische Privatsammlung

Die Komposition, wohl in der 2. HƤlfte der 1920er Jahre entstanden, ist mƶglicherweise als poetische Hommage von Jankel Adler an den russischen Dichter Sergej Jessenin (1895 - 1925) zu verstehen, der sich am 28. Dezember 1925 mit 30 Jahren in einem Leningrader Hotel das Leben genommen hatte. Sofia Tolstaja, Enkelin von Leo Tolstoi und Jessenins letzte Frau in 4. Ehe, hatte ihn kurz nach der Hochzeit im Oktober des Jahres in eine psychatrische Klinik einweisen lassen. Bekannt ist das intensive wie leidenschaftliche VerhƤltnis zu Isadora Duncan. Jessenin war mit der berĆ¼hmten TƤnzerin, die er zu den AuffĆ¼hrungen begleitete, 1922/1923 verheiratet.

Modern Art

Sale Date(s)
Venue Address
Neumarkt 3
Köln
50667
Germany

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Important Information

Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision. 

Terms & Conditions

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

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8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.
11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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