Lot

231

Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque Watercolour, black and coloured chalks

In Modern Art

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Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 1 of 3
Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 2 of 3
Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 3 of 3
Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 1 of 3
Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 2 of 3
Pablo PicassoJeune Fille. Verso: Étude pour Saltimbanque  Watercolour, black and coloured chalks - Image 3 of 3
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Köln
Pablo Picasso
Jeune Fille. Verso: Étude pour Saltimbanque

Watercolour, black and coloured chalks resp. pen and ink (recto and verso) on plain paper. The depictions each to the right on the double page of a sketchbook with rounded corners and perforation to the side margin. Total dimensions including fold 14.4 x 16.9 cm (single sheet each approx. 14.4 x 7.5 cm). Framed from both sides under glass. Unsigned. - Inscribed "5" in pencil on the front left. Pages 5 and 10 of a carnet album by Pablo Picasso, Paris 1905 (Carnet 024). - The sheet with traces of the binding thread to the center, the perforation of the left slightly loose. - The margins of the page mounted to the mat on verso, the front exposed. - On the reverse of the carnet sheet the left side with the trace of a female head in profile facing left, with faint colouring.

Provenance
From the artist's estate; Collection of Marina Picasso; Galerie Jan Krugier, Ditesheim & Cie, Geneva (with labels to the frame); Private collection; Private possession, North Germany

Exhibitions
Venice 1981 (Centro di Cultura di Palazzo Grassi), Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, cat. no. 49 ("Carnet 24"); Munich/ Colognen/ Frankfurt/Zurich 1981/1982 (Haus der Kunst/ Josef-Haubrich-Kunsthalle/ Städtische Galerie im Städelschen Kunstinstitut/Kunsthaus Zürich), Pablo Picasso, Sammlung Marina Picasso, cat. no. 43 ("Carnet 24"), illus. 5 and 10, p. 44; Tokyo/Kyoto 1983 (The National Museum of Modern Art Tokyo/ Kyoto Municipal Museum), Picasso, Masterpieces from Marina Picasso Collection and from Museums in U.S.A. and U.S.S.R., cat. no. 24 ("Sketchbook 24"), illus. 5 and 10, p. 183/ 184; Melbourne/Sydney 1984 (National Gallery of Victoria/Art Gallery of New South Wales), Picasso, cat. no. 169; London 1988 (The Lefevre Gallery), Picasso Works on Paper. Barcelona, Blue and Pink Periods from the Collection of Marina Picasso, cat. no. 20; New York 1989 (Jan Krugier Gallery), Picasso 'Petits formats'. Works from the Marina Picasso Collection, cat. no. 52; Barcelona/Bern 1992 (Museu Picasso/ Kunstmuseum Bern), Picasso 1905-1906, cat. no. 50 illus. and colour illus. p. 185; Berlin 1999 (Kupferstichkabinett - Staatliche Museen zu Berlin-Preussischer Kulturbesitz), Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Maire-Anne Krugier-Poniatowski, cat. no. 124 ; Geneva/ New York 2001/2002 (Galerie Jan Krugier, Ditesheim & Cie, Geneva/Jan Krugier Gallerry), Pablo Picasso Metamorphoses. Oeuvres de 1898 à 1973 de la Collection Marina Picasso

Literature
Arnold Glimcher (ed.), Je suis le cahier. Die Skizzenbücher Pablo Picassos, New York 1986, with no. 5, illus. p. 23 and no. 10, colour illus. p. 26; cf. John Richardson, A Life of Picasso, New York 1991, vol. 1, p. 342; Sotheby's London, Pablo Picasso, Works from an important sketchbook of 1905, 8 Feb. 2006, lot 130 with colour illus.; Sotheby's London, Impressionist & Modern Art Day Sale, 9 Feb. 2011, lot 250 with colour illus.

The original sketchbook from Pablo Picasso's estate - a “pocket book” that can be dated to “3 de Mayo 1905” based on a note on one of the sheets - originally contained 51 pages. It was broken up, the present double page is part of it. The sketches and notes of this early sketchbook from 1905 are fascinating with regard to the theme of the “saltimbanques”, which featured motifs from the world of the circus and acrobats. These define Picasso's so-called Rose Period. Thus, the sketch of the slender youth seen in profile - one of the most beautiful from the sketchbook's series of six all around-studies of an elevated seated figure - recognisably prefigures what will return in the artist's paintings and prints of that year. In “Arlequin assis” we find not only the type but also the characteristic pose of the figure taken up once again (see comparative illus.).
Günter Metken wrote: “The year 1905
Pablo Picasso
Jeune Fille. Verso: Étude pour Saltimbanque

Watercolour, black and coloured chalks resp. pen and ink (recto and verso) on plain paper. The depictions each to the right on the double page of a sketchbook with rounded corners and perforation to the side margin. Total dimensions including fold 14.4 x 16.9 cm (single sheet each approx. 14.4 x 7.5 cm). Framed from both sides under glass. Unsigned. - Inscribed "5" in pencil on the front left. Pages 5 and 10 of a carnet album by Pablo Picasso, Paris 1905 (Carnet 024). - The sheet with traces of the binding thread to the center, the perforation of the left slightly loose. - The margins of the page mounted to the mat on verso, the front exposed. - On the reverse of the carnet sheet the left side with the trace of a female head in profile facing left, with faint colouring.

Provenance
From the artist's estate; Collection of Marina Picasso; Galerie Jan Krugier, Ditesheim & Cie, Geneva (with labels to the frame); Private collection; Private possession, North Germany

Exhibitions
Venice 1981 (Centro di Cultura di Palazzo Grassi), Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, cat. no. 49 ("Carnet 24"); Munich/ Colognen/ Frankfurt/Zurich 1981/1982 (Haus der Kunst/ Josef-Haubrich-Kunsthalle/ Städtische Galerie im Städelschen Kunstinstitut/Kunsthaus Zürich), Pablo Picasso, Sammlung Marina Picasso, cat. no. 43 ("Carnet 24"), illus. 5 and 10, p. 44; Tokyo/Kyoto 1983 (The National Museum of Modern Art Tokyo/ Kyoto Municipal Museum), Picasso, Masterpieces from Marina Picasso Collection and from Museums in U.S.A. and U.S.S.R., cat. no. 24 ("Sketchbook 24"), illus. 5 and 10, p. 183/ 184; Melbourne/Sydney 1984 (National Gallery of Victoria/Art Gallery of New South Wales), Picasso, cat. no. 169; London 1988 (The Lefevre Gallery), Picasso Works on Paper. Barcelona, Blue and Pink Periods from the Collection of Marina Picasso, cat. no. 20; New York 1989 (Jan Krugier Gallery), Picasso 'Petits formats'. Works from the Marina Picasso Collection, cat. no. 52; Barcelona/Bern 1992 (Museu Picasso/ Kunstmuseum Bern), Picasso 1905-1906, cat. no. 50 illus. and colour illus. p. 185; Berlin 1999 (Kupferstichkabinett - Staatliche Museen zu Berlin-Preussischer Kulturbesitz), Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Maire-Anne Krugier-Poniatowski, cat. no. 124 ; Geneva/ New York 2001/2002 (Galerie Jan Krugier, Ditesheim & Cie, Geneva/Jan Krugier Gallerry), Pablo Picasso Metamorphoses. Oeuvres de 1898 à 1973 de la Collection Marina Picasso

Literature
Arnold Glimcher (ed.), Je suis le cahier. Die Skizzenbücher Pablo Picassos, New York 1986, with no. 5, illus. p. 23 and no. 10, colour illus. p. 26; cf. John Richardson, A Life of Picasso, New York 1991, vol. 1, p. 342; Sotheby's London, Pablo Picasso, Works from an important sketchbook of 1905, 8 Feb. 2006, lot 130 with colour illus.; Sotheby's London, Impressionist & Modern Art Day Sale, 9 Feb. 2011, lot 250 with colour illus.

The original sketchbook from Pablo Picasso's estate - a “pocket book” that can be dated to “3 de Mayo 1905” based on a note on one of the sheets - originally contained 51 pages. It was broken up, the present double page is part of it. The sketches and notes of this early sketchbook from 1905 are fascinating with regard to the theme of the “saltimbanques”, which featured motifs from the world of the circus and acrobats. These define Picasso's so-called Rose Period. Thus, the sketch of the slender youth seen in profile - one of the most beautiful from the sketchbook's series of six all around-studies of an elevated seated figure - recognisably prefigures what will return in the artist's paintings and prints of that year. In “Arlequin assis” we find not only the type but also the characteristic pose of the figure taken up once again (see comparative illus.).
Günter Metken wrote: “The year 1905

Modern Art

Sale Date(s)
Venue Address
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Köln
50667
Germany

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Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision. 

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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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