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A ROSEWOOD 48-BUTTON CONCERTINA, PROBABLY BY LACHENAL & CO, with fret pierced ends and leather trimmed bellows, no. 26767, in mahogany case. ...[...
TWO 19TH CENTURY GERMAN VIENNA-PATTERN WALL CLOCKS, the first ebonised, the second ebonised and walnut, each with Roman numerals to a white enamel...
AN AMERICAN DROP-DIAL WALL CLOCK
AN AMERICAN DROP-DIAL WALL CLOCK, by Ansonia, with octagonal case and glazed door, the dial with Roman numerals, two-train movement, 81cm high; an...
A GERMAN EBONISED AND WALNUT VIENNA-PATTERN WALL CLOCK, 19TH CENTURY, the white enamel dial with Roman numerals and subsidiary seconds, single-tra...
AN EARLY 20TH CENTURY OAK THREE-TRAIN GRANDMOTHER CLOCK, with 8-inch brass break-arch dial, the hood with barley twist columns, the long trunk doo...
A CARVED OAK EIGHT-DAY LONGCASE CLOCK, the 10½-inch square brass dial signed Thos. Morpeth, Hexham and dated 1735, the case with square hood and c...
AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the 11½-inch square brass dial signed HEN Minshull, Denbigh, the hood with turned columns, the case ...
A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 11¼-inch brass break-arch dial signed 'RICH THOMAS/ST SKEVERNE', with steel chapter ring and d...
AN EARLY 19TH CENTURY OAK AND MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 13-inch painted break-arch dial signed Thos Jenkins, Dowlais, painted in the ...