Paintings, Works of Art and Furniture Sale

FRANCESCO BARTOLOZZI (1725-1815) After the original by Beneduto Luti (1666-1724) "The Holy Family", printed inscription and date 1791 to the margi...

FRANCIS SEYMOUR HADEN (1818-1910) "Kidwillie Castle", signed, printed signature within image, further signed in pencil to the margin, etching, 3.7...

AFTER HENRY CALVERT (1798-1869) "View of the Manchester and Liverpool Railway taken at Newton", hand coloured aquatint by Francis John Havell, 12"...

JACQUES GABRIEL HUQUIER (1725-1805) "Vue Perspective de l`Interieur de la Superbe Eglise de St. Jean de Latran a Rome", titled with engravers deta...

JAMES BRETHERTON (fl. 1770-1790) After the original by William Henry Bunbury (1750-1811), "Warley-Ho!", titled and inscribed 1782 to the plate mar...

PAUL SANDBY (1725-1809) Family group beside a tree with dogs, etching, 8" x 6" (plate) and a similar etching of a horse and rider crossing a bridg...

AFTER KAREL DU JARDIN (1622-1678) "L`Homme Accompagne de Son Chien 21", numbered 21, printed signature and date 1659 within the image, stamped col...

AFTER JACOB RUYSDAEL (1625-1682) Knarled tree within a cottage landscape, printed signature in margin within the plate, 18th century impression, e...

AFTER EUGENE DELACROIX (1798-1863) "Etude de Femme, Vue de Dos", printed monogram and numbered 6 within the image, titled with publishers details ...

JOHN CROME (1768-1821) Study of tree trunks either side of a lane, possibly from an edition published by the artists widow in 1834, soft ground et...

SAMUEL PALMER (1805-1881) "Opening the Fold" from Virgils "Eclogues", printed signature within the image, etching, 4.5" x 6.25" ...[more]

ADRIEN VAN OSTADE (1610-1685) "La Fileuse", printed signature and date 1652 within the image, etching, 5.5" x 7" (plate). See illustration ...[m...

REMBRANDT VAN RIJN (1606-1669) Landscape with a cow watering beside a barn, H.240, B.257, M.164, second state (circa 1650), etching, 4" x 5" (plat...

REMBRANDT VAN RIJN (1606-1669) "Jacob & Laban", B.118, H.183, second state, printed signature in reverse and dated 1641 within the image, inscribe...

REMBRANDT VAN RIJN (1606-1669) "The Virgin & Child with the Cat", R.63, H.275, first state with white spots, printed signature, dated 1654 and ini...

REMBRANDT VAN RIJN (1606-1669) "St. Jerome in a dark chamber", H.201, R.105, Muntz.247, second state, printed signature and date 1642 within the i...

REMBRANDT VAN RIJN (1606-1669) "Rembrandt and his wife Saskia", H.144, R.19, Muntz.21, second state, printed signature and date 1636 within the im...

JACQUES CALLOT (1592-1635) "La Noblese", 1624, the complete suite of 12, printed signature within each image, one with title, each circa 6" x 3.75...

AFTER JAMES GILLRAY (1757-1815) "Meeting of the Monied Interest", printed signature and date 1798, published by Hannah Humphrey, printed with titl...

JAMES GILLRAY (1757-1815) "Sketch of the Interior of St. Stephens, as it now stands", printed signature, printed title and date 1802, published by...

JAMES GILLRAY (1757-1815) "Westminster Conscripts under the Training Act", printed signature, title and date 1806, published by Hannah Humphrey, h...

CHARLES MERYON (1821-1868) "Le Stryge" 1853, six state of eight before the title, printed initials within the image, printed signature, reverse da...

CAMILLE PISSARO (1830-1903) "Paysannes Portrait du Foin", Delteil 126, third state of seven, obscured pencil inscription "Epr. d`Art no. 2" to the...

PAUL CEZANNE (1839-1906) "Guillaumino au Pendu", 1873, with hangman within image top left, inscribed in pencil with the title, verso, dry point et...

AFTER EDOUARD MANET (1832-1883) "Baudelaire de Profil en Chapeau", 1862, printed monogram and publishing details within the image, dry point etchi...

AUGUSTE RODIN (1840-1917) "Souls in Purgatory", 1893, printed signature within the image, dry point etching, 6" x 4" (plate) ...[more]

DAVID WILKIE (1785-1841) "An early drawing" - portrait of a boy and dog, possibly a self-portrait, with separate old label inscribed with the titl...

ASCRIBED TO HENRY FANTIN-LATOUR (1836-1904) Fauns and a satyr in a wooded landscape, bearing initials "F.L.", black chalk pastel on brown paper, 1...

ASCRIBED TO WILLIAM STRANG (1851-1921) Standing female nude with one arm outstretched, with cartouche watermark enclosing initials "CF" beside a s...

PAUL GAVARNI (1804-1866) Study for the etchings "Cabaret-2" from "Les Gens de Paris" series, black ink on brown paper with watercolour highlights,...

LIBERIO PROSPERI, 19th/20th century A caricature of Lulu Harcourt, signed lower right and dated 1894, with indistinct pencil inscription to the to...

DUDLEY HARDY (1865-1922) A portrait of a woman in a red hunting dress holding a crop, signed lower left and inscribed in pencil "To Dear Old Jane ...

WILLIAM EDWARD FROST R.A. (1810-1877) Study of a seated woman bearing signature lower right, further nude studies verso, pencil on brown paper, 11...

ATTRIBUTED TO WALTER RICHARD SICKERT (1860-1942) Head and shoulder portrait of John Addison, apparently reproduced in the periodical "The Whirlwin...

ATTRIBUTED TO CHARLES CONDER (1868-1909) Study of Eve and the Serpent, indistinctly monogrammed top right, black pen and ink on graph paper, 8.25"...

FREDERICK NASH (1782-1856) "Montacute House", signed in pencil lower right, watercolour over pencil traces, 7.75" x 13.75". See illustration ......

JAMES KERR-LAWSON (1865-1936) Woman with parasol punting with a seated woman on the bank looking on, initialled lower left, watercolour over trace...

ATTRIBUTED TO RICHARD DOYLE (1824-1883) Nymph by a pool holding a harp, a near copy of the same image but on a smaller scale, verso, pen and ink, ...

HENRY SOMME (1844-1907) Study of a woman leaning on a fireplace with an outline of a man beyond, signed with initials lower right, four caricature...

ATTRIBUTED TO WILLIAM BLAKE RICHMOND (1842-1874) "Leopaida", inscribed to the lower right "For illustrating it seems, a book called the `brown boo...

HENRI JOSEPH HARPIGNIES (1819-1916) "Ville Franche sur Mer", signed and dated `89, lower left, titled lower right, black pen and ink over traces o...

ATTRIBUTED TO HERCULES BRABAZON BRABAZON (1821-1906) "Smyrna", titled lower right, pencil heightened with white, 5.75" x 8.75" ...[more]

VICTOR PROUVE (1858-1943) "Les Meres, Les Epouses ...", signed lower right, dated 1904 and inscribed with the title, French inscription in pencil ...

JAN STOLKER (1724-1785) After the original by Karel du Jardin (1622-1678), two cows and a horse in a landscape, signed lower right "K: du Jardin F...

ASCRIBED TO CHARLES BARGUE (1886-1883) Full length portrait of a lady in Victorian dress, possibly a design for a fashion plate, bearing signature...

ASCRIBED TO SIR WILLIAM ORPEN (1878-1931) Study of a seated nude with her head turned to the side, inscribed in pencil with the artists name, vers...

SCHOOL OF JEAN BAPTISTE PERRONEAU (1715-1783) Head and shoulder portrait of a man wearing a pale blue jacket with powdered hair, later inscribed i...

CHARLES EMMANUEL SERRET, late 19th century Studies of two seated girls playing, signed lower right, pencil, 11.75" x 17" Charles Emmanuel Serret ...

GEORGE FREDERICK WATTS (1817-1904) A seated scribe, signed lower left, black chalk heightened with white on brown paper, 12" x 17" ...[more]

GEORGE JOHN PINWELL (1842-1875) Head and shoulder portrait of a nude woman looking away, pencil, 4" x 3.75", and a study of a seated woman brushin...

ALFRED ELMORE RA (1815-1881) "Study" - full length study of a nude from behind, signed and titled in pencil, watercolour over traces of pencil, 18...

MYLES BIRKET-FOSTER (1825-1899) "Okehampton, Devon", titled in pencil with printed stamp "B.F.", pencil, 6.25" x 4.5" and two further watercolours...

PETER DE WINT (1784-1849) "Near Chedington", inscribed in pencil with the title and date August 1847 lower right, with Scipio stamped collection m...

AFTER GIULIO ROMANO (1499-1546) "The Chariot of the Moon" - a study for a ceiling painting at the Palazzo del Te, inscribed in pencil to the mount...

JOHN CONSTABLE (1776-1837) "Medway Summer - 1803" - study of two three-mast barques, black ink collectors stamp "I" in an octagon for the Ingram C...