British & European Art, Old Master & Modern Prints, Works from the Collection of Sir Lawrence Gowing

* Cameron (David Young, 1865-1945). Ca' d'Oro, 1900, etching printed with plate tone, signed in pencil to lower margin, image size 27.6 x 20.2 cm ...

* Cameron (David Young, 1865-1945). Pont Neuf Bridge, 1904, etching, signed to lower margin, image size 15 x 30.8 cm (5 7/8 x 12 1/8 ins), framed ...

* Dodd (Sir Frances, 1874-1949). The Garden Door (Portrait of Isabel Dacre), 1909, drypoint etching on laid paper, signed and inscribed 'Own Proof...

* Cameron (David Young, 1865-1945). Highland Kitchen, etching, signed in pencil to lower margin, image size 11.4 x 12 cm (4 1/2 x 4 3/4 ins), fram...

* Cheston (Charles Sidney, 1882-1960). Somerset and Dorset, group of 8 landscape etchings, etching, all signed in pencil, depicting scenes includi...

* Anderson (Stanley, 1884-1966). The Hedger, 1934, copper line engraving on laid paper, signed in pencil, inscribed 'Ed:50', titled 'The Hedger. (...

* Osborne (Malcolm, 1880-1963). Holyrood Palace, 1913, drypoint etching, signed in pencil, faint mount stain, small stain to right edge of margin,...

* Walcot (William, 1874-1943). A Tragedy of Sophocles at Hadrian’s Villa, 1913, etching with aquatint on cream wove paper, signed in pencil, pale ...

* Brodsky (Horace Ascher, 1885-1969). Expulsion, 1914, linocut on wove paper, this impression hors commerce, aside from the edition of 75 publishe...

* Sickert (Walter Richard, 1860-1942). Ennui (The Medium Plate), 1914/15, etching on laid paper, with watermark of a unicorn and letters F J (prob...

* Walcot (William, 1874-1943). The Trojan Horse - Virgil's Aeneid II, 1914, etching with aquatint on thick wove paper, published in an edition of ...

* Sickert (Walter Richard, 1860-1942). The Old Bedford (The Large Plate), 1915, etching on pale cream wove paper, the 4th state (of 12), some moun...

* Soper (George, 1870-1942). Summer, the Last Load, drypoint etching on pale cream wove paper, signed in pencil, laid down on backing card, and ou...

* Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove, signed in pencil lower right,...

* Walcot (William, 1874-1943). First Wooden Temple of Jupiter, 1918, etching with drypoint and aquatint on cream wove paper, published in an editi...

* Hampshire (Ernest Llewellyn, 1882-1944). St. Paul's Cathedral from the Thames, etching, signed and titled in pencil, light mount toning, plate s...

* Wyllie (William Lionel, 1851-1931). London Bridge, etching and drypoint on pale cream wove paper, signed in pencil lower left, plate size 124 x ...

* Nieuwenkamp (Otto Wynand, 1874–1950). View in Dordrecht, 1897, from the set of six etchings by Nieuwenkamp and Johannes Graadt van Roggen (1867-...

* Sickert (Walter Richard, 1860-1942). Cicely Hey (The Small Plate), circa 1923, etching, the second state (of 2), plate size 145 x 73 mm, framed ...

* Sickert (Walter Richard, 1860-1942). Jack Ashore (Small Plate), 1923, etching on laid paper, plate size 181 x 134 mm (7 1/8 x 5 1/4 ins), some o...

AR * Brockhurst (Gerald Leslie, 1890-1978). Corinne, 1925, etching on cream laid paper, one of 106 proofs of the fifth state published December 1...

* Pierneef (Jakob Hendrik, 1886-1957). Bolandse Plaas, Krommerivier, 1925, linocut on thin japan tissue, signed and dated 1925 in pencil, hairline...

AR * Tunnicliffe (Charles Frederick, 1901-1978). The Old Quarry Road, 1926, etching, a very good impression, on laid paper, signed in pencil and ...

* Phillips (Walter Joseph, 1884-1963). Jim King's Wharf, Alert Bay, British Columbia, 1927, colour woodcut on japan paper, signed, titled and numb...

AR * Tunnicliffe (Charles Frederick, 1901-1979). The Kestrel, 1927, etching with drypoint on laid paper, from the published edition of 75 impress...

AR * Tanner (Robin, 1904-1988). Martin's Hovel, 1927, etching on pale cream heavy wove paper (with partial blindstamped title visible to extreme ...

* Icart (Louis, 1888-1950). Danseuse, from Dessins de Louis Icart, circa 1928, offset lithograph printed in black, white and pink on buff paper, s...

AR * Tanner (Robin, 1904-1988). Wiltshire Hedger, 1928, etching on cream laid paper, a fine, rich impression of the rare first state (of three), ...

AR * Badmin (Stanley Roy, 1906-1989). Evening Light, near Sevenoaks, 1929, etching on laid paper, a fine artist's proof on antique Dutch laid pape...

* Burnley (Cynthea B., 1900-1964). Bloomsbury, 1929, wood engraving on fine japan paper, this impression unnumbered (there was an edition of 35 si...

AR * Flint (William Russell, 1880-1969). Doorway, Concarneaux, 1929, drypoint etching on pale cream laid paper, signed in ink, and numbered XI to...

* Gill (Eric, 1882-1940). Ecce Tu Pulchra Es (from Canticum Canticorum), 1929, copper engraving on thin laid paper, first state, signed in pencil ...

AR * Seaby (Allen William, 1867-1953). Buttercups and Daisies, colour woodcut, titled and signed in pencil to lower margin, image size 19.7 x 25 ...

AR * Seaby (Allen William, 1867-1953). Goat with Two Kids, colour woodcut on wove paper, signed in pencil, faintly toned, couple of pale fox spot...

* Tunnicliffe (Charles Frederick, 1901-1979). The Pasture Gate, etching on thin wove paper, from an edition of 75 impressions, signed and numbered...

AR * Anderson (Stanley, 1884-1966). Between Tides, Dieppe, 1931, copper line engraving, on thick cream wove paper, signed in pencil, inscribed ‘E...

AR * Badmin (Stanley Roy, 1906-1989). Burford, Oxfordshire, 1931, etching on laid paper (indistinctly watermarked), an artist's proof (aside from ...

AR * Badmin (Stanley Roy, 1906-1989). Mill Street W, 1932, etching on Basingwerk Parchment wove paper, with margins, signed and titled in pencil, ...

AR * Badmin (Stanley Roy, 1906-1989). Priory Pond, 1932, etching on laid paper, watermarked L.& CIE (FRANCE), signed, titled and additionally insc...

AR * Piper (John, 1903-1992). Abstract Composition, 1936, colour lithograph, printed by Curwen Press, and published by Contemporary Lithographs, ...

* Gill (Eric, 1882-1942). Title page, Henry's Doubts, and one other..., from King Henry VIII, 1937, 3 wood engravings on thin pale cream wove pape...

AR * Raverat (Gwendolen, 1885-1957). The Golden Age, 1937, wood engraving printed in colours on four conjoined sheets of thin wove paper, an arti...

Various Artists. Xxe Siecle, number 4, edited by G. di San Lazzaro, Paris: Chroniques du Jour, Christmas 1938, two colour lithographs: Marcel Duch...

AR * Piper (John, 1903-1992). Kemp Town [from Brighton Aquatints], 1939, uncoloured aquatint, plate size 188 x 276 mm (7 3/8 x 10 7/8 ins), sheet...

* Adamson (George Worsley, 1913-2005). Whit Monday, St. Mary's, Wigan, 1947, etching, the 5th state, printed in 1980, signed, titled, and numbered...

AR * Rouault (Georges, 1871-1958). Il a été maltraité et opprimé et il n'a pas ouvert la bouche, from Miserere, 1923, published 1948, copper phot...

AR * Rouault (Georges, 1871-1958). Obeissant jusqu'à la mort et à la mort de la Croix, from Miserere, 1923, published 1948, copper photo-engravin...

AR * Lord (Elyse Ashe, 1900-1971). Ducks in a Pond, Chinese Manner, etching printed in colours on thin japan paper, from the published edition of...

* Poole (Monica, 1921-2003). Chalk and Flint, woodcut printed in four colours on wove paper, image size 12.6 x 20.5 cm (5 x 8 ins), sheet size 18....

AR * Cliffe (Henry, 1919-1983). Composition, 1958, colour lithograph, signed in pencil, dated and marked Proof, repaired short closed edge tear t...

* Kawanishi (Yuzaburo, 1923-2014). Osaka Temple, 1960-61, oban colour woodblock on thin japan paper, from the edition of 100 impressions, signed, ...

* Walker (John G., 1939-). Headingley, 1969, colour screenprint, an artist's proof, aside from the published edition of 75 impressions, signed and...

AR * Brunsdon (John, 1933-2014). Coastal Scene on the Lleyn Peninsula, etching and aquatint, titled, signed and numbered 84/350 in pencil, plate ...

AR * Tanner (Robin, 1904-1988). Easter, 1970, etching on cream handmade wove paper, with watermark 'handmade', a very good, strong impression of ...

Frink (Elisabeth, 1930-1993). Horse, 1972, etching printed in sepia, on thick wove paper, signed and numbered 28/75, plate size 250 x 200 mm, shee...

AR * Tanner (Robin 1904-1988). Full Moon, 1973, etching on pale cream heavy wove paper, signed in pencil to lower margin, sheet margins to verso ...

AR * Tanner (Robin, 1904-1988). The Plough, 1973, etching on pale cream wove paper, from the edition of 12 impressions, published by Garton & Coo...

* Feild (Maurice, 1905-1988). W. H. Auden, three lithographs on pale cream wove paper, plus two duplicates, each signed in pencil, one marked arti...

AR * Pasmore (Victor). Cave of Calypso I, 1977, colour etching on thick wove paper with blindstamp, from the edition of 60 impressions published ...

AR * House (Gordon, 1932-2005). Manx Yellow, 1978-1979, etching in colours on wove paper, signed in pencil, titled, dated and marked Proof, plate...