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Dürer (Albrecht, 1471-1528), The Virgin and Child with the Pear, 1511, engraving, a very good, black Meder b impression, printing with clarity and...
* Raimondi (Marcantonio, circa 1480-1527/34). The Virgin with the Long Thigh, circa 1518-1519
Raimondi (Marcantonio, circa 1480-1527/34). The Virgin with the Long Thigh, circa 1518-1519, engraving on laid paper, with indistinct watermark (p...
* Leyden (Lucas van, 1494-1533). St. Anthony the Hermit, circa 1521, engraving, and four others
Leyden (Lucas van, 1494-1533). St. Anthony the Hermit, circa 1521, engraving, a very good impression printing with contrasts (New Hollstein 116 a)...
* Wierix (Hieronymus, 1553-1619). Saint Margaret of Antioch, plus Justus Sadeler, Saint Jerome
Wierix (Hieronymus, 1553-1619). Saint Margaret of Antioch crushes a dragon with the aid of the Holy Cross and receives the rewards of martyrdom, a...
Andreani (Andrea, 1558/59-1629). The Triumph of Caesar: Plate IV (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark...
Callot (Jacques, 1592-1635). Les Supplices, circa 1629, etching on laid paper, the sixth state (of eight), showing traces of Israël Silvestre’s ef...
Van de Velde (Jan, circa 1593-1641). The Twelve Months, 1618, the complete set of 12 etchings, on laid paper, trimmed to the borderline, mostly re...
Dutch and Flemish Schools. A collection of mostly 17th century etchings by Waterloo, Nooms, Ruisdael, Rembrandt, Collaert, Wierotter, Boudewijns, ...
Dutch School. A collection of 17th century etchings by Dujardin, Both, Potter, Berchem and De Bye, including Karel Dujardin (1621/2-1678), Two Goa...
Waterloo (Anthonie, circa 1610-1690). Wooded River Landscape, etching, a very good atmospheric impression, on laid paper, trimmed to retain a fill...
Van Dyck (Anthony, 1599-1641). Christ crowned with thorns (also known as The Reed Offered to Christ), circa 1631, etching and engraving on laid pa...
Callot (Jacques, 1592-1635). Les Petites Misères de la Guerre, faict par Jacques Callot. Et mise en lumière par Israel Henriet, Paris: Israel Henr...
Hollar (Wenceslaus, 1607-1677). The Angler ( after Pieter Brueghel the Elder), 1650, etching on fine laid paper, a very good impression of the sec...
Collaert (Jan or Hans, 1566-1628). Rachel (from the series Icones Illustrium Feminarum Veteris Testamenti), circa 1590-95, engraving on laid paper...
* Bega (Cornelis Pietersz, circa 1631/32-1664). The Drinker (Der Trinker), etching, first state
Bega (Cornelis Pietersz, circa 1631/32-1664). The Drinker (Der Trinker), etching on laid paper, a very good impression, plate size 84 x 60 cm, wit...
Bega (Cornelis Pietersz., circa 1631-1664). The Inn, 1631-1654, etching on fine laid paper, a fine, black impression of the first state (of three)...
Hollar (Wenceslaus, 1607-1677). Five Hunting Horns, 1647, etching on fine laid paper with a circular watermark, a fine, delicate impression of the...
* Rosa, Salvator. The Fall of the Giants and The Rescue of Oedipus, etchings with drypoint, 1663
Rosa (Salvator, 1615-1673). The Fall of the Giants, & The Rescue of the Infant Oedipus, 1663, etchings with drypoint, on laid paper, both with wat...
Ostade (Adriaen Jansz. van, 1610-1685). The Painter at his Easel, circa 1667, etching on fine laid paper with a Grapes watermark (Godefroy waterma...
Ostade (Adriaen Jansz. van, 1610-1685). A collection of ten etchings, circa 1640-circa 1646, including Smoker leaning on the back of a chair; Orga...
Van de Velde (Adriaen, 1636-1672). Grazing cow with two Sheep, 1670, etching on laid paper, a good well-contrasted impression, the only state, pla...
* Lucchesi (Michele, 1539-1590). Ecce Homo, 1582, engraving, a good impression, and five others
Lucchesi (Michele, 1539-1590). Ecce Homo, 1582, engraving, a good impression on thick laid paper, with margins, minor discolouration and surface d...
Piranesi (Giovanni Battista, 1720-1778). Al Signor Odoardo Knight Cavaliere Inglese (plate 34 from Vasi, candelabri, cippi, sarcofagi, tripodi, lu...
Barbault (Jean, 1718-1762). Vue des restes du Château de l'Eau Marcia, & Fragments Antiques (from Les Plus Beaux Monuments de Rome Ancienne), by D...
Duclos (Antoine Jean, 1745-1801, & Ingouf (François Robert, 1747-1812). L’Événement au Bal, from the series Monuments du Costume Physique et Moral...
Kauffman (Angelica, 1741-1807). Woman Resting Her Head on a Book, 1770, etching and aquatint printed in black on pale cream laid paper, the first ...
* Piranesi (Giovanni Battista, 1720-1778), Two Plates from Vedute di Roma and another, etchings
Piranesi (Giovanni Battista, 1720-1778). The Palazzo Farnese and Santa Croce in Gerusalemme (from Vedute di Roma), circa 1773, etchings on wove pa...
Jukes (Francis, 1747-1812). Italian Landscapes, 1775, two fine etchings on heavy laid paper after Jean Baptiste Chatelain, printed in sepia, publi...
* Earlom (Richard, 1743-1822). Seven plates from the Liber Veritatis of Claude Lorrain, circa
Earlom (Richard, 1743-1822). Seven plates from the Liber Veritatis of Claude Lorrain, circa 1777-1819, etchings with mezzotint printed in black an...
* British School. 18th century prints by Kauffman, Gainsborough, Morland, Runciman, & others
Burke (Thomas, 1749-1815). Portrait of Lady Rushout and her Daughter, after Angelica Kauffman, 1784, oval stipple engraving printed in brown on la...
* Bartolozzi (Francesco, 1727-1815). The Conclusion of the Treaty of Troye..., and one other
Bartolozzi (Francesco, 1727-1815). The Conclusion of the Treaty of Troyes (after William Hamilton), 1788, stipple engraving on laid paper, publish...
Francisco de Goya y Lucientes (1746-1828), 1797-1799. Estan Calientes, Plate 13 from Los Caprichos, etching with aquatint, 1797-1799, on wove pape...
Collaert (Jan or Hans, 1566-1628). Jupiter, (from the series Septem Planetae), 1581, trimmed to or on plate margin, sheet size 195 x 140 mm (7 3/4...
Bartolozzi (Francesco, 1727-1815). An Academy Nude, London: Mariano Bovi, 1799, stipple engraving on thick paper, printed in black, browns and red...
Florentine School. Saint Anthony of Padua miraculously healing the leg of a young man, circa 1480-1520, large scale pencil and sepia wash on sturd...
* Franco (Giovanni Battista,. Design for a sarcophagus and Roman trophies, pen and brown ink
Attributed to Giovanni Battista Franco (1498-1561). Design for an ornate sarcophagus with the initials DM in cartouches, ornamented with swags of ...
Attributed to Giovanni Lanfranco (Parma 1582-1647 Rome). Study for the Transfiguration, black chalk heightened with white on grey-green, fibrous l...
* Reni, Guido, Attributed to, Study of Abigail, drawing in pen and brown ink over red crayon
Attributed to Guido Reni (1575-1642). Study for Abigail, pen and brown ink over red crayon on laid paper, bearing early inscription in pen and ink...
Bolognese School, early 17th Century. The Assumption of the Virgin, sanguine chalk on laid paper, laid down, 50.5 x 30.5 cm (19 7/8 x 12 ins)QTY: ...
Della Bella (Stefano, Florence 1610-1664). Two Standing Male Figures, pen and brown ink on laid paper, double ruled outer framing lines in dark br...
Jusepe de Ribera, (1591-1652). Studies of Figures and Horses, pen and brown ink on laid paper, inscribed ‘spagnoletto’ in pencil lower left, with ...
Northern Italian School. Artist in his Studio with company of Soldiers, sanguine chalk on laid paper, inscribed in pen and brown ink 'Cellini' low...
Attributed to Herman Saftleven (Rotterdam 1609-1685 Utrecht). Landscape with figures and ruins on a promontory, pen, black and grey ink and grey w...
* Carlone (Giovanni Andrea, 1639-1697, attributed to). Gathering of Manna, pen and brown ink
Attributed to Giovanni Andrea Carlone (Genoa 1639-1697).The Gathering of Manna, pen and brown ink and brown wash over red chalk, on fine laid pape...
Circle of Carlo Maratta (1625-1713). The Vision of Saint Stanislaus Kostka, pen and brown ink on firm laid paper, minor pale foxing and discoloura...
* Nasini (Giuseppe Nicola, 1657-1736). Saint Joseph with the Christ Child, pen, brown ink and wash
Nasini (Giuseppe Nicola, 1657-1736). Saint Joseph with the Christ Child, pen, brown ink and wash, heightened with white chalk on light brown laid ...
French School. A lady dressed as Flora seated before a fountain in an ornamental garden, with a female attendant strewing flowers into her lap, wi...
Attributed to Jean Baptiste Le Prince (1734-1781). Young Mother with Baby in a rustic interior, circa 1770, sanguine chalk on laid paper, laid dow...
Attributed to Giovani Battista Cipriani (1727-85). Head of a Young Woman in profile, circa 1780, coloured chalks on laid paper, laid down on pale ...
Dance-Holland (Nathaniel, 1735-1811). Spring, pen black and grey ink with grey wash on laid paper, depicting a young gentleman in frock coat and b...
Romney (George, 1734-1802). Young Woman Seated, pencil sketch on laid paper, with partial Strasburg Lily watermark to lower right corner, some mar...
Attributed to Andrea Appiani the Elder (1754-1818). Reclining Female Nude, sanguine chalk on laid paper, with with an unfinished decorative border...
French School. Head of a Young Woman, circa 1800, red chalk on laid paper, watermark Sette Abdon, depicting the head and shoulders of a woman look...
* Northcote (James, 1746-1831). The Israelites Gathering Manna, drawing in brown ink, circa 1800
Northcote (James, 1746-1831). The Israelites Gathering Manna, after Perino del Vaga, circa 1800-1820, pen and brown ink on laid paper, with George...
Italian School. Salome with the Head of St John the Baptist, later 16th century, oil on oak panel, bevelled to left and right-hand sides and lower...
Rubens (Peter Paul, 1577-1640, Follower of). Head of a Woman in Profile, 17th century, oil on canvas, relined with signs of restoration (probably ...
Dutch Italianate School. Landscape with figures and a bridge, circa 1675, oil on canvas laid down on board, 27.8 x 21.8 cm (10 7/8 x 8 1/2 ins), f...
* Collenius (Hermannus Collum, 1649/1650-1723 Groningen). Allegory of the Transience of Wordly
Collenius (Hermannus, 1649/1650-1723 Groningen). Allegory of the Transience of Wordly Affairs, oil on canvas, relined on a modern stretcher, 120 x...
* Cradock (Marmaduke, circa 1660-1717, attributed to). Shelducks in a Landscape, oil on canvas
Attributed to Marmaduke Cradock (Somerset circa 1660-1717 London). Shelducks, Teal and Pochard in a Landscape, oil on canvas, 89 x 74 cm (35 x 29 ...
French School. Venus Disarming Cupid, circa 1700, oil on white metal, showing Venus seated with Cupid leaning against her lap gazing up as she pla...
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