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*Wallpaper panel. A large papier peint landscape scene, for an overdoor, by Arthur et Robert of
*Wallpaper panel. A large papier peint landscape scene, for an overdoor, by Arthur et Robert of Paris, 1786 [but later], printed from woodblocks ...
*Firkins (Ivy, late 19th/early 20th century). Jeanne d'Arc, pencil on thick paper, arched design for
*Firkins (Ivy, late 19th/early 20th century). Jeanne d'Arc, pencil on thick paper, arched design for a stained glass window, showing Joan of Arc a...
*Augsburg School. The Judgement of Solomon, after Rubens, by Johann Georg Kramoser, 1729, pen and
*Augsburg School. The Judgement of Solomon, after Rubens, by Johann Georg Kramoser, 1729, pen and coloured ink on vellum, signed and dated 1739 l...
*Barker (Thomas, of Bath, 1769-1847). Seven lithographs of landscapes with figures (from Pen
*Barker (Thomas, of Bath, 1769-1847). Seven lithographs of landscapes with figures (from Pen Drawings of Landscape Scenery), 1814, together 7 pen...
*Barker (Thomas, of Bath, 1769-1847). 16 lithographs of rustic figures (from Forty Lithographic
*Barker (Thomas, of Bath, 1769-1847). 16 lithographs of rustic figures (from Forty Lithographic Impressions from drawings by Thomas Barker selecte...
*Beham (Hans Sebald, 1500-1550). Melencolia, 1539, copper engraving, trimmed to margins, sheet size
*Beham (Hans Sebald, 1500-1550). Melencolia, 1539, copper engraving, trimmed to margins, sheet size 81 x 55 mm (3.2 x 2.15 ins), framed and glaze...
*Beham (Hans Sebald, 1500-1550). Allegory of Christianity, 1548, etching on laid paper, trimmed
*Beham (Hans Sebald, 1500-1550). Allegory of Christianity, 1548, etching on laid paper, trimmed to the plate mark, but retaining the black line b...
*Bolswert (Schelte Adams, 1576-1659). Johannes Baptista Barbé, after Anthony Van Dyck, circa 1635-
*Bolswert (Schelte Adams, 1576-1659). Johannes Baptista Barbé, after Anthony Van Dyck, circa 1635-40, etching with engraving on laid paper with i...
*Bonington (Richard Parkes, 1802-1828). Eglise Saint Sauveur, Caen, 1824, lithograph on wove paper,
*Bonington (Richard Parkes, 1802-1828). Eglise Saint Sauveur, Caen, 1824, lithograph on wove paper, image size 264 x 199 mm (10.5 x 7.9 ins), she...
*Italian School. Classical Farmyard Scene, early 19th century, brown ink over pencil on wove
*Italian School. Classical Farmyard Scene, early 19th century, brown ink over pencil on wove paper, slight toning and fraying to edges, 25 x 33cm ...
*Strutt (William, 1825-1915). Studies of a Lioness and Cubs, several studies on one sheet, pencil
*Strutt (William, 1825-1915). Studies of a Lioness and Cubs, several studies on one sheet, pencil and yellow wash, 13 x 15cm (5 x 6ins), framed an...
*Leitch (William Leighton, 1804-1883). Castelamare, July 2 1836, pencil and body colour on brown
*Leitch (William Leighton, 1804-1883). Castelamare, July 2 1836, pencil and body colour on brown paper, artist's monogram stamp, pencil title and...
![*Cruikshank (George, 1792-1878). Thirteen etchings from The Life of Sir John Falstaff, [1857-58],](https://portal-images.azureedge.net/auctions-2015/srdom10050/images/75fa29e0-5155-47e3-9021-ba3d14319c22.jpg?w=155&h=155)
*Cruikshank (George, 1792-1878). Thirteen etchings from The Life of Sir John Falstaff, [1857-58],
*Cruikshank (George, 1792-1878). Thirteen etchings from The Life of Sir John Falstaff, [1857-58], 13 etchings on chine collé, from the series of ...
*Gross (Anthony, 1905-1984). Chasteaux Correze, copper etching on thick Arches wove paper, printed by the artist's daughter, Mary West, at the ar...
*Thorpe (Hall, 1874-1947). The Chinese Vase, colour woodblock print, showing anemones in a blue
*Thorpe (Hall, 1874-1947). The Chinese Vase, colour woodblock print, showing anemones in a blue and white vase against a black ground, signed and ...
*Watson (Charles John, 1846-1927). Venezia, 1900, etching on laid paper, additional signed in pencil
*Watson (Charles John, 1846-1927). Venezia, 1900, etching on laid paper, additional signed in pencil to lower margin, plate size 17.5 x 25cm (7 x ...
*Beer (Richard, 1928-). l'Escargot, colour etching, heightened with gold, signed and numbered 40/
*Beer (Richard, 1928-). l'Escargot, colour etching, heightened with gold, signed and numbered 40/90 in pencil to lower margin, plate size 54 x 40c...
*@Blake (Peter, 1932-). 'For instance, now, there's the King's Messenger' (from Illustrations to
*@Blake (Peter, 1932-). 'For instance, now, there's the King's Messenger' (from Illustrations to Through the Looking-Glass), 1970, Dcolour screen...
*Brunsdon (John, 1933-2014). Mist Falling, colour aquatint, titled, signed and numbered 9/100 in
*Brunsdon (John, 1933-2014). Mist Falling, colour aquatint, titled, signed and numbered 9/100 in pencil to lower margin, plate size 45 x 60cm (17....
*Brunsdon (John, 1933-2014). Solva, colour aquatint, titled, signed and numbered AP 8/8 in pencil to
*Brunsdon (John, 1933-2014). Solva, colour aquatint, titled, signed and numbered AP 8/8 in pencil to lower margin, plate size 58 x 44cm (23 x 17.2...
*Brunsdon (John, 1933-2014). Moonshine, colour aquatint, titled, signed and numbered 1/100 in pencil
*Brunsdon (John, 1933-2014). Moonshine, colour aquatint, titled, signed and numbered 1/100 in pencil to lower margin, plate size 30 x 22cm (12 x 8...
*Brunskill (Ann). A Glimpse of Thomas Traherne, Worlds End Press, 1978, eight etchings and block-
*Brunskill (Ann). A Glimpse of Thomas Traherne, Worlds End Press, 1978, eight etchings and block-prints, original cloth-backed pictorial boards, h...
![*Clough (Prunella, 1919-1999). Carafe, [1950], colour lithograph, signed in pencil to lower](https://portal-images.azureedge.net/auctions-2015/srdom10050/images/0f3cb0c0-b937-4d25-d588-a50b110b10db.jpg?w=155&h=155)
*Clough (Prunella, 1919-1999). Carafe, [1950], colour lithograph, signed in pencil to lower margin, original Aitken Dott & Son label to verso, 22 ...
*Gear (William, 1915-1997 ). Harbour Scene, colour lithograph on paper, additionally signed and
*Gear (William, 1915-1997 ). Harbour Scene, colour lithograph on paper, additionally signed and numbered 6/200 in pencil to lower margin, 29.5 x 4...
*Gear (William, 1915-1997 ). Abstract, colour lithograph, signed and numbered 6/200 to lower margin,
*Gear (William, 1915-1997 ). Abstract, colour lithograph, signed and numbered 6/200 to lower margin, 30 x 50cm (12 x 19.5ins), framed and glazed ...
*Hearld (Mark, 1974-). Jay, 2009, colour lithograph, signed, dated and numbered 1/75 in pencil to
*Hearld (Mark, 1974-). Jay, 2009, colour lithograph, signed, dated and numbered 1/75 in pencil to lower margin, sheet size 36 x 48.5cm (14 x 19ins...
*@Hockney (David, 1937-). Catherina Dorothea Viehmann (from Illustrations for Six Fairy Tales from
*@Hockney (David, 1937-). Catherina Dorothea Viehmann (from Illustrations for Six Fairy Tales from the Brothers Grimm), 1969, etching with aquati...
*Indiana (Robert, 1928-). The Santa Fe Opera Twentieth Season, 1976, colour screenprint, signed,
*Indiana (Robert, 1928-). The Santa Fe Opera Twentieth Season, 1976, colour screenprint, signed, dated '76 and numbered 151/250, image size 788 x...
*Martin (Frank, 1921-2005). Rue d'Alesia, colour woodcut, titled, signed and numbered 12/30 in
*Martin (Frank, 1921-2005). Rue d'Alesia, colour woodcut, titled, signed and numbered 12/30 in pencil to lower margin, plate size 41 x 54cm (16 x ...
*Anderle (Jiri, 1936-). Madame Henrietta as Flora, after Jean-Marc Nattier, 1985, colour etching on
*Anderle (Jiri, 1936-). Madame Henrietta as Flora, after Jean-Marc Nattier, 1985, colour etching on wove paper, signed and numbered 16/70 in penc...
*@Piper (John, 1903-1992). Gloriana Street Scene, 1953, colour lithograph on wove paper, unsigned, printed and published by the Royal College of ...
*Thornton (Valerie, 1931-1991). St. Davids, 1971, etching with aquatint, signed, titled and dated to
*Thornton (Valerie, 1931-1991). St. Davids, 1971, etching with aquatint, signed, titled and dated to lower margin in pencil, plate size 40 x 53cm ...
*Toulouse-Lautrec (Henri de, 1864-1901). Jane Avril, 1893, colour lithograph poster, margins
*Toulouse-Lautrec (Henri de, 1864-1901). Jane Avril, 1893, colour lithograph poster, margins trimmed, and corners rounded off, various creases an...
*Vanghan (Keith, 1912-1977). Tree, 1949, colour lithograph, signed and dated in pencil, Abbott &
*Vanghan (Keith, 1912-1977). Tree, 1949, colour lithograph, signed and dated in pencil, Abbott & Holder label to verso, 34 x 55cm (13.5 x 21.5ins)...
*Hill (David Octavius & Adamson, Robert). Three photogravure prints by James Craig Annan, circa
*Hill (David Octavius & Adamson, Robert). Three photogravure prints by James Craig Annan, circa 1905, from the original calotype negatives, circa ...
Rome. An album of small-format lightly albumenised salt prints, circa early 1850s, 41 salt print
Rome. An album of small-format lightly albumenised salt prints, circa early 1850s, 41 salt print views, each approximately 7 x 7.75cm or very sli...
*Marcus & Gilbert Adams Family. A large collection of glass plate negatives, 20th century, mostly
*Marcus & Gilbert Adams Family. A large collection of glass plate negatives, 20th century, mostly relating to the work of Marcus Adams and his son...
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