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*Nixon (Job, 1891-1938). Dieppe Harbour, 1929, etching on wove paper, signed in ink, additionally
*Nixon (Job, 1891-1938). Dieppe Harbour, 1929, etching on wove paper, signed in ink, additionally inscribed to reverse by the artist in pencil wi...
*Palmer (Samuel, 1805-1888). The Bellman, from Il Penseroso, 1879, etching on laid paper, a rich,
*Palmer (Samuel, 1805-1888). The Bellman, from Il Penseroso, 1879, etching on laid paper, a rich, dark impression from the later edition printed ...
*Palmer (Samuel, 1805-1888). The Early Ploughman, 1861, etching on laid paper, a good impression of
*Palmer (Samuel, 1805-1888). The Early Ploughman, 1861, etching on laid paper, a good impression of the eighth state (of 9), margins trimmed, pla...
*Haden (Sir Francis Seymour, 1818-1910). Shere Mill Pond II (Large Plate), 1860, etching with drypoint on laid paper, plate size 178 x 335 mm (7 ...
*@Cameron (David Young, 1865-1945). Ben Lomond, 1923, etching and drypoint on laid paper, from
*@Cameron (David Young, 1865-1945). Ben Lomond, 1923, etching and drypoint on laid paper, from the published edition of approximately 80, signed ...
*@Cameron (David Young, 1865-1945). Joannis Darius, 1900, etching with drypoint on cream japan
*@Cameron (David Young, 1865-1945). Joannis Darius, 1900, etching with drypoint on cream japan paper, signed in pencil, plate size 325 x 167 mm (...
*@Cameron (David Young, 1865-1945). Ca d'Oro, 1900, etching with drypoint on japan, some foxing,
*@Cameron (David Young, 1865-1945). Ca d'Oro, 1900, etching with drypoint on japan, some foxing, signed in pencil, plate size 278 x 202 mm (10.95...
*@Cameron (David Young, 1865-1945). The Chimera of Amiens, 1910, etching and drypoint on thin laid paper, signed in pencil, mount stained, plate ...
*Dodd (Francis, 1874-1949). Portrait of D.Y. Cameron, 1923, drypoint etching on laid paper, signed in pencil, and additionally inscribed by the a...
*Griggs (Frederick Landseer, 1876-1938). Stoke Poges, 1918, etching on laid paper, one of only 22
*Griggs (Frederick Landseer, 1876-1938). Stoke Poges, 1918, etching on laid paper, one of only 22 impressions of the final state, signed in penci...
*Griggs (Frederick Landseer, 1876-1938). Sellenger, 1917-22, etching on laid paper, one of only
*Griggs (Frederick Landseer, 1876-1938). Sellenger, 1917-22, etching on laid paper, one of only 18 impressions of the fifth state, signed in penc...
*Griggs (Frederick Landseer, 1876-1938). Potter's Bow, 1924, etching on antique French pale cream
*Griggs (Frederick Landseer, 1876-1938). Potter's Bow, 1924, etching on antique French pale cream laid paper, one of 46 impressions of the sevent...
*Griggs (Frederick Landseer, 1876-1938). he Barbican, 1920, etching on laid paper, one of a few
*Griggs (Frederick Landseer, 1876-1938). he Barbican, 1920, etching on laid paper, one of a few proofs of the second state (without the cresset o...
*@Badmin (Stanley Roy, 1906-1989). Evening Light, near Sevenoaks, 1929, etching on laid paper, from
*@Badmin (Stanley Roy, 1906-1989). Evening Light, near Sevenoaks, 1929, etching on laid paper, from the edition of 40, published by XXI Gallery, ...
*@Badmin (Stanley Roy, 1906-1989). Richmond Bridge, Surrey, 1931, etching on wove paper, from the
*@Badmin (Stanley Roy, 1906-1989). Richmond Bridge, Surrey, 1931, etching on wove paper, from the edition of 50, published by the XXI Gallery, a ...
*@Badmin (Stanley Roy, 1906-1989). Burford, Oxfordshire, 1931, etching on Basingwerk Parchment wove
*@Badmin (Stanley Roy, 1906-1989). Burford, Oxfordshire, 1931, etching on Basingwerk Parchment wove paper (watermarked), from the edition of 45, ...
*@Badmin (Stanley Roy, 1906-1989). Fallen Mill Sails, 1931, etching on wove paper, from the edition
*@Badmin (Stanley Roy, 1906-1989). Fallen Mill Sails, 1931, etching on wove paper, from the edition of 35, published by the XXI Gallery, signed, ...
*@Brockhurst (Gerald Leslie, 1890-1978). Noemi, 1926, etching on Whatman wove paper, one of 111
*@Brockhurst (Gerald Leslie, 1890-1978). Noemi, 1926, etching on Whatman wove paper, one of 111 proofs published in October 1926, signed in penci...
*@Brockhurst (Gerald Leslie, 1890-1978). Study for a decoration, 1923, etching on cream laid paper,
*@Brockhurst (Gerald Leslie, 1890-1978). Study for a decoration, 1923, etching on cream laid paper, from the edition of 76 proofs published 1924,...
*@Brockhurst (Gerald Leslie, 1890-1978). James McBey, 1931, etching on cream wove paper, from the
*@Brockhurst (Gerald Leslie, 1890-1978). James McBey, 1931, etching on cream wove paper, from the edition of 111 proofs, published April 1931, si...
*@Brockhurst (Gerald Leslie, 1890-1978). Henry Rushbury, 1930, etching on cream wove paper, one
*@Brockhurst (Gerald Leslie, 1890-1978). Henry Rushbury, 1930, etching on cream wove paper, one of 111 proofs published March 1930, signed in pen...
*@Brockhurst (Gerald Leslie, 1890-1978). Lassitude, 1923, etching on pale cream laid paper, from
*@Brockhurst (Gerald Leslie, 1890-1978). Lassitude, 1923, etching on pale cream laid paper, from the edition of 76 proofs, signed in pencil, a fi...
*@Cameron (David Young, 1865-1945). Ben Ledi, 1911, etching with drypoint on japan laid down on
*@Cameron (David Young, 1865-1945). Ben Ledi, 1911, etching with drypoint on japan laid down on wove paper, signed in pencil, plate size 378 x 30...
*@Cameron (David Young, 1865-1945). Gloucester, 1931, etching and drypoint on laid paper, from
*@Cameron (David Young, 1865-1945). Gloucester, 1931, etching and drypoint on laid paper, from the edition of about 88 proofs, signed in pencil, ...
*@Cameron (David Young, 1865-1945). Afterglow on the Findhorn, etching with drypoint on japan
*@Cameron (David Young, 1865-1945). Afterglow on the Findhorn, etching with drypoint on japan tissue, signed in pencil, plate size 230 x 202 mm (...
*Hoyton (Edward Bouverie, 1900-1988). Virgil's Farm, 1926-28, etching on cream laid paper, signed
*Hoyton (Edward Bouverie, 1900-1988). Virgil's Farm, 1926-28, etching on cream laid paper, signed in pencil, plate size 202 x 276 mm (7.9 x 10.9 ...
*Tanner (Robin, 1904-1988). Lesser Celandine, 1943, etching on laid paper, an artist's proof impression, aside from the edition of 50 published b...
*Tanner (Robin, 1904-1988). The Meadow Stile, 1970, etching on thick wove paper, an artist's proof impression, signed in pencil, and additionally...
*Tanner (Robin, 1904-1988). August in Wiltshire, etching on thick wove paper, watermarked J Green &
*Tanner (Robin, 1904-1988). August in Wiltshire, etching on thick wove paper, watermarked J Green & Son, the second of 6 artist's proof impressio...
*Griggs (Frederick Landseer, 1876-1938). Sarras, 1926-28, etching on cream laid paper, one of 84
*Griggs (Frederick Landseer, 1876-1938). Sarras, 1926-28, etching on cream laid paper, one of 84 impressions of the eighth state, signed in penci...
*Griggs (Frederick Landseer, 1876-1938). The Almonry, 1925, etching on laid paper, signed in pencil, very light foxing and pale mount stain, inks...
*Griggs (Frederick Landseer, 1876-1938). St. Ippolyts, 1927, etching on laid paper, the second
*Griggs (Frederick Landseer, 1876-1938). St. Ippolyts, 1927, etching on laid paper, the second state (of 4), from the edition of 32 in this state...
*Griggs (Frederick Landseer, 1876-1938). Cockayne, 1936, etching on laid paper, one of only 3
*Griggs (Frederick Landseer, 1876-1938). Cockayne, 1936, etching on laid paper, one of only 3 impressions of the fourth state, signed in pencil, ...
*@Badmin (Stanley Roy, 1906-1989). Shepton Mallet, Somerset, 1930, etching on cream laid paper,
*@Badmin (Stanley Roy, 1906-1989). Shepton Mallet, Somerset, 1930, etching on cream laid paper, from the edition of 50, published by Twenty One G...
*@Badmin (Stanley Roy, 1906-1989). Oxfordshire Cottage, 1936, etching on cream laid paper, an
*@Badmin (Stanley Roy, 1906-1989). Oxfordshire Cottage, 1936, etching on cream laid paper, an artist's proof, aside from the published edition of...
*@Badmin (Stanley Roy, 1906-1989). The Abbey Barn, Doulting, Somerset, 1929, etching on wove paper,
*@Badmin (Stanley Roy, 1906-1989). The Abbey Barn, Doulting, Somerset, 1929, etching on wove paper, from the edition of 30, published by the XXI ...
*@Brockhurst (Gerald Leslie, 1890-1978). Jeunesse Dor‚e, 1942, etching on laid paper, an impression from the 1st state (of 3), signed and marked ...
*@Brockhurst (Gerald Leslie, 1890-1978). Viva, (Mrs. Bobby Hazleton Ross), 1929, etching on wove
*@Brockhurst (Gerald Leslie, 1890-1978). Viva, (Mrs. Bobby Hazleton Ross), 1929, etching on wove paper, from the edition of 111 proofs, published...
*@Brockhurst (Gerald Leslie, 1890-1978). Nadejda, 1924, etching on wove paper, from the edition
*@Brockhurst (Gerald Leslie, 1890-1978). Nadejda, 1924, etching on wove paper, from the edition of 76 proofs, published 1924, signed in pencil, p...
*@Brockhurst (Gerald Leslie, 1890-1978). Ranunculus, 1921, etching on cream wove paper, from the
*@Brockhurst (Gerald Leslie, 1890-1978). Ranunculus, 1921, etching on cream wove paper, from the edition of 76 proofs, published September 1921, ...
*@Cameron (David Young, 1865-1945). Arran Peaks, 1912, etching and drypoint on japan, a trial
*@Cameron (David Young, 1865-1945). Arran Peaks, 1912, etching and drypoint on japan, a trial proof, signed in pencil, plate size 304 x 354 mm (1...
*Detmold (Charles Maurice, 1883-1908 & Edward Julius, 1883-1957). Long-Eared Bat, 1897, etching
*Detmold (Charles Maurice, 1883-1908 & Edward Julius, 1883-1957). Long-Eared Bat, 1897, etching on imperial japan paper, initialled in pencil by ...
*Griggs (Frederick Landseer, 1876-1938). Lanterns of Sarras, 1932, etching on laid paper, one of 25
*Griggs (Frederick Landseer, 1876-1938). Lanterns of Sarras, 1932, etching on laid paper, one of 25 impressions of the 3rd state, with the text o...
*@Brockhurst (Gerald Leslie, 1890-1978). Young womanhood, 1931, etching on wove paper, from the
*@Brockhurst (Gerald Leslie, 1890-1978). Young womanhood, 1931, etching on wove paper, from the edition of 111 proofs, published July 1931, signe...
*@Brockhurst (Gerald Leslie, 1890-1978). La Tresse, 1926, etching on wove paper, from the edition
*@Brockhurst (Gerald Leslie, 1890-1978). La Tresse, 1926, etching on wove paper, from the edition of 111 proofs, published October 1926, signed i...
*@Brockhurst (Gerald Leslie, 1890-1978). Adolescence, 1932, etching on wove paper, from the edition
*@Brockhurst (Gerald Leslie, 1890-1978). Adolescence, 1932, etching on wove paper, from the edition of 91 proofs, published December 1932, signed...
*Tanner (Robin, 1904-1988). Hedge Flowers, 1936, etching on 18th-century laid paper, an artist's
*Tanner (Robin, 1904-1988). Hedge Flowers, 1936, etching on 18th-century laid paper, an artist's proof impression, aside from the edition of 12 p...
*Tanner (Robin, 1904-1988). The Cheese Room, 1978, etching on thick wove paper, an artist's proof
*Tanner (Robin, 1904-1988). The Cheese Room, 1978, etching on thick wove paper, an artist's proof impression, aside from the edition of 49 publis...
*Tanner (Robin, 1904-1988). The Wicket Gate, 1977, etching on wove paper, an artist's proof impression, aside from the edition of 49 published by...
*@Brockhurst (Gerald Leslie, 1890-1978). Melisande, 1920, etching on cream laid paper, from the
*@Brockhurst (Gerald Leslie, 1890-1978). Melisande, 1920, etching on cream laid paper, from the edition of 55 proofs published July 1920, signed ...
*@Brockhurst (Gerald Leslie, 1890-1978). Fabian, 1921, etching on cream laid paper, from the edition of 76 proofs published February 1921, signed...
*@Brockhurst (Gerald Leslie, 1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs,
*@Brockhurst (Gerald Leslie, 1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs, published May 1932, signed in pencil, a strong,...
*@Webb (Joseph, 1908-1962). Rat Barn, 1928, etching on laid paper, signed in pencil, and additionally titled lower left, some light toning and fo...
*@Webb (Joseph, 1908-1962). Dream Barn, 1929, etching on thick laid paper, signed and titled Dream Barn 1st State in pencil, a rich, dark impress...
*@Webb (Joseph, 1908-1962). Prison, 1930, etching on laid paper, signed, and titled Prison IInd
*@Webb (Joseph, 1908-1962). Prison, 1930, etching on laid paper, signed, and titled Prison IInd State in pencil, plate size 178 x 303 mm (7 x 12 ...
*@Webb (Joseph, 1908-1962). Asylum, 1930-31, etching on laid paper, signed, and titled Asylum 1st
*@Webb (Joseph, 1908-1962). Asylum, 1930-31, etching on laid paper, signed, and titled Asylum 1st State in pencil, a very good impression, plate ...
*@Brockhurst (Gerald Leslie, 1890-1978). Yolande (Mrs Rushbury), 1920, etching on laid paper,
*@Brockhurst (Gerald Leslie, 1890-1978). Yolande (Mrs Rushbury), 1920, etching on laid paper, signed in pencil, additionally inscribed in pencil ...
*@Brockhurst (Gerald Leslie, 1890-1978). Anais I, 1920, etching on laid paper, from the edition
*@Brockhurst (Gerald Leslie, 1890-1978). Anais I, 1920, etching on laid paper, from the edition of 55 proofs published in July 1920, signed in pe...
*@Brockhurst (Gerald Leslie, 1890-1978). The West of Ireland, 1928, etching on wove paper, one of
*@Brockhurst (Gerald Leslie, 1890-1978). The West of Ireland, 1928, etching on wove paper, one of 111 proofs of the final state, published July 1...
*@Brockhurst (Gerald Leslie, 1890-1978). In The Wood, 1920, etching on cream laid paper, one of 106
*@Brockhurst (Gerald Leslie, 1890-1978). In The Wood, 1920, etching on cream laid paper, one of 106 proofs of the fifth state published December ...