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John Ward, R.A., Venezia, limited edition etching, signed and numbered in pencil, 40 x 61cm
Attributed to Henry Bright, (British, 1810-1873), figures sheltering in a cave by a fire, monochrome
Attributed to Henry Bright, (British, 1810-1873), figures sheltering in a cave by a fire, monochrome watercolour, attributed verso, 21 x 16cm
After Jacques Rigaud, (French, 1680-1754), View of the Flower Garden and part of the Palace of
After Jacques Rigaud, (French, 1680-1754), View of the Flower Garden and part of the Palace of Fontainbleau, C18th/C19th hand coloured engraving, ...
Adrian Hill (British, 1895-1977), Harrow School, pencil signed aquatint, 29 x 33cm
After Bertel Thorvaldsen, (Danish, 1770-1844), Speranze, Engraving by Giovanni Balestra, C19th, 30 x
After Bertel Thorvaldsen, (Danish, 1770-1844), Speranze, Engraving by Giovanni Balestra, C19th, 30 x 51cm
Arthur E. Law, Dutch canal scene with a windmill, oil on canvas board, 1925, 22 x 27cm
Life study of a female nude, indistinctly signed, watercolour, 41 x 58cm
After William John Huggins, (British 1781-1845), H.M.S. Winchester, hand coloured engraving by
After William John Huggins, (British 1781-1845), H.M.S. Winchester, hand coloured engraving by Edward Duncan, published by William John Huggins, 1...
A late C19th/early C20th Watts type picture frame, 36 x 46cm rebate
Lake Como, C19th/C20th, landscape, gouache, 49 x 19cm
After George Morland, (British, 1763-1804), Bathing Horses, engraved by W. Ward and published by
After George Morland, (British, 1763-1804), Bathing Horses, engraved by W. Ward and published by R. Lambe, 1814, 60 x 45cm
After James Northcote R.A. (British, 1740-1831), The landing of William Prince of Orange in Torbay, November the 5th 1688, engraved by James Parke...
After Jean-Antoine Watteau, (French 1684-1721), The Embarkation for Cythera, C19th colour etching by
After Jean-Antoine Watteau, (French 1684-1721), The Embarkation for Cythera, C19th colour etching by Nicolas Tardieu, and another, L'Accordee de V...
Margaret Milnes, Venice waterfront, inscribed on label verso, watercolour and ink, 29 x 49cm
Margaret Milnes, Venice waterfront, inscribed on label verso, watercolour and ink, 29 x 49cm
Village in a forest, a Ugandan scene, oil on board, and another of moored boats, oil on canvas, both
Village in a forest, a Ugandan scene, oil on board, and another of moored boats, oil on canvas, both indistinctly signed, 59 x 44cm
A Japanese Meiji period painting on silk depicting a Shimazu clan battle on the water, 31 x 35cm
A Japanese Meiji period painting on silk depicting a Shimazu clan battle on the water, 31 x 35cm
After Jean-Francois Millet, (French, 1814-1875), L'Angelus (The Angelus), engraving, indistinctly
After Jean-Francois Millet, (French, 1814-1875), L'Angelus (The Angelus), engraving, indistinctly signed by the engraver, 20 x 17cm
Maciej Opolski, figures in a street, indistinctly inscribed, signed oil on joined paper and laid
Maciej Opolski, figures in a street, indistinctly inscribed, signed oil on joined paper and laid on board, 36.5 x 50cm
Still life with leaves, signed Forbes, coloured chalk drawing, and another still life with pots, oil
Still life with leaves, signed Forbes, coloured chalk drawing, and another still life with pots, oil painting, largest 50 x 40cm
A mixed media artwork of a Lancaster bomber, 50 x 30cm
T. Holland, (C20th), (possibly Tom Holland, American) sailing boats at full sail, initialled T.H.
T. Holland, (C20th), (possibly Tom Holland, American) sailing boats at full sail, initialled T.H. and signed verso, 87 x 61cm
Riverside town, signed John Paddy Carstairs, and a view of back gardens, unframed gouaches, largest 26 x 36cm
After Kono Barei, three Japanese woodcut prints, wild birds, from the set of One Hundred birds, 15 x
After Kono Barei, three Japanese woodcut prints, wild birds, from the set of One Hundred birds, 15 x 21cm
Antonio Zatta, Map of Portugal, 'Il Portogallo, Cioe le Provincie di Entre Douro, e Minho, Traz-os-
Antonio Zatta, Map of Portugal, 'Il Portogallo, Cioe le Provincie di Entre Douro, e Minho, Traz-os-Montes, e Beira', Venice 1776, 43 x 33cm; and a...
C18th engraving, A General View of Lisbon, the capital of Portugal, engraved by Thomas Sparrow, c.
C18th engraving, A General View of Lisbon, the capital of Portugal, engraved by Thomas Sparrow, c.1782, 31 x 20cm; a plan of the city of Lisbon, e...
After Kate Greenaway, seven vintage lithographic prints, largest 17 x 17cm
Andrew T. Stasky, New Light/Fire Island, watercolour, signed, 20 x 13cm and four limited edition
Andrew T. Stasky, New Light/Fire Island, watercolour, signed, 20 x 13cm and four limited edition aquatints, signed indistinctly, T. Hart, coastal ...
After Guercino, boy with a lamb, coloured engraving, late C19th, 24 x 23cm
After Claude le Lorrain, two plates from the Liber Veritatis, after original drawings in the
After Claude le Lorrain, two plates from the Liber Veritatis, after original drawings in the collection of the Duke of Devonshire, engraved by R. ...
C. Knight, The Cricketer's Inn, signed, watercolour, 20 x 14cm
Roger Ferrin, R.O.I., Seated Nude, signed and labelled verso, acrylic on board, 20 x 27cm
Alswen Montgomerie, port scene with Thames barges and sailing ships, unsigned, labelled verso,
Alswen Montgomerie, port scene with Thames barges and sailing ships, unsigned, labelled verso, watercolour, 25 x 35cm
Sidney Dennant Moss, rural landscape with farmstead, signed and dated (19)30, oil on canvas, 52 x
Sidney Dennant Moss, rural landscape with farmstead, signed and dated (19)30, oil on canvas, 52 x 62cm
Richard Principal Leitch, landscape with figures under the shade of a tree, signed and dated 1876,
Richard Principal Leitch, landscape with figures under the shade of a tree, signed and dated 1876, watercolour, 33 x 21cm
Frederick E. Valter, sheep and cattle in a spring landscape, signed, watercolour, 29 x 20cm
G.P. Gillick, East Sheringham, boats on the foreshore, signed limited edition screenprint, 2/75,
G.P. Gillick, East Sheringham, boats on the foreshore, signed limited edition screenprint, 2/75, dated 1973/4, 20 c 36cm
An C19th lithograph, landscape with horse and rider, labelled verso At Midhurst, 20 x 12cm, and
An C19th lithograph, landscape with horse and rider, labelled verso At Midhurst, 20 x 12cm, and another, Study of a Tree
A collection of C19th and later watercolours, beach scene with fisher folk, 16 x 25cm; view of a
A collection of C19th and later watercolours, beach scene with fisher folk, 16 x 25cm; view of a port; landscape and lake scene etc, and two small...
G. Wilson, (C20th), Pyrford Mill, Surrey, 1946, watercolour, 34 x 23cm
After Charles Hunt, (British, 1829-1900), The Grand Military Steeple Chase near Newmarket, 1858,
After Charles Hunt, (British, 1829-1900), The Grand Military Steeple Chase near Newmarket, 1858, engraving, 51 x 36cm
Coastal scene, monogramed indistinctly, C19th watercolour, and a courtyard scene with figure and
Coastal scene, monogramed indistinctly, C19th watercolour, and a courtyard scene with figure and black cat, watercolour, largest 25 x 35cm
Copley Fielding, landscape with marquees and livestock, signed with a monogram, watercolour, 22 x
Copley Fielding, landscape with marquees and livestock, signed with a monogram, watercolour, 22 x 13.5cm
George Oyston, Harvesting, signed and dated '03, watercolour, 33 x 31cm
Wilhelm Lorenz, winter landscape with wild boar, signed Willi Lorenz, oil on canvas, 61 x 50cm
Wilhelm Lorenz, winter landscape with wild boar, signed Willi Lorenz, oil on canvas, 61 x 50cm
Naive painting of a three masted clipper sailing ship, unsigned, watercolour on card, 70 x 55cm
Naive painting of a three masted clipper sailing ship, unsigned, watercolour on card, 70 x 55cm
Henry Haig, A.R.C.A., stained glass artist, abstract landscape, signed H. Haig, 1956, oil on canvas,
Henry Haig, A.R.C.A., stained glass artist, abstract landscape, signed H. Haig, 1956, oil on canvas, 77 x 51cm
Henry Haig, A.R.C.A., stained glass artist, abstract seascape, possibly Isle of Wight, signed H.
Henry Haig, A.R.C.A., stained glass artist, abstract seascape, possibly Isle of Wight, signed H. Haig, 1959, 97 x 77cm
Bill Sly, Silver Birches, Bushy Park, labelled verso and painted with an industrial landscape, canal
Bill Sly, Silver Birches, Bushy Park, labelled verso and painted with an industrial landscape, canal scene with barges, c.1930s, 51 x 39cm
Naive painting on glass, two kittens, in a velvet frame, labelled verso A. Cole, 1906
Charles Goldsborough Anderson, (1865-1936), portrait of Judge Charles Shand, in a good period
Charles Goldsborough Anderson, (1865-1936), portrait of Judge Charles Shand, in a good period giltwood and composition laurel leaf frame, oil on c...
Nick Andrew, Draught, signed and dated 1994, acrylic on paper, 75 x 51cm
S.C. Cooksey, a bowl of magnolias, signed, early/mid C20th, watercolour, 28 x 20cm
Annabel Kapp, Lake: pink weir 2017, signed verso, oil on canvas, 61 x 51cm
Still life, bowl of chillies, signed Caryl, oil on canvas, 36 x 46cm
Nan Robinson, Goodwood landscape, signed and dated (19)81, watercolour, 38 x 26cm
John Rae, St Thomas a Becket, Warblington, lithographic print, signed, labelled verso, 30 x 25cm
John Rae, St Thomas a Becket, Warblington, lithographic print, signed, labelled verso, 30 x 25cm
Bobbie Bale, Installation, label verso, charcoal on paper, 82 x 57cm
Bobbie Bale, abstract composition, signed, acrylic on paper, 40 x 60cm
Bobbie Bale, abstract figural composition, signed, acrylic on paper, 34 x 57cm
Bobbie Bale, abstract figural composition, signed, acrylic on paper, 34 x 57cm
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