The Art & Design Sale

Emile Gallé (1846-1904), cameo glass and metal mounted vase, of slender baluster form rising from a spreading circular foot, the frosted amethyst...

A Daum Nancy pâte de verre cameo glass vase, the square-section cased glass body in mottled shades of yellow and brown, overlaid and acid-etched i...

A Daum Nancy pâte de verre cameo glass stem vase, the inverted trumpet-form body worked in shades of mottled yellow and brown, overlaid and acid-e...

A Loetz green propeller vase, of wrythen form, the iridescent Creta Papillon glass body rising to a triform flared collar neck, 33cm high; togethe...

Ricke, Helmut, Lotz (Loetz): Bohmisches Glas 1880-1940, in two volumes, published by Prestel-Verlag, 1989

A miniature Tiffany Favrile glass bowl, of rounded square form with golden iridescent lustre, acid etched initials and date code 'A2702' to unders...

Attributed to Tiffany, two miniature 'Favrile' glass vases, each of flared form and finished in iridescent lustre, unmarked6cm and 5.5cm high

James Hogan for Powell & Sons at Whitefriars, a baluster glass vase, circa 1930, the glass body with applied bubble trail filament in amethyst gla...

A Venini fazzoletto glass vase, in ruby red glass and of handkerchief form, acid etched mark and date to underside21.5cm highSigned and dated 2003...

Marguerites, a Lalique glass bowl, relief moulded with a frieze of flower heads and sprouting stems, acid stencilled 'Lalique France' to undersid...

Coquille, an R. Lalique opalescent glass dish, pattern 3202, relief moulded with four shells, wheel-etched mark to underside, 23.5cm diameter; tog...

A Victorian Bretby Art Pottery stick stand, relief moulded with a design of flowering orchids and having pierced decoration to the base, painted a...

A Wileman & Co. Foley 'Intarsio' jardiniere, hand-painted with a continuous scene of koi carp swimming amongst reeds, printed marks to underside14...

A C. H. Brannam Lauder Barum vase, the baluster body with three applied wrythen handles and rising to a scalloped rim, decorated with stylised fi...

C.H. Brannam for Barum Pottery, an art pottery Kingfisher jug, 1898, glazed in shades of green and blue, the single handle emanating from the base...

Frederick Braddon for C.H. Brannam Barum Pottery, an art pottery vase, 1903, with seven applied loop handles, glazed in shades of yellow, green an...

James Dewdney for C.H. Brannam Barum Pottery, a large pair of art pottery vases, 1904, the pear-form bodies each with three applied wrythen handle...

James Dewdney for C.H. Brannam Barum Pottery, an art pottery vase, 1895, the baluster body with three applied wrythen handles, the two opposing pa...

James Dewdney for C.H. Brannam Barum Pottery, a large fish jug, 1897, the baluster body with fish head spout, slip decorated in blue, green and oc...

Robert Wallace Martin for the Martin Brothers, a small stoneware vase, circa 1877-1885, of compressed pear form and incised with a design of two f...

Hannah Barlow for Doulton Lambeth, a stoneware ewer, 1882, of shouldered form and sgraffito decorated with cats in a landscape between two bands o...

Hannah Barlow for Doulton Lambeth, a pair of baluster vases, the stoneware bodies each sgrafitto decorated with a wide band of grazing cattle on b...

Jessie Jones for Pilkington, a Royal Lancastrian lustre bowl of squat, waisted form, impressed and painted marks to underside4.5 x 10cm diameterA ...

Cecil Aldin for Royal Doulton, a collection of Titanian ware pottery, to include two jugs of varying sizes, a plate, a side plate, a shallow scall...

Cecil Aldin for Royal Doulton, a collection of Titanian ware pottery, to include a small scalloped tray, a rectangular dish, and a jardiniere, eac...

Cecil Aldin for Royal Doulton, a collection of Titanian ware pottery, to include a twin-handled rectangular tray, two cylindrical vases, a coffee ...

Cecil Aldin for Royal Doulton, a collection of wares from the 'Aldin's Dogs' series, to include two jugs of varying sizes, a small rectangular twi...

Mabel Lucie Attwell for Shelley, 'Patricia', a bone china figurine painted in yellow and green and modelled as a young girl carrying an umbrella a...

A Shelley Vogue 'Blue Chevron' tea service, pattern no. 11775 by Eric Slater, comprising two teacups, two saucers, a side plate, a teapot, a suga...

William Moorcroft, a 'Natural Pottery' double-gourd vase, circa 1930, the pottery body decorated with a graduated glaze in blue and green and furt...

A Moorcroft Pansy pattern table lamp, the bulbous body decorated to a deep blue ground, painted and impressed marks32cm high

A small Moorcroft Pomegranate pattern footed bowl, circa 1920, the tube-lined pattern over a deep blue ground, painted signature and impressed mar...

A Moorcroft Big Poppy pattern vase, decorated to a blue ground with electroplated rim, painted and impressed marks 15cm high; together with a Moo...

Jean Powell of Craig Bragdy Design, Denbigh, Wales, a tiled panel, with stylised cityscape, signed along the lower edge122 x 30cmThe top panel is...

A Stavangerflint of Norway art pottery bowl, the ovoid flintware body painted to the interior with a pair of stylised birds, printed and painted m...

Sally Tuffin for Poole pottery, a group of chargers and vases, to include: an Athens vase and cover in the 'bird' pattern with conch shell finial2...

Michael Sutty (1937-2003), a limited edition bust of The Right Honourable Lord Viscount Nelson, from the Naval and Military Busts series, the porc...

Andrew Hull at Cobridge, a Trial model Oswald Owl jar, the stoneware vessel modelled as a scowling 'grotesque' bird glazed in shades of green, bro...

Sir Grayson Perry CBE, RA (1960-), a '100% Art' plate, 2020, developed for the Holburne Museum, in collaboration with Kit Grover, to celebrate the...

Sir Grayson Perry CBE, RA (1960-), a framed Lion Queen plate, printed with a design of Queen Elizabeth II as a lion set within a border of alterna...

Etienne Vilotte for Ciboure Pottery, a pair of gourd-shaped jugs, the stoneware bodies painted and enamelled with fish amongst seaweed motifs, sta...

§ Alan Caiger Smith (1930-2020), a large Aldermaston Pottery bowl, decorated with red and gold lustre, painted marks45cm diameterIn good clean co...

§ Alan Caiger-Smith (1930-2020), a large Aldermaston twin-handled soup tureen and cover, with ladle and stand, tin-glazed with a trailing abstract...

A sculptural stoneware vessel, the grogged clay body of twisted form31cm high

A group of three studio pottery vessels, to include a pot of rounded rectangular form decorated with layered tenmoku and iron glazes, stamped 'tgs...

§ Richard Batterham, a large green ash-glazed bread crock, the stoneware body decorated with horizontal bands 27cm high; together with six green a...

A small collection of studio ceramics, to include a Matthew Blakely celadon glazed bowl with facet cut sides 10cm high; a Sonia Lewis at Prickwil...

§ John Dan (1930-1983), a slab-built stoneware vase, the square-section body with green ash-glaze and iron and cobalt highlights over brush-resist...

§ David Leach O.B.E. (1911-2005), a large Lowerdown stoneware vase, with combed zigzag design and tenmoku glaze, impressed seal mark49cm high

§ Jack Doherty (born 1948), a small ribbed porcelain bowl, with soda glaze, impressed marks 8.5cm high; together with an Elspeth Owen (born 1938)...

§ Gabriele Koch (born 1948), a large globular earthenware vessel, 1984, of irregular form, the mottled surface burnished and smoke-fired, incised ...

§ Peter Hayes (born 1946), a raku glazed blade form, 2000, mounted to a polished slate cube base, etched signature25cm high overall

§ Peter Beard (born 1951), a small stoneware vase, decorated with vertical banding in turquoise, applied seal mark12cm high

David White (1934-2011), a crackle glaze porcelain bowl, with impressed seal mark 12cm high; together with another footed bowl by Mary Rich (1940...

§ Chris Carter (born 1945), a tall stoneware vase, mottled dry volcanic glazes in cream, blue, yellow and green, impressed maker's mark49cm high

§ Chris Carter (born 1945), a stoneware vase, with mottled dry volcanic glazes, impressed maker's mark27cm high

§ Kezia Rudge (Contemporary), Seated Mare, a raku glazed model of a horse, incised signature30cm highSome areas of dust accumulation, for example...

§ Sarah Cox (Contemporary), a blue glazed model of a Schnauzer, signed to underside24 x 40 x 21cm